Anatomy of a USA Today Bestseller or How I Made the List

Many people have asked me how I hit the USA Today Bestseller list with The Guinevere’s Tale Trilogy, so today I am going to share exactly what I did, including more detail and numbers than you could ever want. This is going to be a LONG post.

This method is not the only one by any means, but it is time-tested and many authors have used it with success. Of course, if you want try it, you’ll need to adjust it to your own needs and budget.

A Bit About the USA Today Bestseller List
Each of the bestseller lists is a little different, but USA Today counts sales from Monday to Sunday, so you would want your promotion to mirror this. As the name of the publication implies, only sales in the United States count toward their list. The number of sales you need varies, but the general advice is 5,000-9,000, though I hit the low end of the list with 4,191. The number depends on the time of the year because there are busy and slow periods in publishing just like in any other industry. But the good news is pre-sales count if you are trying to hit the list with a new book. The general rule is that you need at least 500 sales at Barnes & Noble and iBooks in order to make a list, so you can’t try if you are Amazon exclusive. There is debate about whether that 500 is combined or separate or if it is even accurate; some people say the real number is closer to 150 or 200. The point is you need a mix of sales–USA Today won’t count you if you are only on Amazon.

Quick Tips
For those who don’t want to read the whole post, here are some quick recommendations. But I do suggest reading the whole thing because not everything you need to know is covered here.

  • You really need a Bookbub Featured Deal in the U.S. to make this work.
  • Ad stacking is key to gaining and maintaining momentum.
  • Have a budget before you start so you don’t go crazy with your spend.
  • Put thought and strategy behind your advertising, graphics and text.
  • Lower your price at least 3-4 days in advance at all retailers. I did this and still had problems with NookPress and Google Play not lowering correctly.
  • When you put your retailer links into the forms for your ads, save which ones you used. One or two nights before your sale, check all them to make sure they are reflecting the sale price – especially if you use distributors. I had a rouge Barnes & Noble link that was removed from a major newsletter because the price didn’t drop with that link, even though it did with all the others I checked. By the time they told me there was a problem, the newsletter had already gone out and they refused to send the correct link. I will always wonder how many sales I missed out on because of that stupid link.
  • Ask for help! People are so willing to share and do what they can to help you succeed!
  • Tell people you are aiming for a list. That’s not something people get to help others do everyday and I really believe letting people know makes them more likely to share than if you just say your book in on sale.
  • Don’t be shy or get worried you will annoy people. You may, but they will also understand why you are posting so much. And if they don’t, you don’t need to be friends with them anyway.

My Sales By the Numbers
I’m listing these early in the post so you can see what I achieved with the method outlined below.

Total sales: 4,191
Estimated Total Income= $2,136.30
Estimated Expenses = $1,672 (newsletter ads) + $761.40 (social media ads) + $9 (graphics) – $2,442,40
Estimated Total Loss = $306.10

It doesn’t bother me that I lost a little money on this. Profit was not my endgame. My goal was to hit the list and I did. You may feel differently and that is totally fine.

By retailer breakdown:

Amazon = 3,574 ebooks (and five print books, but those don’t count toward the list)
Barnes & Noble = 298

  • Nook Press = 6 (I had issues with them not changing prices, so that is why it is low)
  • Distributed through Smashwords: 283
  • Distributed through Draft 2 Digital = 9 (I don’t use them like I should)

Apple

  • Distributed through Smashwords. (I have yet to go direct with them, but I should) = 224

Kobo

  • Distributed through Smashwords = 91

Smashwords = 5

Smashwords sales

(Google Play was not included because they never lowered my price.)

My Category Rankings
Barnes and Noble

  • #1 in fantasy
    • Held for 2.5 days
    • In top 15 for 4 days
    • Bestseller status for 5 days
  • #11 in ALL Nook ebooks
    • In Top 100 for 3 days

Amazon

  • #1 in three subcategories on Amazon
    • Held for 2.5 days
  • #4 in Fantasy on Amazon
    • Held for 2 days
  • #5 in Sci-fi and Fantasy on Amazon
    • Held for 2 days
  • #40 in ALL Kindle ebooks
    • In Top 100 for 2.5 days

Apple

  • #8 in Sci-fi and Fantasy on iBooks (I only thought to look at this on Sunday, so I’m not sure if it was any higher. It likely was at least on Thursday.)

Smashwords

  • Made their Hot List two weeks in a row.
    • Week 1
      • #1 selling book
      • #1 selling boxed set
      • #1 selling fantasy boxed set
      • #1 in fantasy
      • #1 in fairy tales
    • Week 2 (this is with it back at full price)
      • #4 selling boxed set
      • #1 selling fantasy boxed set
      • 1 in fairy tales

Outsold both George R. R. Martin (2 books) and Nora Roberts at certain points. I know most of their fans likely already have these books so it isn’t like I outsold a new release, but still, these authors are HUGE!

BookBub is Key
You can try the other elements described below without a BookBub Featured Deal in the US, but unless you already have a huge audience, I wouldn’t recommend it. BookBub is expensive, but very powerful. They say most authors average about 3,000-4,000 in sales from one of these deals, but that depends on the category you are in. (I was in fantasy, where they say the average is 2,100. My numbers were just above that at about 2,500.) In my experience, if you want a US deal (which is where the vast majority of subscribers are) DON’T click both US and International, even though they say it increases your chances. Every time I’ve clicked both, I’ve gotten international only. While that is good for increasing sales and establishing greater foreign readership, a US deal is what gives you the chance to make a list. This was the first time I indicated I only wanted a US deal, and the first time I got one.

When you are submitting for a deal, unless you are published by a major house, the general advice is to focus on your ebook only. This is partly because of the costs involved in printing paperbacks, which limit how far indie authors can reduce our prices before we lose money on a sale. It is also because many of the lists count paperback and ebook sales separately, so focusing on both won’t actually increase your chances. Plus, most readers of these newsletters are buying ebooks anyway. (I did find that I saw a slight increase in paperback sales during the campaign even though that book wasn’t on sale, so you may see the same benefit.)

When thinking about your potential deal, there are two big decisions you have to make: which book and what price? As for which book, it is easier to make the list with a boxed set (either of your own books like I did with the Guinevere’s Tale Trilogy or with a set from various authors who have established fan bases) than it is with a single book. This is because readers feel like they are getting greater value when they get more than one book at a sale price. (Hey, I can’t blame them.) It is definitely possible to do it with a single book, but you will have to work that much harder at advertising and rely more on your fan base to promote.

Another fairly big decision is which genre to advertise in. Bookbub only has so many choices so you have to decide which best fits your book and its potential readers. If your genre is straightforward like contemporary romance, it will be an easy decision because they have that as a category–and it is a very popular one. However, The Guinevere’s Tale Trilogy is historical fantasy and they don’t have a category for that, so I had to choose between historical romance (which it is not), historical fiction, and fantasy. I’ve learned from previous experience that my Guinevere books sell better when I market them as fantasy, so that is the category I went with, even though historical fiction has a bigger BookBub subscriber number. (A lot of this has to do with anticipating reader expectations. I think straight historical fiction readers could be turned off by my Guinevere books because she is a mythological, rather than historical figure and the book has mystical elements to it.)

Marketing expert Amy Collins told me once that the bigger the price drop you can demonstrate for BookBub, the more likely you are to get a featured deal. How far you choose to drop it depends on your goals for your campaign. If you are looking to make money (or at least break even), you may not wish to go all the way down to $0.99 like I did. (My normal price is $9.99.) However, if you don’t care about a profit and are just looking to try to make a list, as I was, drop the price down as much as you are comfortable. I personally wouldn’t advise free because 1) you won’t make any of your money back and 2) many of the lists don’t count books offered for free.

Rumor has it Tuesday and Wednesday are the best days for BookBub deals because you can then ride the “tail” from the ad for the rest of the week. Mine was on a Thursday, and I did just fine. My sales dropped off pretty quickly Saturday and Sunday, so for me, the tail wasn’t as long as some had led me to believe. If you don’t like the day/date that Bookbub gives you, just email them (quickly – I think their rules say it has to be a certain amount of time before your deal) and they will change it. Mine was originally on a Saturday and I asked them to change it because I was traveling and also asked for a different day based on when other major advertisers had open slots.

You Got a Featured Deal, Now What?

Ad Stacking for Newsletter Lists
The first thing you should do when you find out that you got a BookBub Featured Deal (besides celebrate) is start planning the other ads you are going to run in the week of your promotion. These are usually mostly ads targeted at newsletters/mailing lists of readers. Some of the really popular ones (especially Robin Reads and Fussy Librarian) fill up a month in advance, so keep that in mind when confirming your BookBub date. Also keep in mind that some of these sites are VERY expensive. Don’t feel bad if you can’t afford them. I went into debt for this and I don’t advise anyone else to do so. Below are ones I used, along with the price, which of course, they can change at any time. Some of them are flat-rate pricing and some let you choose what package you want. Here’s a great database to use to evaluate potential ad companies.

Location Date Cost
BookBub Thurs 7/11 $516
Just Kindle Books Wed 7/10 $53
Fussy Librarian Tuesday 7/9 $20
Book Gorilla unknown free, part of a package with another company
BargainBooksy Wed 7/10 $40
ManyBooks Wed 7/10 $78
Robinreads Mon 7/8 $85
ENT Tues 7/9 $35
Choosey Bookworm Mon 7/8 $36
Kindle Nation Daily week $119
BooksButterfly 6/8-6/12 $190
BookRebel Mon 7/8 $25
Riffle Select Wed 7/10 $75
Early Bird Books Mon 7/8 $300
The Portalist Wed 7/10 $100
Total 1,672

There are a few that I would have liked to have used, but couldn’t and why:

Book Barbarian full
Book Cave not accepted
Free Kindle Books Didn’t have enough reviews
BookDealio date conflict
Booksends not enough reviews
Ebooksida not enough reviews
Writerspace not appropriate for a short period promo; better for new release

The best advice I can give is to cluster ads from these types of companies around your Bookbub ad, preferably BEFORE the day of your Featured Deal. Don’t run other ads on the day of your Bookbub Featured deal; just let it do its job on its own. It is better to get some heavy hitters in before your Bookbub deal so that they jump-start your sales and trip Amazon’s algorithms into paying attention. That way your book is primed for the big BookBub day.

Based on my sales, the promotions that seem to have done the best are the ones I scheduled on Monday (Robinreads, Bookrebel, Early Bird Books), as I had 625 sales that day, as opposed to 227 on Tuesday and 220 on Wednesday. I’m only using Amazon as my example because they have the easiest report by day but my sales at other locations showed a similar pattern.

It is still important to continue to advertise after your Book Bub deal. You can do this through ads from the places above and/or through your own ads. I had scheduled all of my ads with other companies earlier in the week, so I relied upon Facebook/Instagram, Amazon, and Bookbub ads that I created during the last four days of my campaign (Friday-Sunday). My sales reflected that as they trended steadily downward. I will go into more detail on the ads I created myself below.

Theme
When you’re planning your campaign, you need to think like a marketer. This means:

  • Being consistent in your messaging through all of your graphics and other communications.
  • Keeping your color scheme and fonts consistent as well.
  • Having a theme to tie together your copy and images.
  • Using images that are professional (I recommend stock photography from iStock, Adobe Stock or some other paid site) and that are consistent.
  • Using comparison titles to help readers understand what type of book you’re promoting.

You can choose to base your theme around anything–perhaps an upcoming holiday, season, news event, TV show or movie that your books are similar to–as long as it gives your audience something to identify with and as well as a clear, honest picture of what to expect from your book.

I chose to target the “showhole” left behind by the end of Game of Thrones because my Guinevere books have a lot of similar attributes (political conniving and maneuvering, murder for the sake of gain (though not as many deaths as GRRM’s books], a quasi-medieval setting [though mine is more early medieval], and a bit of magic). I also played off the idea that in the show at least the women did not fare well, but they do in my books. This also ties nicely into the resurgence feminism is having at the moment. I also wanted to touch on the idea that fans have waited a long time for The Winds of Winter and still have a long wait, so they can use that time to read my book.

Once I saw how the various messages performed (more on that below) and I had some solid success to back up revising my ads (this was on Friday after the big Bookbub push), I decided to keep the basic graphics and message the same, but change them a little to play on the books’ new bestseller status and create a sense of FOMO (fear of missing out), since the campaign was coming to an end.

Graphics
Once I had those basic ideas in mind, I decided to create eight graphics that I would both use as the basis for my Facebook/Instagram and Bookbub ads and share on social media. The reason two were similar is I wanted to see which type of background connected better with people, simple or complex.

Out of those, four played heavily on the Game of Thrones theme:

But I knew not all my readers were fans of the show, so I didn’t want to put all my eggs in one basket. I also created an ad that appealed more to readers of historical fantasy, one for readers of epic fantasy, one that emphasized the award the book recently won, and one to those who are attracted to the romance in my books.

I use Canva to create my graphics. I’ve tried Bookbrush, but I can’t get it to work correctly for me. (Some people swear by it, so use whatever you are comfortable with). All of my images either come from Canva or Adobe Stock. (It is very important to use legally purchased images. Yes, it costs money, but it’s better than getting yourself sued for something you stole off of Google.) I have a running account with them that costs $29.99/month, so I have hundreds of credits to use anytime I need them. I don’t have any special graphic design training; I think I just picked things up over my 15 years in PR and marketing.

Once the Bookbub deal happened and I had several things to crow about, I edited my graphics. You’ll notice the bestseller seals (which I created myself, based off of things I had seen others do). They aren’t on every image and I don’t always include all three because sometimes that made the design too busy. I let the ad dictate what I did and did not include. Also note the change in language. It is simpler and uses terms like “Buy now!” Don’t Miss Out!” and “Hurry!” to create a sense of urgency and FOMO. These graphics also emphasize the end date more which is both a helpful reminder for people and another way to emphasize this is a limited time offer.

 

Prep Work

There are a few things it would be wise for you to do before your promotion week.

  • Make sure your book page is properly formatted on all sites. You’d be surprised how messed up they can get, especially on Amazon (their editor follows no known HTML logic) and Barnes and Noble (which I never did get fixed, despite multiple attempts).
  • Check Amazon your categories. Amazon is always adding new categories, so if you haven’t checked yours lately, you might want to shift them around. It is easier to hit #1 in a smaller, more niche sub-category. But I actually took my book out of the Arthurian niche sub-category and put it into the bigger historical fantasy category because I wanted to see how it did. My two categories are Fiction > Fantasy > Epic and Fiction > Fantasy > Historical.
  • Check your Amazon keywords. These are how Amazon will throw you into a third category, so make sure your keywords really reflect what you book is about. This is how I got into the Sword and Sorcery subcategory
  • Get any typos fixed that you or readers have identified and be sure to upload the new files in plenty of time before your sale.

I also did a few other things that are totally optional:

  • I asked on Facebook if any of my author friends had a newsletter timed to the sale and was willing to mention it. From that, I got nine people who said they were willing to share anything I posted on Facebook, a suggestion for someone to contact who might help, a newsletter swap with author Nancy Bilyeau and an interview and newsletter mention from marketing expert Amy Collins. This is something I would totally do again. The worst people can do is ignore you or say no.
  • I was heading to the Historical Novel Society Conference just a few weeks before the sale and I knew they would have a swag table so I had 25 small cards printed advertising the sale. I didn’t count how many were left after the conference (a lot) but I needed something to do with them. So I handed them out to people I knew at my day job. I have no way of knowing how many people actually bought the book from the card, but as several of my co-workers said, “Hey, if we can ask you to buy cookies and pizza for our kids, you can certainly ask us to buy a $0.99 book.” I would advise checking on your company’s solicitation policy if you’re going to do this, just to be safe. It was fun, but it’s not something I think I would do again.
  • They say the higher the number of reviews your book has on Amazon, the more likely readers are to buy your book, so you may want to try increasing your number before your promotional week. I emailed my newsletter subscribers asking for review in exchange for free book (not sure if that is totally okay or not, but I did it). It only netted me two reviews out of 2,000+ newsletter subscribers. I won’t take that exact tack again, but if I had more advanced notice I might have done Choosy Bookworm’s Read and Review program, which I’ve used before and had success with.

Newsletters/Blogs
Another important step is to email your newsletter subscribers and if you have a blog, write a blog post letting people know about the sale, your desire to hit the list (don’t be shy about this!) and how they can help you. The messages can be pretty much the same. I would advise making your story as personal as possible. After all, if you’re going to ask people to help make a dream come true, it’s only fair that they understand why this is your dream. 

Because I changed newsletter providers, I don’t have access to the email I sent to my newsletter subscribers, but here’s the post that I did on my blog. It’s a little longer than I would recommend, but the important things are:

  1. Include your buy links up front so people don’t have to look for them
  2. Bold the key messages for those who will skim
  3. Provide more detail toward the bottom for those who want it
  4. Say thank you. After all, you can’t make a list on your own; you are reliant on people buying the books and spreading the word. 

You may also want to send a reminder close to the end of the sale period and/or provide updates along the way. This is especially good if you are doing interviews or writing articles to try to attract attention to the campaign. It gives you (and your fans) more things to share online, too.

Here are mine:

These not only may spur some people to action, but it will also serve to keep the energy up around the campaign. And be sure to do a wrap up post after, especially if you make the list!

Also, if you are part of any group blogs, make sure you post to those as well! They will reach different audiences.

Street Team
If you have a Street Team – a group of dedicated superfans who have promised to help promote your books – even a small one (mine is only 29 people, but I know authors who have around 1,000 in theirs), make sure you let them know about the sale and provide them with resources to help tell people about it. I created a page on my website with ready-made graphics for Facebook and Instagram, as well as tweets that could be copy/pasted: https://nicoleevelina.com/spread-the-word-the-guineveres-tale-trilogy-0-99-sale/. I included this link in all my communications with them via email and in our secret Facebook group. The idea is to make sharing your information as easy as possible for them. (When I updated my graphics, I created another page: https://nicoleevelina.com/new-sale-graphics-guineveres-tale-trilogy/ and let everyone know about the updated information.)

I also invited my team members to share suggestions in the Facebook group for how to keep up interest over the weekend. Then I added some of my own, a few of which were good, a few of which were really dumb. I included everything because you never know what might spark an idea.

If you have a large Street Team, you may want to run a contest with prizes for the person who gets the most shares/likes/etc. or something else to reward the people who put in the most effort. This is something I wish I would have thought to do.

If you don’t have a Street Team, start one now. You can begin by setting up a simple sign up form on your website and then ask your fans on social media, your blog and your newsletter if they’d like to join. Then put a link on your website as well. It will grow over time.

Social Media
I am active on Facebook, Twitter, Instagram and Pinterest, so that’s where I posted these graphics. I did daily posts (with a different graphic each day) on Instagram and Facebook (both profile and page…yes, I know technically you aren’t supposed to do that kind of thing on your profile). If you are aiming to hit a list, TELL PEOPLE. As one of my writer friends said, “You should never be modest about your accomplishments [or in this case, goals] as an author.” I think most people really want to see you succeed and if they know you have a goal like that in mind, they will be more willing to help than if you just say, “Hey my book is on sale.” Sales happen all the time; it’s not every day you can help someone hit a bestseller list.

Instagram

  • I did daily posts with a different graphic each day.
  • I used a core group of about a dozen hashtags and then added others that were more specific to the given graphic. For example for the one with the guy on the side that talks about Lancelot, Arthur and Aggrivane, I used the ones below. You’ll see the specialized tags about romance at the end.

 

 

 

 

 

 

  • The graphic that did the best was the Winds of Winter ad. Instagram has hidden the number of likes for me, but I was mentally keeping track and it got over 1,000. I have never had anything like that happen before and I can’t explain why it was this one that hit. I used the same hashtags. This was even still the case when I updated my ads with the award seals.
  • When I started to get great numbers and making bestseller lists at Amazon and Barnes and Noble, I took screenshots and posted those as well. That was mainly just me being excited but also a little to show others how well the book was doing in the hopes they’d want to jump on the bandwagon and but the book, too.

Facebook

  • I did daily posts with a different graphic each day on both my profile and my page. (Yes, I know you aren’t supposed to advertise anything on your profile, but with the low percentage of people who see anything you post to your page, I do it anyway.)
  • I pinned my favorite post to the top of my profile on Monday. That way it would be the first thing people saw all week.
  • When I started to get great numbers and making bestseller lists at Amazon and Barnes and Noble, I took screenshots and posted those as well.
  • I asked everyone on FB over and over to please share my posts that had the graphics and buy links. I estimate that at least 30 people shared over the course of the week.
  • I drove everyone I know crazy with the above, I’m sure.
  • I also posted to about three or four different Facebook groups a day, totaling about 15 groups. There were several others that I never got around to posting in.
    • Here’s my whole list. Some will apply to you, some won’t. But you can find ones in your genre.
    • Be sure to read a group’s rules (usually the post pinned to the top in the main area or over on the right-hand column) to see if they allow promotions. Some do, some don’t, and some only allow it on certain days or in certain ways (i.e. you have to comment on a post the admins start; you can’t start your own.)
    • Don’t do too many right in a row or even in the same day because Facebook might accuse you of spamming and lock you out for a period of time, not something you want during a promotion.
    • It’s a good idea to participate in the groups first so you don’t just look like a spammer.

Twitter

  • I did daily posts with a different graphic each day. I pinned that tweet to the top of my profile.
  • When I started to get great numbers and making bestseller lists at Amazon and Barnes and Noble, I took screenshots and posted those as well.
  • When I was getting close to number 1 in Canada, I started doing specific tweets aimed at Canadian readers. This was my only Canadian promotion; I hadn’t done any ads (mine were specific to the U.S.). The rest was word of mouth.
    • At the same time I also asked my friend, Canadian author Susanna Kearsley, if she would mind sharing my promotion to to her fans. She did. 🙂
      • I was very careful in who I asked and how. This is not something you want to take advantage of. If you are going to ask other authors to share your promotion, it is best to stick to the ones you know well, and ask politely. Some may say no or not respond and that is okay.

Pinterest

  • It didn’t occur to me to add my promo graphics to one of my boards (I have one called “Book Shelf (My Books)” for this very purpose) until Friday.
  • The reason to do this is to get the graphics onto the boards of your followers for free. I have 18,900 monthly viewers, so that is a lot of people. I wish I would have done it on Monday instead so they would have had longer to see them.
  • Two of the graphics were in my top 10 pins for that week, netting a total of 1,018 impressions for free.
  • I also promoted a pin, which I will talk about below. It is not included in the numbers of the bullet above.

Advertising (non-newsletter lists)

Facebook/Instagram

Total spend: $353.78

  • I ran a total of five ads using Boosted Posts over the course of a week. In total they reached 13,872 people, 5,062 who engaged (liked, shared, etc.) with the post and 24 of whom clicked a link.
  • My most popular post in terms of both reach and engagement was The Winds of Winter ad (which isn’t surprising since FB and Instagram are now linked). I just wish I understood what made that one so popular.
    • Interestingly, I didn’t even post that one until Friday.
  • The two that posted on Monday and that ran the entire campaign had very different results. The one I thought would do better only had 1,430 reach and 646 engagement, but the other one that was female-focused blew it away with 5,206 reach and 846 engagement. Go figure.
  • I had one ad (the bottom one in the image below) that wasn’t doing well at all, so I killed it right away.

Pinterest

Total spend: $16.28

Strategy

  • This ad was a last-minute decision that I made on Friday night on a lark.
  • I decided to promote one of my pins (the romance one with the guy) instead of creating an ad. It is a new option and frankly, way easier. I chose that pin because I felt like it appealed to the widest variety of people and aligned well with Pinterest’s mostly female audience.
  • I only had two days left in the campaign at that point (less once Pinterest approved my pin), so I didn’t throw a lot of money at it – only $20, of which I actually spent $16.28

Results

  • The results were 10,328 impressions, 1,400 close up views, four saves and 132 clicks on the buy link, for a click through rate of 1.28%.
  • Verdict: I would totally do this again, but keep my spend low.

Bookbub

Total spend = $383.37

Strategy

  • I broke my ads up into ones that would run in the early week before the BookBub Featured Deal and ones that would run in the end part of the week.
    • They say the average click-through rate for a BookBub ad is about 0.5%. even though we should all be aiming for at least 3-5%.
    • There are a lot of complexities about how you set up your ads and how that affects your rate. I’m not an expert, so I just tried different things to see what worked.
    • These ads appear at the bottom of the emails, so opening the email counts as an impression but doesn’t guarantee that the ad is seen or clicked on.
  • I targeted my ads both by category (fantasy and historical fiction) and author because just doing category alone made my audience too broad. Authors I targeted included Deborah Harkness, Patrick Rothfuss, Terry Brooks, Philippa Gregory, Diana Gabaldon, George R. R. Martin, and Susanna Kearsley.

Results

  • The Bookbub ad that did the best for me.

    I ran a few different ads with a few different goals:

    • In the early part of the week (Mon-Wed) I ran five ads.
      • Three were different graphics, just to see which performed better.
        • Missing Westeros? Visit Camelot: 6,597 impressions, 17 clicks, click through rate of 0.26%
        • Historical Fantasy at its Finest: 6,682 impressions, 26 clicks, click through rate of 0.39%
        • A Woman Rules Camelot: 7,302 impressions, 18 clicks, click through rate of 0.25%
      • I also ran ads that just targeted certain retailers, i.e. Apple or B&N, to try to drive up sales there. That didn’t work at all. My click through rate for those were 0.03% for Apple and 0.08% for B&N, which is abysmally low. I won’t be doing this again.
    • In the later part of the week (Fri-Sun) I ran three ads, two which I designed myself and one of which I used the Bookbub ad generator for.
      • Historical Fantasy at its Finest: 2,259 impressions, 3 clicks, click through rate of 0.13%
      • Missing Westeros? Visit Camelot: 2,046 impressions, 0 clicks, click through rate of 0%
      • Bookbub generated ad: 12,364 impressions, 37 clicks, click through rate of 0%
  • Things I learned:
    • Simple ads with little text and the book cover work the best.
    • You may as well just use Bookbub’s ad generator instead of spending the time to design your own.
    • The more money you throw at an ad, the more impressions you will get (my budget for the BookBub generated ad was twice that of the others) but that doesn’t necessarily mean much higher click-through (that one had only 0.30% vs one of the ones I created with 0.39%)
    • I need to take some classes on how to create ads that work.
  • Will I do Bookbub ads again? I’m honestly not sure. I am reading that some people thinking they have gone the way of Amazon ads: too popular and too expensive to really make a difference anymore. If I do them again, I won’t budget as much money, that is for sure.

Amazon Advertising

Spend: $2.75 (lockscreen) + $5.22 (product ad) = $7.97

Strategy

  • I originally had two ads going, a lockscreen ad (shows on the locked screen of a Kindle) and a sponsored product ad (shows in the product listing on Amazon when people search for certain terms or authors that you define).
  • Amazon doesn’t give you a lot of options for customizing your ad. Your image will be your book cover and you have only 150 characters for your ad copy.
  • My ad copy was: “Missing Westeros? Visit Camelot. Priestess. Queen. Warrior. Guinevere was much more than a sinner. Experience life through her eyes in a 3-book set.”
  • My copy focused on Game of Thrones, but I also told my audience a little about who the book was about (a Guinevere, who is not your average portrayal. She is a priestess, a queen and a warrior who was more active than the traditional sinner) and what they should expect (there is an implication in the roles I mentioned that they will get magic, political mechanations, and action, plus you know that you will be reading her experience as it happens).
  • I chose manual product targeting by category. My categories were 1) /Books/Science Fiction & Fantasy/Fantasy/Epic Fantasy 2)/Books/Science Fiction & Fantasy/Fantasy/Sword & Sorcery Fantasy and 3) /Books/Science Fiction & Fantasy/Fantasy/Historical Fantasy. I picked these because they are my categories for the book within Amazon as well as the categories I thought my readers would read. Interestingly, these are the three categories I hit #1 in!
  • I also targeted a few products, mostly GRRM books, The Mists of Avalon, and the categories of Arthurian Fantasy, Historical Fantasy, Romantic Fantasy, Epic Fantasy, Sword and Sorcery Fantasy, Fantasy Anthologies, Mythology and Folk Tales, and Myths & Legend Fantasy.

Results

  • I stopped the lockscreen ad after only a day and only spending $2.75 (with 0 sales) because Amazon just wasn’t pushing it out. I won’t do lockscreen ads again, as I’ve noticed from personal experience that they are HEAVILY weighted toward Kindle Unlimited books. (Plus a lot of people have them turned off in their settings.)
  • Interestingly, my sponsored product ad wasn’t pushed out much either. I only spent $5.22 for 16,846 impressions, but made $44.15 in sales from it. I had an average click-through rate of 11.82% which is really good.
  • Verdict: I might do a sponsored product ad in the future, but I am finding Amazon Ads to be less and less effective.

Things I Would Do Differently
No matter how good any marketing campaign is, there are always lessons learned and things you would do differently next these are mine:

  • I didn’t find out about merchandising with major retailers (Barnes & Noble, Apple and Draft2Digital) until my campaign was almost over. Apparently if you tell them you have a sale (and mention BookBub if you have on because they understand how important that is) they may help promote your book. I emailed all of them and only heard back from Barnes & Noble. It was too late for this campaign, but now I have the links to their forms for the future. 
  • May not use quite as many newsletter ad services in the future. I don’t know. I’m on the fence about that.
  • Add my graphics to Pinterest on the first day of the campaign rather than when it was almost over.
  • Contact a few people I know (Chuck Wendig, Joanna Penn) who might have helped promote the book. 
  • Possibly engage a VA like Kate Tilton on the campaign.
  • Look at Apple stats earlier. That just totally slipped my mind.
  • Run a contest with prizes for the person who gets the most shares/likes/etc. or something else to reward the people who put in the most effort.

I’m sure there are other things I could have done differently or better, but that is what is coming to mind. If can think of anything else, please let me know!

Questions?
If you’ve made it this far into the post, congratulations! If you can think of anything I haven’t covered or that you want more detail on, please comment and I will totally share!

Online Courses Now Available at Professional Author Academy

If one of your New Year’s resolutions is to learn more about writing, finish your book or maybe even to self-publish, you’re in luck. I’m now offering online courses on writing, business and publishing for authors of all experience levels, from aspiring to multi-published, at Professional Author Academy.

Here’s a look at the courses:

Business Courses 

Audio Books for Indie Authors
Audio books are the fastest growing segment of the publishing industry and are a relatively easy way to make money on books you’ve already written. The process may seem overwhelming, but Nicole Evelina will guide you through a few of the ways of getting your book from page to earbuds. She’ll help you understand your options for production, the cost involved, how to audition narrators and guide them once you’ve selected your talent, what the recording and editing process entail, and how to get your books out to your audience.

Basic Branding for Authors
When we hear the word “branding,” most of us automatically think “logo.” While that is one part of it, branding is actually so much more. It includes the way people feel when they interact with you, your “voice” both in your writing and online, and the image you project online and in person. In addition, branding encompasses your logo, author and book taglines and the fonts and colors you choose for your web site and marketing materials. Drawing on 15 years of professional experience in marketing and a master’s degree in public relations, as well as her own experience as an author, Nicole will help you understand branding through case studies of authors who do it successfully, as well as offer tips and exercises you can employ to discover your own brand.

Business Plans for Authors
A business plan is a roadmap to success. Whether you’re published or not, indie or traditional, a good business plan helps you in defining your goals as well as action steps you can take to reach them. In this course, you’ll learn an 11-step process for writing yours that will take only an hour or two to complete. Plus, you’ll get to see a real-life example of a business plan from your instructor. You’ll also learn how to set your budget and think through your long-term and short-term goals, uncover additional merchandising opportunities that could lead to income, and plan for your next year’s worth of book releases.

Legal Issues for Indie Authors
Being an indie author is more than just writing and publishing a book. Regardless of whether or not you choose to formally start your own publishing imprint, as soon as you make your first sale you are a business in the eyes of the law. This means you’ll have to pay taxes and make sure you follow local, state and Federal laws. In this course,* award-winning author and owner of Lawson Gartner Publishing, Nicole Evelina will walk you through the ins and outs of copyright, PCIP information and Library of Congress numbers, things to consider when starting your own publishing imprint, taxes and proper business record keeping. *This course should not be taken as legal advice. Please consult an attorney and/or tax expert before taking any action.

Marketing Plans for Authors
In today’s publishing world, it’s not only indie authors who have to handle the lion’s share of marketing their book. Increasingly, traditionally published authors are being asked to shoulder the burden. So where do you start? Drawing on 15 years of professional experience and a master’s degree in public relations, as well as her own experience as an author, Nicole Evelina will lead you through creating your own marketing plan. You’ll learn how to:

  • Get an idea of the market for your genre
  • Research competitive and comparative books
  • Identify your strengths, weakness, opportunities and threats
  • Identify your target audience
  • Develop key messages about your book and yourself as an author
  • Plan what tactics you will use before launch, during your launch and after to gain and sustain sales:
    • Distribution – online and physical stores
    • Getting endorsements
    • Paid advertising
    • Social media
    • Your web site content
    • Guest posts/writing articles
    • Events/speaking engagements
    • Media relations
    • Tapping into online and real-life organizations
    • Using giveaways and ARCs to build buzz
    • Getting reviews
    • Supplemental materials you’ll want to have on hand
  • Measure for success and evaluation of ROi

Nicole will share her own marketing plans with you, so you can see how one looks when complete, as well as provide handouts you can use as templates to create your own plan. Nicole has won international communications awards for her marketing plans and regularly writes them for her day job.

Self-Publishing 101
Self-published authors are more than just writers. We’re our own business managers, sales force, distribution team, marketers and more. This course will teach you everything you need to know to self-publish as a professional and produce books of equal or greater quality than traditional publishing houses.

This course is actually several courses in one, as I offer many of these modules separately. Here’s what you’ll learn:

  • The benefits of self-publishing
  • How to write a business plan
  • Budgeting
  • How to handle editing/proofreading
  • How to get a great cover design
  • Options for interior book formatting
  • Distribution: Ebooks, print and audio
  • How to sell your book to libraries and bookstores
  • Legal issues for indie authors: copyright, Library of Congress, forming your own imprint, taxes, recording keeping and expenses
  • Marketing and PR basics
  • Your digital media strategy: website, social media and branding

Steps to Self-Publishing
Self-publishing a book is more than uploading it to Createspace and clicking “publish.” There are several steps necessary in order to produce a book that is equal to or better than those from traditional publishing houses. In this course, award-winning self-published author Nicole Evelina will walk you through everything you need to know about professional editing, cover design, interior formatting, production​, sales and marketing in order to make your book as professional as possible. She’ll also teach you how to budget for the expenses involved and cover the advantages and disadvantages to choosing to publish independently.

Web Sites and Social Media for Authors
By now we all know that web sites are a must for anyone who wants to be taken seriously in any field. This is especially true for authors whose sites function as not only as virtual calling cards, but as portals for sales and interaction with fans. In this course, award-winning author Nicole Evelina will walk you through everything you need to do to set up a site of your own, from choosing a hosting company and buying a URL to deciding what information to include and how to organize your pages. She will also show you how to incorporate branding and marketing best practices into your social media. In addition to using her own site and social media examples, Nicole will offer best practices from famous authors and show you how to emulate them.

Writing Courses

Self-Editing
Editing. That one little word conjures a range of emotions in writers. Some love it. Some hate it. No matter how you feel about it, it’s a necessary step to get your novel ready for publication. Nicole Evelina will teach you some tips and tricks she’s learned over the last several years that will make self-editing a much easier step. Highlights include how to:

  • Break your editing into rounds so that you don’t have to tackle everything at once.
  • Examine dialog, description, characterization and action.
  • Use a beat sheet to check pacing and balance of power.
  • Make every word count without having to agonize over every sing word.
  • Use advice from beta readers and contests to strengthen your novel.

Setting and Description in Fiction
Setting and description are key to immersing your reader in the world of your novel. But how do you accomplish this without overwhelming your readers with pages of flowery prose? Nicole Evelina shares her tips for writing description that will leave your readers wanting to live in the world of your book without sacrificing pace.

Writing Historical Fiction
Ever wanted to try your hand at historical fiction but didn’t know where to start? Award-winning historical fiction author Nicole Evelina will show you it’s not as intimidating as it may seem, even if you’re not a fan of research (though it helps if you are). She’ll cover research methods and sources, how research informs plot, how to handle characterization in other time periods, how to bring the past to life, mistakes to avoid, and more. Whether you’re just dipping a toe in the historical waters or have already published in this genre, you’re sure to learn something new.

Convenient and Reasonably Priced
I know what it’s like to try to fit learning into a life already filled with work, family, writing and other responsibilities. That’s why these courses don’t require any homework and can be taken at your own pace. All courses include a welcome video and narrated Powerpoint slides. Many also include a recommended reading list and other handouts for reference or use as a worksheet or template.

Plus, they are cheaper than your average college course, which runs about $1,500/course (at $500/credit hour), or even many Writer’s Digest Online Workshops, which average between $200-$600+. I offer a tiered pricing structure based on the amount of information in each course. You can pay all at once or installments.

Basic – $100/course

  • Legal Issues for Indie Authors
  • Writing Setting and Description

Standard – $200/course

  • Audio Books for Indie Authors
  • Business Plans for Authors
  • Self-Editing

Advanced – $300/course

  • Branding for Authors
  • Website and Social Media for Authors
  • Steps to Self Publishing

Premium – $500/course

  • Marketing Plans for Authors
  • Writing Historical Fiction

Premier – $1,000/course

  • Self Publishing 101 (This course is several courses in one, including Steps to Self Publishing, Business Plans, Marketing Plans, Legal Issues, Web and Social Media. If you bought the classes separately, you’d pay $1,400.)

To register, just head over to Professional Author Academy.

Stay Up to Date
I’m planning to add new courses several times a year, so if you’d like to be notified when there is a new course or a current course goes on sale, please sign up for my course newsletter.

Future Planned Courses

  • Advanced Author Branding
  • How to Use Pinterest to Develop Your Story and Career
  • How Acting Can Make Your a Better Writer
  • Public Speaking for Authors
  • Starting Strong: Tips for Honing Your Novel’s First Chapter, Page and Line
  • Resources for Self Published and Hybrid Authors
  • Working with a Publicity Company: What You Need to Know
  • Building Strong Characters
  • How to Write a Query Letter That Goes You Noticed

If you have any suggestions for future courses, please email me at nicole[dot]evelina[at]att[dot]net. I’d love to know what you want to learn about!

And please spread the word about this new resource to all the writers in your life.