I’ve known about this since December, but now I can finally talk about it! Just when I thought Daughter of Destiny had won all the contests it could… it won the Missouri Author Project for adult novels! As Library Journal states, “out of all of the submissions, these winning titles reflect the best indie and self-published eBooks each state has to offer in Adult and Young Adult Fiction.” This is huge because Library Journal is a very important publication in the publishing world, especially for libraries (hence the name). Its endorsements rank right up there with Publisher’s Weekly and Kirkus.
Here’s full list of winners from all eight states that held the contest in 2018. (Where there are two, like in Missouri, one is an adult book and one is YA.)There will be an article in Library Journal as well and I will post that when it is available. If you have a subscription, you might want to check in the January issue. I’m hearing that is where it is, but I don’t see it online yet.
If you are a librarian or know someone who is, this post is for you!
I’m thrilled to be one of two authors on a webinar panel with Library Journal on December 12, 1-2 p.m. (CST) called Amplifying Community Engagement: How Libraries Can Use Smart Technology to Empower Local Authors and Expand Library Reach
About the Webinar
The advent and distribution of ebooks has reinvented the modern library. With SELF-e and other self-managed self-publishing programs, libraries have become a channel for ebook distribution and discovery while creating a positive and supportive environment for local writers and readers.
With geolocation technology, libraries can now get ebooks by local authors (and more) into the hands of their community – inside and outside of the library’s walls – with just one click. Authors can use the same link to locally promote their book – available for unlimited, simultaneous reading – seamlessly driving traffic back to the library, creating a true win-win.
With self-published ebook programs living alongside emerging options for short story, poetry, YA writing and journalism contests, libraries have never been in a better position to engage their local community.
Mitchell Davis, CEO BiblioLabs
Denise Raleigh, Division Chief, Public Relations & Development at Gail Borden
Last week, the New York Times Book Review announced they are eliminating several of their bestseller lists. Here’s the original article from Publisher’s Weekly. This will have profound effects on many authors, especially indie and genre writers. I emailed the following letter to the editors this morning. It not only expresses my opinions on this issue, but also voices my (possibly far-fetched) hope that they will someday add coverage of indie authors to their pages.
As both a long-time reader of the New York Times Book Review and an author, I have to say I am dismayed at the recent move of the NYT Book Review to remove many of the bestseller lists, especially the ebook lists. As an indie author who, due to the nature of my mode of publishing, is not carried in big name book stores, that is my only hope for ever hitting your lists. And I do plan to be on them. I still hold the moniker of New York Times Bestselling Author in high regard.
Whether you mean to or not, this move alienates a lot of authors, both indie and traditionally published, who rely on ebook and mass market lists to “earn our letters.” You are hurting traditionally published authors who are in digital-first or digital-only contracts, an increasingly common practice at major publishers, especially in the romance and other genre markets. In the traditional publishing world, foreign rights, bonuses, movie rights, and the money an author can demand on his/her next contract are often determined by making your lists. By eliminating many options, you are hobbling the very people you should be supporting.
In addition, readers are increasingly choosing ebooks over hardbacks/trade paperbacks for convenience and cost reasons, so you are essentially saying their buying choices don’t matter. Not to mention that eliminating the ebook and mass market paperback lists smacks of elitism and of a digging in/siding with the old guard traditional publishing industry in an era when prestigious publications like the NYT should be opening up to new modes of publishing.
Here’s the thing. Indie publishing isn’t the free-for-all mess it used to be. I, and many other indie authors like me, apply the same levels of rigor and professionalism to the production of our books as traditional houses – at least in part due to the hopes of selling enough to make your lists. We spend thousands of dollars of our own money on professional proofreading, editing, cover design and marketing. Yes, there are still those who slap their books on Createspace/Amazon without a second thought, but there are also low quality books produced by traditional houses. There will always be outliers.
We are no longer the authors who “couldn’t make it” in the traditional industry. Many indie authors are former traditionally published authors who have grown frustrated with increasingly anti-author contract terms and/or the antiquated slowness of the industry in an age of print on demand. Some are “hybrid authors” who publish some things traditionally, and some independently. Others, like me, have never been traditionally published and made the choice to go indie in order to control our work – our covers, our editing, our marketing, how/where our books are published – so that we are free to write the books we choose, rather than struggle with an editorial/publishing house agenda or idea of what will sell.
If you need proof that indies are professionals, look to the SELF-e Select books endorsed by Library Journal as the best of independently published books, or to the Indie BRAG Medallion honorees, who are put through a rigorous quality process before being honored. (Full disclosure: all of my books are SELF-e Select and one has earned the Indie BRAG Medallion.) Groups like the Alliance of Independent Authors (ALLI) and Independent Book Publishers Association (IBPA) promote best practices among indie authors and reward those who produce high quality work. We’re trying to make our corner of the publishing industry better. We may not have traditional gatekeepers, but we want our best work to shine at a national level and make the same lists as our traditional counterparts.
That is why I am asking you to not only reinstate the ebook and mass market lists, but to cover indie books as well as traditionally published in your pages. There is room. Readers have written in before expressing dismay with the seemingly random essay/editorial/opinion sections that don’t adhere to what this publication is about: reviewing books. And I agree. Perhaps you can replace those with an indie book section. I’m not even asking for a weekly section, though that would be ideal; it could be monthly like your column that faces the back page that covers debuts or other groupings of books.
To date, the only indie authors I have seen your publication cover are those who were later picked up by traditional publishers. I’m happy for them, but they are the exception, rather than the rule, in our community. It would send a strong message of support to ALL authors if the NYT Book Review were to recognize indie authors and show you understand the changing nature of the publishing industry by keeping lists that allow a wider range of authors to be honored for outstanding work.
St. Louis, MO
If you agree or have your own opinions on this issue, I urge you to contact the NYT Book Review at email@example.com. I’d also love to hear your thoughts in the comments.
I just found out that all of my books are now SELF-e Select picks from Library Journal! (We’ve known about Daughter of Destiny since January, but the others are news to me as of this morning!)
Library Journal‘s curated SELF-e Select module is a nationwide module available on BiblioBoard Library at any local library subscribed to BiblioBoard and participating in the SELF-e program. This means my books will be available to libraries across the country (and possibly across the world because there are several other countries that use SELF-e) to purchase. So go tell your local library you want to see my books on your shelves! They take patron requests very seriously, so if you don’t see it in your catalog, don’t be afraid to ask.
Missouri readers, we have an even better chance of seeing it because all of my books are now “highlighted selections” throughout the state. But please request them if you want to see them in your library. This is especially important in St. Louis County as they are still reticent about purchasing indie books. The more people who request my books, the more likely they are take us seriously.
I am giving this short speech today at the St. Louis County and St. Louis City libraries as part of Indie Author Day. I wanted all of you who couldn’t join us to be able to read it as well. I hope you enjoy it. Learn more about my speaking engagements.
When I was invited to be part of Indie Author Day, I was honored and humbled. I’m very proud to be an independent author and to be part of the first ever national day celebrating our work and our achievements. Our community has grown tremendously in the last five years, and now the books we produce rival – and in some cases outsell – those released through traditional means.
I want to be clear that I have nothing against the traditional publishing industry. I may even still join it in the future, but it isn’t what is right for me as an artist at this moment in my career. And that’s what being an indie is all about: taking control of your writing, your career, and the myriad decisions that go into it. We are no longer the ugly step-children who couldn’t make it traditionally; we are the entrepreneurs who chose to go our own way.
In her novel The Light of Paris, Eleanor Brown writes that the surrealist artists of post-WWI Paris were “making space for themselves without waiting for someone to give them permission.” That is exactly what we are doing as indie authors. We may cross traditional genre boundaries, write about subjects or in time periods that aren’t considered marketable, or simply want to do things on our own schedule. Whatever our reasons, we are producing our art without so much as a by your leave. We have something to say and aren’t waiting for anyone to give us a stage; we are building our own.
Now, being an indie author isn’t without its challenges. In declaring ourselves free of traditional constraints, we also take on the burden of being our own patrons, financing our cover art, editing, production and marketing. We take the financial risk that our work may not find an audience – or at least not enough of one to recover what we’ve invested. But such is the curse of every small business owner, from freelancers and flower shops to barbers and bakeries. We take a leap of faith that with enough hard work and a bit of luck, we will somehow make it.
We also face the seemingly impossible task of making ourselves known in a world where a new book is published every five minutes on Amazon, which is already home to 3.4 million books. But somehow, we still manage to find our audience – no matter how large or small. Whether we use Facebook ads, make book trailers or go the route of hand-selling and attending conferences or speaking engagements – we get out there and let people know we are here and why they should be interested in what we have to say.
Really, that is a challenge for every author, whether indie or traditional. But as indies, we have to do it ourselves, or if we’re lucky, with the help of a publicist. Without the endorsement of a big publishing house, we rely on the help of our tribe, other authors and readers whose loyalty we’ve gained, to provide endorsements of our work. They are our support system, our lifeline in times of crisis and uncertainty, and they can be a connection to new readers.
As indies, we may be perceived as being in this alone, but that is far from the truth. We have a vibrant, supportive community that is more generous than I’ve ever seen anywhere else. I’ve found genuine well-wishes even from people who have written about the exact same subject as I have. In the corporate world, we’d be considered competitors, but I’m coming to realize that here we are really allies. Whether we share resources, write guest posts together or just silently cheer one another on, it is that support that buoys us and keeps us going in and ever-changing industry that doesn’t really know what to do with us.
We’ve broken the traditional paradigm and that scares a lot of people. I say let them be scared; we aren’t. You know who else wasn’t afraid to try something new? Steve Jobs. Bill Gates. Ben Franklin. Madame Curie. Thomas Edison. Henry Ford. The Wright Brothers. And we can’t forget the Founding Fathers of our country. Without them we wouldn’t have iPhones, PCs, eyeglasses, X-rays, light bulbs, cars, airplanes or an independent nation – things we now take for granted. While few of us are on that grand of a scale, without us, the publishing world would be lacking in richness, diversity and, our readers would be still be searching for our stories.
It is the independent spirit of the publishing entrepreneur we gather to celebrate today. In the last five years, we’ve gone from being tentative explorers of the brave new world of ebooks to producing top quality work that makes the bestseller lists. Some of members of our community have even become breakout stars – such as Courtney Milan, Colleen Hoover, Bella Andre, Hugh Howey, and many others – authors who regularly outsell those who are traditionally published. We’ve done this through discipline and professionalism, by writing outstanding books, and applying business acumen to our work – for this is no mere hobby; this is our job, regardless of whether we have another that pays the bills.
With the rapid advancement of technology and gradual acceptance of our legitimacy as real authors, in another five years – even in one year – who knows where we can be. We may well be the new norm. How we get there is up to you and me, the indie authors of America. I, for one, am proud to celebrate us and our accomplishments – past, present and future – today.
Library Journal‘s curated SELF-e Select module Daughter of Destiny was accepted into Library Journal‘s curated SELF-e Select module, which is a nationwide module available on BiblioBoard Library at any local library subscribed to BiblioBoard and participating in the SELF-e program. This means my book will be available to libraries across the country (and possibly across the world because there are several other countries that use SELF-e) to purchase. So go tell your local library you want to see Daughter of Destiny on your shelves!
Missouri readers, we have an even better chance of seeing it because Daughter of Destiny will be a “highlighted selection” throughout the state.
Make sure to come back here Monday for the cover reveal of Camelot’s Queen, Guinevere’s Tale, Book 2!
(Newsletter subscribers will get to see it either tomorrow or Saturday, so sign up if you want to see it first!)