Updates: Awards, Sales and 2019 Speaking Events

One of the ads I will be running December 16-26.

A quick update before we start with a series of blog posts on Christmas traditions tomorrow:

Awards
Mistress of Legend is a semi-finalist in the Chaucer Awards for historical fiction pre-1700. We will find out the final results in April.

There is another award I know about, but can’t announce yet…

Sales
Madame Presidentess got an international BookBub ad for December 21 to celebrate its film option, so it will be on sale all over the world December 17-26 for only $0.99 in ebook. (Don’t forget that it is available in audio and print as well!)

2019 Events
2019 is shaping up to be a busy year. Here is my schedule so far:

Book Signing with Missouri Romance Writers of America
February 9, 7 p.m.
The Novel Neighbor
7905 Big Bend Blvd. 
Webster Groves, MO 63119

Presentation: Victoria Woodhull: Forgotten by History
Monday, March 4, 7 p.m.
Eureka Hills Branch Library
156 Eureka Towne Ctr
Eureka, MO 63025

IBPA Publishing University
April 4-6
Chicago, Illinois

Historical Novel Society Conference
June 20-22
National Harbor, Maryland
Nicole will be presenting three times during the Reader’s Festival on June 22:

  1. 1:15-2:15 p.m. – Dynamic Duos: Husbands and Wives Who Worked Together During the Women’s Suffrage Movement (presenting with Hope Tarr)
  2. Time TBA – THE TIMES THEY ARE A CHANGIN’: Historical Fiction Joins the Protest March (pannel with Glen Craney, Diane McPhail, and Charles Degelman)
  3. Time TBA – GASLAMPS, GHOSTS, AND TROPES: Writing the Neo-Gothic Novel (panel with Kris Waldherr, Leanna Renee Hieber and Hester Fox)

Novelists Inc. Conference
September 25-29
Tradewinds Resort
St. Petersburg, FL

Double IBPA Awards Finalist

Yes, more awards, but this is a really big one in indie publishing.

I’m so excited that two of my books have made it into the finals of the Independent Book Publishers Association (IBPA) Benjamin Franklin Awards. Daughter of Destiny is a finalist in the Best New Voice: Fiction category and Been Searching for You is a finalist in the Romance category. We’ll find out if either of them wins the Gold Award on April 7. Regardless, they are both Silver Award winners.

An Open Letter to the New York Times Book Review

nytbrLast week, the New York Times Book Review announced they are eliminating several of their bestseller lists. Here’s the original article from Publisher’s Weekly. This will have profound effects on many authors, especially indie and genre writers. I emailed the following letter to the editors this morning. It not only expresses my opinions on this issue, but also voices my (possibly far-fetched) hope that they will someday add coverage of indie authors to their pages. 

As both a long-time reader of the New York Times Book Review and an author, I have to say I am dismayed at the recent move of the NYT Book Review to remove many of the bestseller lists, especially the ebook lists. As an indie author who, due to the nature of my mode of publishing, is not carried in big name book stores, that is my only hope for ever hitting your lists. And I do plan to be on them. I still hold the moniker of New York Times Bestselling Author in high regard.

Whether you mean to or not, this move alienates a lot of authors, both indie and traditionally published, who rely on ebook and mass market lists to “earn our letters.” You are hurting traditionally published authors who are in digital-first or digital-only contracts, an increasingly common practice at major publishers, especially in the romance and other genre markets. In the traditional publishing world, foreign rights, bonuses, movie rights, and the money an author can demand on his/her next contract are often determined by making your lists. By eliminating many options, you are hobbling the very people you should be supporting.

In addition, readers are increasingly choosing ebooks over hardbacks/trade paperbacks for convenience and cost reasons, so you are essentially saying their buying choices don’t matter. Not to mention that eliminating the ebook and mass market paperback lists smacks of elitism and of a digging in/siding with the old guard traditional publishing industry in an era when prestigious publications like the NYT should be opening up to new modes of publishing.

Here’s the thing. Indie publishing isn’t the free-for-all mess it used to be. I, and many other indie authors like me, apply the same levels of rigor and professionalism to the production of our books as traditional houses – at least in part due to the hopes of selling enough to make your lists. We spend thousands of dollars of our own money on professional proofreading, editing, cover design and marketing. Yes, there are still those who slap their books on Createspace/Amazon without a second thought, but there are also low quality books produced by traditional houses. There will always be outliers.

We are no longer the authors who “couldn’t make it” in the traditional industry. Many indie authors are former traditionally published authors who have grown frustrated with increasingly anti-author contract terms and/or the antiquated slowness of the industry in an age of print on demand. Some are “hybrid authors” who publish some things traditionally, and some independently. Others, like me, have never been traditionally published and made the choice to go indie in order to control our work – our covers, our editing, our marketing, how/where our books are published – so that we are free to write the books we choose, rather than struggle with an editorial/publishing house agenda or idea of what will sell.

If you need proof that indies are professionals, look to the SELF-e Select books endorsed by Library Journal as the best of independently published books, or to the Indie BRAG Medallion honorees, who are put through a rigorous quality process before being honored. (Full disclosure: all of my books are SELF-e Select and one has earned the Indie BRAG Medallion.) Groups like the Alliance of Independent Authors (ALLI) and Independent Book Publishers Association (IBPA) promote best practices among indie authors and reward those who produce high quality work. We’re trying to make our corner of the publishing industry better. We may not have traditional gatekeepers, but we want our best work to shine at a national level and make the same lists as our traditional counterparts.

That is why I am asking you to not only reinstate the ebook and mass market lists, but to cover indie books as well as traditionally published in your pages. There is room. Readers have written in before expressing dismay with the seemingly random essay/editorial/opinion sections that don’t adhere to what this publication is about: reviewing books. And I agree. Perhaps you can replace those with an indie book section. I’m not even asking for a weekly section, though that would be ideal; it could be monthly like your column that faces the back page that covers debuts or other groupings of books.

To date, the only indie authors I have seen your publication cover are those who were later picked up by traditional publishers. I’m happy for them, but they are the exception, rather than the rule, in our community. It would send a strong message of support to ALL authors if the NYT Book Review were to recognize indie authors and show you understand the changing nature of the publishing industry by keeping lists that allow a wider range of authors to be honored for outstanding work.

Sincerely,

Nicole Evelina
St. Louis, MO

If you agree or have your own opinions on this issue, I urge you to contact the NYT Book Review at books@nytimes.com. I’d also love to hear your thoughts in the comments.