Two New Historical Fiction Novels by Author Friends

Two of my dear writer friends, Donna Russo (who is also my agent-sister) and Stephanie Dray, have new novels coming out soon. I’m thrilled to share them with you. 

Donna’s latest novel, VINCENT’S WOMEN, is a work unlike any other written with Vincent van Gogh at its heart. It is the only novel to bring into question his sexuality, how he lost his ear, who he lost it for, and how he might have died, all through the eyes of a woman. We learn of Her; we learn all of it through Her. It begs the question…what if everything we know about Vincent van Gogh is all lies?

Stephanie’s new novel, BECOMING MADAM SECRETARY, is a captivating read just in time for Women’s History Month!  Journey with Frances Perkins, parasol in hand, as she forges alliances and challenges norms in the heart of New York City, crossing paths with historical figures like Sinclair Lewis and FDR. It’s a story rich with ambition, friendship, and the subtle humor of life’s unexpected turns. A delightful dive into the past, proving history is not only about the dates but the daring. 


About Vincent’s Women
Bestselling author Donna Russo’s VINCENT’S WOMEN is the untold story of Vincent’s loves: how they shaped his life, his art, and his death. It writes against the ‘myths, ‘ exploring the possibility that none of them are true. It is the only novel to bring into question his sexuality, how he lost his ear, who he lost it for, and how he might have died, all through the eyes of a woman. We learn of Her; we learn all of it through Her.

The story is guided by Johanna van Gogh Bonger, Vincent’s sister-in-law, as she decides to reveal the truth about Vincent to her son. We are then taken on a journey through Vincent’s life, each section bringing a pivotal moment of Vincent’s life alive while showing us the part she played in bringing it about. Between each woman, our guide, Johanna, gives us the transitional periods, right up to his death, which is now in question. 

Hundreds of the nearly thousand letters between Vincent van Gogh and his brother Theo, now considered one of the greatest documents of the human experience, were used to help construct this novel, its narrative, and dialogue, especially the dialogue of Vincent himself.

Vincent van Gogh is one of the most well-known artists of all time. The world knows of his madness, traumas, and suicide. But what if all that we know isn’t true? What if this knowledge is based on rumors and nothing more? What if his true story is vastly different when based on factual material and forensic information? What if the truth of Vincent’s life-his madness and his genius-is defined by his never-ending search for love?

“Vincent’s Women: The Untold Story of the Loves of Vincent van Gogh represents historical fiction at its best…astute, thought-provoking, and revealing.” -Midwest Book Review

“The writing and dialogue are all so well done, and the use of a fictional narrative makes it all feel authentic. Very highly recommended.” -Readers’ Favorite 5-star Review

A Foreword Magazine Editorial Selection

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Learn more about Donna and her books 


About Becoming Madame Secretary

New York Times bestselling author Stephanie Dray returns with a captivating and richly dramatic novel about Frances Perkins, one of the greatest political figures of the twentieth century, and an unsung heroine whose legacy is woven into the fabric of every American life.

Raised on tales of her revolutionary ancestors, Frances Perkins arrives in New York City at the turn of the century, armed with her trusty parasol and an unyielding determination to make a difference.

When she’s not working with children in the crowded tenements in Hell’s Kitchen, Frances throws herself into the social scene in Greenwich Village, befriending an eclectic group of politicians, artists, and activists, including the millionaire socialite Mary Harriman Rumsey, the flirtatious budding author Sinclair Lewis, and the brilliant but troubled reformer Paul Wilson, with whom she falls deeply in love.

But when Frances meets a young lawyer named Franklin Delano Roosevelt at a tea dance, sparks fly in all the wrong directions. She thinks he’s a rich, arrogant dilettante who gets by on a handsome face and a famous name. He thinks she’s a priggish bluestocking and insufferable do-gooder. Neither knows it yet, but over the next twenty years, they will form a historic partnership that will carry them both to the White House.

Frances is destined to rise in a political world dominated by men, facing down the Great Depression as FDR’s most trusted lieutenant—even as she struggles to balance the demands of a public career with marriage and motherhood. And when vicious political attacks mount and personal tragedies threaten to derail her ambitions, she must decide what she’s willing to do—and what she’s willing to sacrifice—to save a nation.

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Learn more about Stephanie and her books.

Cover Reveal: The Women of Chateau Lafayette by Stephanie Dray

My friend Stephanie Dray’s newest historical fiction, The Women of Chateau Lafayette, has a beautiful new cover for its paperback release and I wanted to share it with all of you.

My Review

I’m currently on my second time reading this book. I don’t know if I have words to tell you how much I love it.  It is a triple-time period story that is woven together expertly to join the lives of three strong women who lived and loved through wartime. My favorite storyline is Adrienne Lafayette because of my love of all things Hamilton (and also a connection to a book I’m writing), but they are all great.

This is Stephanie’s best novel yet. The voice and atmosphere is incredible and grabs you from the opening pages. Her passion for the subject was obvious and as always, her attention to historical accuracy and detail was perfection. Her characters were so well rounded I felt like they were people I would enjoy having tea with (that’s a bit of an inside joke for those who have read the book).

If you have any interest in reading this book, don’t hesitate. It’s long, but well worth the read.

About the Book

A founding mother…

1774. Gently-bred noblewoman Adrienne Lafayette becomes her husband, the Marquis de Lafayette’s political partner in the fight for American independence. But when their idealism sparks revolution in France and the guillotine threatens everything she holds dear, Adrienne must renounce the complicated man she loves, or risk her life for a legacy that will inspire generations to come.

A daring visionary…

1914. Glittering New York socialite Beatrice Chanler is a force of nature, daunted by nothing—not her humble beginnings, her crumbling marriage, or the outbreak of war. But after witnessing the devastation in France firsthand, Beatrice takes on the challenge of a lifetime: convincing America to fight for what’s right.

A reluctant resistor…

1940. French school-teacher and aspiring artist Marthe Simone has an orphan’s self-reliance and wants nothing to do with war. But as the realities of Nazi occupation transform her life in the isolated castle where she came of age, she makes a discovery that calls into question who she is, and more importantly, who she is willing to become.

Intricately woven and powerfully told, The Women of Chateau Lafayette is a sweeping novel about duty and hope, love and courage, and the strength we take from those who came before us.

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https://bit.ly/3C1Xe37

 

The Women of Chateau Lafayette by Stephanie Dray – Out Today!

My friend and fellow historical fiction author, Stephanie Dray, has a new book out today! She calls The Women of Chateau Lafayette a seven-year labor of love. I know all about books that take years to come to fruition so I can’t wait to read this one. I’ve read her previous books, America’s First Daughter and My Dear Hamilton and loved them, so I’m sure this one will be excellent as well.

Oh and it was picked as one of OprahMag’s most anticipated historical fiction novels, so….Be sure to check it out!

✭✭✭ ABOUT THE BOOK ✭✭✭

An epic saga from New York Times bestselling author Stephanie Dray based on the true story of an extraordinary castle in the heart of France and the remarkable women bound by its legacy.

Most castles are protected by men. This one by women.

A founding mother…

  1. Gently-bred noblewoman Adrienne Lafayette becomes her husband, the Marquis de Lafayette’s political partner in the fight for American independence. But when their idealism sparks revolution in France and the guillotine threatens everything she holds dear, Adrienne must renounce the complicated man she loves, or risk her life for a legacy that will inspire generations to come.

A daring visionary…

  1. Glittering New York socialite Beatrice Chanler is a force of nature, daunted by nothing—not her humble beginnings, her crumbling marriage, or the outbreak of war. But after witnessing the devastation in France firsthand, Beatrice takes on the challenge of a lifetime: convincing America to fight for what’s right.

A reluctant resistor…

  1. French school-teacher and aspiring artist Marthe Simone has an orphan’s self-reliance and wants nothing to do with war. But as the realities of Nazi occupation transform her life in the isolated castle where she came of age, she makes a discovery that calls into question who she is, and more importantly, who she is willing to become.

Intricately woven and powerfully told, The Women of Chateau Lafayette is a sweeping novel about duty and hope, love and courage, and the strength we take from those who came before us.

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Amazon | Apple Books | Audible | Book Depository | Bookshop.org | Barnes & Noble | Google Play | IndieBound | Books-a-million | Target | Kobo

✭✭✭ ABOUT THE AUTHOR ✭✭✭

STEPHANIE DRAY is a New York Times, Wall Street Journal & USA Today bestselling author of historical women’s fiction. Her award-winning work has been translated into eight languages and tops lists for the most anticipated reads of the year. Now she lives in Maryland with her husband, cats, and history books. For more, see: StephanieDray.com

A Day Late – Cover Reveal for Kate Quinn’s The Rose Code

I hope Kate Quinn can forgive me for posting this a day late. My day job took over everything yesterday and the day got away from me. I’m really excited to read this new book of hers. I’ve loved every one of her past books. 

COVER REVEAL – THE ROSE CODE by New York Times bestselling author Kate Quinn (Morrow; on-sale March 9, 2021)

ABOUT THE BOOK
The New York Times and USA Today bestselling author of The Huntress and The Alice Network returns with another heart-stopping World War II story of three female code breakers at Bletchley Park and the spy they must root out after the war is over.

1940. As England prepares to fight the Nazis, three very different women answer the call to mysterious country estate Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla is the girl who has everything—beauty, wealth, and the dashing Prince Philip of Greece sending her roses—but she burns to prove herself as more than a society girl, and puts her fluent German to use as a translator of decoded enemy secrets. Imperious self-made Mab, product of east-end London poverty, works the legendary codebreaking machines as she conceals old wounds and looks for a socially advantageous husband. Both Osla and Mab are quick to see the potential in local village spinster Beth, whose shyness conceals a brilliant facility with puzzles, and soon Beth spreads her wings as one of the Park’s few female cryptanalysts. But war, loss, and the impossible pressure of secrecy will tear the three apart.

1947. As the royal wedding of Princess Elizabeth and Prince Philip whips post-war Britain into a fever, three friends-turned-enemies are reunited by a mysterious encrypted letter–the key to which lies buried in the long-ago betrayal that destroyed their friendship and left one of them confined to an asylum. A mysterious traitor has emerged from the shadows of their Bletchley Park past, and now Osla, Mab, and Beth must resurrect their old alliance and crack one last code together. But each petal they remove from the rose code brings danger–and their true enemy–closer…

Get your copy today! I did!

Interview with Author Mary Sharratt

Mary Sharratt

Today, author Mary Sharratt joins us to talk about her new book Ecstasy, which I reviewed yesterday. I’m very excited to find out the details behind this fascinating and unusual book!

1. What initially drew you to Alma Mahler as a book subject?

I am a lifelong Gustav Mahler fan and Alma has always fascinated me. Few twentieth century women have been surrounded by such as aura of scandal and notoriety. Her husbands and lovers included not only Mahler, but artist Gustav Klimt, architect and Bauhaus-founder Walter Gropius, artist Oskar Kokoschka, and poet and novelist Franz Werfel. Yet none of these men could truly claim to possess her because she was stubbornly her own woman to the last. Over fifty years after her death, she still elicits very strong reactions. Some people romanticize her as a muse to great men while others demonize her as a man-destroying monster. Laurel Thatcher Ulrich’s famous observation that well-behaved women seldom make history could have been written about Alma.

Although Alma was a composer in her own right, most commentators, including some of her biographers, completely gloss over this fact and instead focus quite narrowly on her sexuality and on how they believe she failed to be the perfect woman for the great men in her life. How dare she not be perfect!

But I wanted my fiction to explore who Alma really was as an individual—beyond her historical bad girl rep and beyond all the famous men she was involved with.

2. What kind of research did you do to help bring Alma to life?

For me, both primary sources and place are paramount. The key primary sources I relied on in writing Ecstasy were Alma Schindler’s diaries (her published diaries end shortly before her marriage to Gustav Mahler) and Mahler’s letters to Alma during their life together. Taken together and supplemented with their music, these primary sources form a narrative. First we have a very beautiful and passionate young woman who yearned to be a composer. Then she fell in love with composer and star conductor Gustav Mahler who demanded that she give up her own music as a condition of their marriage. Bowing to social convention, she reluctantly agreed. Then his letters to her reveal what a shadow Alma’s sense of anguish and loss cast on their marriage. Interestingly, Alma later destroyed most of her letters to Gustav, so we only get his side of their voluminous correspondence. Her self-imposed silence in this historical record forms its own narrative, as well.

I also read biographies of the Mahlers, but I like to begin with the primary sources and form my own conclusions, rather than just taking any one biographer’s word for it.

The other main stream of my research is place—literally inhabiting the same landscape as my characters. I went on three separate research trips to Vienna and immersed myself in the art and music of turn-of-the-twentieth century Vienna. I listened obsessively to the music of both Mahlers while writing the novel. I also visited their summer homes in Maiernigg and Toblach. It helped that I studied German and used to live in Austria and that I played violin up until my college years.

[Note from Nicole: Oh, I am so jealous of your research trips! I haven’t been to Austria since I was 11, but I loved it then. My mom was born there.]

3. What is the most surprising thing you learned in your research?

Once I sat down and did the research, an entirely new picture of Alma emerged that completely undermined the femme fatale cliché. I read Alma’s early diaries compulsively, from cover to cover, and what I discovered in those secret pages was a soulful and talented young woman who had a rich inner life away from the male gaze. She devoured philosophy books and avant-garde literature. She was a most accomplished pianist—her teacher thought she was good enough to study at Vienna Conservatory, though her family didn’t support the idea. Besides, Alma didn’t want a career of public performance. Instead she yearned with her whole soul to be a composer, to write great symphonies and operas.

[Note from Nicole: I have a feeling we’re going to see more and more stories like this as authors like you and I take on famously maligned women in order to right their histories.]

4. Why did you choose that specific time in Alma’s life to highlight as opposed to covering her whole life?

Originally, I wanted the novel to tell the story of Alma’s entire life, but it took me 400 pages just to try to do justice to her young adulthood and first marriage. Narrating the full sweep of Alma’s long and turbulent life would require a trilogy, at the very least. Who knows—maybe if Ecstasy is super-successful, my publisher might ask me to write a sequel or two!

[Note from Nicole: Good luck! I’d like to see a few more!]

5. What’s your favorite scene/part of the book?

I loved writing about the young Alma Maria Schindler, this gifted young woman effervescent with creative potential. The scenes of her composing and losing herself in her piano playing were the most delightful to write. I also, of course, enjoyed writing about this very passionate young woman exploring her burgeoning sexuality. When I was workshopping one of those scenes with my writers group, such glee and hilarity ensued, including enthusiastic whoops, that someone knocked on the door of our meeting room and asked us if we could please shush. We rent our meeting room at the local Buddhist center and our spirited discourse had disturbed the meditation class!

6. What do you think Alma’s life says to women today?

Gustav Mahler famously asked Alma to stop composing as a condition of their marriage. Deeply in love and in awe of his genius, she reluctantly agreed, even though this broke her heart. In this regard, her story is a starkly cautionary tale and also, alas, one that is all too relevant today. What do women still give up in the name of love? How much female potential never reaches fruition because of the demands of motherhood and domesticity?

What Alma’s story reveals is how hard it was (and often still is) for women to stay true to their talent and creative ambition in a society that grooms women to be caretakers. Why are female composers so sorely underrepresented, even in the twenty-first century? I am a classical music fan and attend concerts every chance I get. I’ve never seen a female composer on the repertoire of any major orchestra or venue I have visited. Nor have I ever seen a female conductor.

Fortunately, though, Alma does eventually triumph and take back her power.

7. What message or feeling to do you hope readers come away with after finishing Ecstasy?

 I hope my readers will be as moved by Alma’s story as I am. I think the time has truly come for a more nuanced and feminist appraisal of Alma’s life and work, and I hope Ecstasy challenges some of the commonly held misperceptions about her.

Alma has been traditionally viewed through a very male-centered lens. Only within the last decade or so have more nuanced biographies about her emerged and only in German! Ecstasy is currently the only book available in English, to my knowledge, that takes her seriously as a composer and as a woman who had something to say and give to the world besides just inspiring genius men.

[Note from Nicole: Wow, that is an amazing accomplishment! Congratulations and thank you for bringing her proper story to the English-speaking world!]

 8. What’s next for you? Any books currently in the works?

My next book is a trip back to the late Middle Ages. Revelations, my new novel in progress, should be of special interest to fans of my 2012 novel, Illuminations: A Novel of Hildegard von Bingen. Here I return once more to the realm of the female medieval mystics. Revelations is the story of the intersecting lives of two spiritual women who changed history—earthy Margery Kempe, globetrotting pilgrim and mother of fourteen, and ethereal Julian of Norwich, sainted anchorite, theologian, and author of the first book in English by a woman. Imagine, if you will, a fifteenth century Eat, Pray, Love.

[Note from Nicole: Ahhhhh! I’m so excited! I loved Illuminations. In fact, it’s my favorite book of yours. I’m all over this new one.]

9. Is there anything else you’d like to add?

I’m on a mission to write women back into history. To a large extent, women have been written out of history. Their lives and deeds have become lost to us. To uncover the buried histories of women, we historical novelists must act as detectives, studying the sparse clues that have been handed down to us. To create engaging and nuanced portraits of women in history, we must learn to read between the lines and fill in the blanks.

It’s important that women today realize how quickly our lives and achievements can be forgotten and buried. Or heaped with misinterpretation and condemnation if we push too hard against the traditional feminine life script—Alma is remembered but she’s also been slated as a “bad” and even “hysterical” woman. We must do everything in our power to keep alive the memory of accomplished women and hope that future generations of women will remember what we have accomplished.

[Note from Nicole: We share the same mission. Men do love to call us hysterical, don’t they? Hopefully together, and with the other female authors who also focus on women, we can make a dent in history.]

Thank you so much for being here, Mary! Readers, if you have questions or comments, please leave them below and I will make sure Mary sees them.

Guest Post – On Making Paperweights: Jacqueline Friedland Talks Strong Women and Memorable Books

Happy Beltane, everyone! I’m so excited to have Jacqueline Friedland as my guest here today. As her post below makes clear, she’s a soul-sister of mine in her love for strong women. Her post really got me thinking about how our early experiences with reading shape who we are later on as writers. I think I may do a follow up post on that with my own thoughts. But this post is about her, not about me. Take it away, Jacqueline!

Photo: Rebecca Weiss Photography

Did you ever try to figure out why certain novels make you fall in love and others make you fall asleep?  Perhaps you’ve wondered if there is a common thread, a specific literary ingredient that draws you so deeply into certain stories?  Maybe if you could identify a trend in the books that invariably keep you reading late into the night, that knowledge might allow you to better hone in on other books that would provide you with equal delight.

As a voracious reader and an author, it has been important to me to pinpoint the devices and themes embedded in the books I most adore.  Not only can such knowledge save me from muddling through books that don’t speak to me, but it can also help me to create written work of my own that feels appropriate and substantive in all the right ways.  Over the past several years, I have identified several characteristics that lead me to gravitate towards a novel.  I like a fast-pace, a strong plot, accessible prose, maybe some romance, perhaps some humor.  Nothing scary, gory, or overly experimental.  But there is something more elusive that has made certain books stay with me for years.

When my mother read aloud to me during my early childhood, we loved The Little Engine that Could, The Secret Garden and Little House on the Prairie.  As I grew older, I was drawn to books like Nancy Drew, The Babysitters Club and Anne of Green Gables.  Then there were the books that shot to the top of my list as I reached adulthood: Gone with the Wind, Jane Eyre and The Bronze Horseman.  What these books all have in common are strong female characters (and if you weren’t aware, Watty Piper’s plucky little engine is indeed female).  These works of fiction portray girls and women who have grit, the will and determination to continue striving until they reach their goals.

There is an additional commonality between these characters though, which is that these females are not only strong, but kind.  In today’s world, there is so much discussion of women needing to be strong, but not enough emphasis on the fact that in appropriate circumstances, kindness should be perceived as a type of strength.  The ability to think about others and see past one’s own experience in interacting with people requires a special kind of fortitude.

In creating my debut novel, Trouble the Water, I felt it was imperative to include positive messages about feminine power and decision making.  The manner in which my characters approach the circumstances fate deals them is what I believe defines their spirits and ethos.  I wanted to portray characters who could make the best of difficult circumstances while also being brave enough to reject conformity.  I created women who took the lemons life handed them and decided to use those lemons as paperweights.  After all, not everyone likes lemonade.

The central female characters in Trouble the Water are each willing to think outside the Victorian or antebellum box, despite the constraints of the 1840s.  The women are courageous enough to make their own choices and to shout until they are heard.  Abigail Milton, the story’s protagonist, has worked in a cotton mill in Lancashire England, receiving a pittance in recompense since she was eleven years old.  When her parents ask her to travel to America so that she may live off the charity of their old friend in Charleston, and thereby lighten the financial burden on her family, she agrees to set off on her own, traveling across the Atlantic Ocean with little more than a stale bread crust and unwavering determination to make a better life for herself.

As the story unfolds and Abby discovers that her new home is rife with clandestine efforts to free local slaves, she is excited, energized, and eager to participate in the abolitionist effort.  Rather than judging the high-risk and profoundly illegal activity of her patron, Douglas Elling, Abby wants to jump directly into the trenches of abolition with him.  It’s a whole different kind of #metoo.

Throughout the story, Abby repeatedly resists being corralled into any of the stereotypical gender molds of the day.  From her penchant for physical exercise to her continued rejection of assistance from men, even those who simply offer to carry her bundles, Abby is her own person.  She is desperate to create meaning in her life, which she believes can be achieved through teaching and helping others.  When she develops romantic feelings for another character, she struggles greatly over how to reconcile those feelings with her burning desire for independence.

In addition to Abby, the other women featured in the novel are full of conviction and tenacity.  Cora Rae Cunningham, a beautiful, spicy, nineteen-year-old who has rejected one marriage proposal after another will not be seduced by wealth nor forced into an arrangement that is not to her romantic satisfaction, much to the dismay of her plantation-owning, socially conforming parents.  Clover, a house slave impregnated by her master, refuses to birth her baby into a life of bondage, and in the ultimate act of bravery and sacrifice, takes her chances on running North.

Creating a realistic historical novel that depicts female characters who are ahead of their time, models for women in any time period, is a challenge that I was glad to undertake.  I felt it was incumbent on me to portray women who were progressive for their time, active players in their life stories, rather than passive guests, living out the scripts that had been handed to them by other forces.  My characters have strong backbones, as well as moments of unexpected kindness and generosity.  They are just the type of women who would keep me reading deep into the night.

Sounds like your characters and mine would get along great! Thank you so much, Jacqueline! I know I can’t wait to read her book! If you have any questions for Jacqueline, please leave them in the comments below and I’ll make sure she sees them.

Neal Katz – Victoria Woodhull and #MeToo

Neal Katz

Two years ago when I was in Chicago for BEA and the Next Generation Indie Book Awards, I met Neal Katz, a fellow author who is also telling Victoria Woodhull’s story. I knew about him (or rather his name) because I had researched others who have or are writing about her. But I had no idea he’d be so charming and gracious. He’s truly a wonderful man.

Neal is approaching Victoria’s story as a trilogy, so he’s able to go much more in-depth into Victoria and Tennie’s lives than Madame Presidentess does. The first book in the series, Outrageous, won 10 awards. Now he’s now preparing to publish part 2: Scandalous. So if you’re hankering for more on Victoria, go buy his books!

As part of Neal’s pre-publication publicity (say that five times fast), he wrote a great article on how Victoria used her newspaper, Woodhull & Claflin’s Weekly to launch the #MeToo of her time: http://thevictoriawoodhullsaga.com/rise-up/. Go, read, now!

(I also took up the subject of Victoria and #MeToo, but from a different angle.)

Some people might question why I would promote Neal’s books since they are direct competition with mine. My answer is that we aren’t really competitors; we are allies.  As much as I want book sales, that’s not really what this is about. It’s about getting Victoria back into the historical record where she belongs. And the more voices we have out there promoting her, the better. No two writers approach a subject the same way, so even if you’ve read mine, you’re likely to learn something new from his, and vice versa. Plus, the more indie authors (and all authors, for that matter) work together, the better off we all are.

[Guest Post] The Reincarnation of Jo March: Writing Strong Women in Historical Fiction by Steve Wiegenstein

Please welcome my special guest today, historical fiction author Steve Wiegenstein. He’s a good friend, fellow Missourian and a fun drinking partner! I love this essay. I hope you do too.

Photo credit: Kaci Smart

In an earlier post on this blog, Nicole writes about the challenges of portraying strong women in proper historical context, responding to some recent articles and speeches by Hilary Mantel and others. I’d like to echo some of her thoughts and add my own perspective.

Perhaps the greatest gift I have been given in my writing life was to have been raised by and among strong, intelligent women. My mother, aunts, grandmother, and “neighbor ladies,” (to use the regional generic) were people with clear opinions, broad knowledge, and a profound sense of right and wrong.

Only from the perspective of later life have I come to understand the obstacles they dealt with. When my mother was born, the Nineteenth Amendment was less than three years old, marital rape was still an unheard-of legal concept, and women made up only about one-fifth of the workforce. A “strong woman,” pretty much by definition, was trouble.

The farther back in history we look, the more dispiriting the story becomes. From witch-burnings to marriage laws to the simple daily grind of being seen by those in power as something less than human, the lives of women through the ages were characterized by disempowerment and oppression.

And yet . . .

As a novelist, the prospect of writing story after story about disempowerment and oppression is so dreary. So it’s understandable that writers look for that prototypical “strong female lead character” that publishers, agents, and readers prize. There are a lot of legitimate ways to do this, none of which are wrong.

We look for the exceptional women who have gained historical fame—Elizabeth I, Madame de Stael, Catherine the Great. We search out the exceptional women who deserved more fame than they received in their time, like Sophie Scholl, Mary Katharine Goddard or Nicole’s own Victoria Woodhull. Or we step into the realm of the mythical and semi-mythical, to the Amazons, Valkyries, or other women of legend.

But there’s another tack I’d recommend, and it’s the one I have chosen in my work. Rather than look among the famous or near-famous, I think there’s plenty of drama in the everyday struggle itself. When I think of great American characters, Jo March certainly comes to mind, and although she is not a character in a historical novel (the events of Little Women are nearly contemporaneous with its publication), I think she points the way for us.

What do we remember about Jo? For me, it’s her wide range of emotions, the vividness of her portrayal, and the determination with which she deals with the challenges of life as they confront her. In other words, she is a character with whom we can “relate.” Before Jo is the model of a strong female lead, she is a vibrant human being trying to find her way in a world that underestimates and sometimes thwarts her. Characters like her can be found throughout history and in our own family stories, women who strove to accomplish their goals, whether great or small. As we search for ways to bring those strong female characters into our fiction without violating the realities of history, a good place to start is in the diaries and journals, the stories and jokes, of ordinary people who are anything but ordinary.

Steve Wiegenstein’s most recent novel is THE LANGUAGE OF TREES (Blank Slate Press).

Note from Nicole: Steve’s new book came out September 26. You can order it here.

Cover Reveal: My Dear Hamilton by Stephanie Dray and Laura Kamoie

 

From the New York Times bestselling authors of America’s First Daughter comes the epic story of Eliza Schuyler Hamilton—a revolutionary woman who, like her new nation, struggled to define herself in the wake of war, betrayal, and tragedy. Haunting, moving, and beautifully written, Dray and Kamoie used thousands of letters and original sources to tell Eliza’s story as it’s never been told before—not just as the wronged wife at the center of a political sex scandal—but also as a founding mother who shaped an American legacy in her own right.

We’re celebrating Eliza Schuyler Hamilton’s Birthday today and you get the gift! Don’t miss the beautiful cover below and a special giveaway, and don’t forget to pre-order your copy today!

 

About My Dear Hamilton: A Novel of Eliza Schuyler Hamilton (Coming 4.3.2018):

Wife, Widow, and Warrior in Alexander Hamilton’s Quest to Form a More Perfect Union

From the New York Times bestselling authors of America’s First Daughter comes the epic story of Eliza Schuyler Hamilton—a revolutionary woman who, like her new nation, struggled to define herself in the wake of war, betrayal, and tragedy. Haunting, moving, and beautifully written, Dray and Kamoie used thousands of letters and original sources to tell Eliza’s story as it’s never been told before—not just as the wronged wife at the center of a political sex scandal—but also as a founding mother who shaped an American legacy in her own right.

A general’s daughter…

Coming of age on the perilous frontier of revolutionary New York, Elizabeth Schuyler champions the fight for independence. And when she meets Alexander Hamilton, Washington’s penniless but passionate aide-de-camp, she’s captivated by the young officer’s charisma and brilliance. They fall in love, despite Hamilton’s bastard birth and the uncertainties of war.

A founding father’s wife…

But the union they create—in their marriage and the new nation—is far from perfect. From glittering inaugural balls to bloody street riots, the Hamiltons are at the center of it all—including the political treachery of America’s first sex scandal, which forces Eliza to struggle through heartbreak and betrayal to find forgiveness.

The last surviving light of the Revolution…

When a duel destroys Eliza’s hard-won peace, the grieving widow fights her husband’s enemies to preserve Alexander’s legacy. But long-buried secrets threaten everything Eliza believes about her marriage and her own legacy. Questioning her tireless devotion to the man and country that have broken her heart, she’s left with one last battle—to understand the flawed man she married and imperfect union he could never have created without her…

 

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To celebrate Eliza Schuyler Hamilton’s Birthday today, we have a surprise for you! Share the cover of MY DEAR HAMILTON and fill out the Rafflecopter below to receive an Exclusive Excerpt!

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New York Times bestselling author, Stephanie Dray is an award-winning, bestselling and two-time RITA award nominated author of historical women’s fiction. Her critically acclaimed series about Cleopatra’s daughter has been translated into eight different languages and won NJRW’s Golden Leaf. As Stephanie Draven, she is a national bestselling author of genre fiction and American-set historical women’s fiction. She is a frequent panelist and presenter at national writing conventions and lives near the nation’s capital. Before she became a novelist, she was a lawyer, a game designer, and a teacher. Now she uses the stories of women in history to inspire the young women of today.

 

 

 

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New York Times bestselling author, Laura Kamoie has always been fascinated by the people, stories, and physical presence of the past, which led her to a lifetime of historical and archaeological study and training. She holds a doctoral degree in early American history from The College of William and Mary, published two non-fiction books on early America, and most recently held the position of Associate Professor of History at the U.S. Naval Academy before transitioning to a full-time career writing genre fiction as the New York Times bestselling author, Laura Kaye. Her New York Times bestselling debut historical novel, America’s First Daughter, co-authored with Stephanie Dray, allowed her the exciting opportunity to combine her love of history with her passion for storytelling. Laura lives among the colonial charm of Annapolis, Maryland with her husband and two daughters.

 

 

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