Abolition | Nicole Evelina – USA Today Bestselling Author

Happy Beltane, everyone! I’m so excited to have Jacqueline Friedland as my guest here today. As her post below makes clear, she’s a soul-sister of mine in her love for strong women. Her post really got me thinking about how our early experiences with reading shape who we are later on as writers. I think I may do a follow up post on that with my own thoughts. But this post is about her, not about me. Take it away, Jacqueline!

Photo: Rebecca Weiss Photography

Did you ever try to figure out why certain novels make you fall in love and others make you fall asleep? Perhaps you’ve wondered if there is a common thread, a specific literary ingredient that draws you so deeply into certain stories? Maybe if you could identify a trend in the books that invariably keep you reading late into the night, that knowledge might allow you to better hone in on other books that would provide you with equal delight.

As a voracious reader and an author, it has been important to me to pinpoint the devices and themes embedded in the books I most adore. Not only can such knowledge save me from muddling through books that don’t speak to me, but it can also help me to create written work of my own that feels appropriate and substantive in all the right ways. Over the past several years, I have identified several characteristics that lead me to gravitate towards a novel. I like a fast-pace, a strong plot, accessible prose, maybe some romance, perhaps some humor. Nothing scary, gory, or overly experimental. But there is something more elusive that has made certain books stay with me for years.

When my mother read aloud to me during my early childhood, we loved The Little Engine that Could, The Secret Garden and Little House on the Prairie. As I grew older, I was drawn to books like Nancy Drew, The Babysitters Club and Anne of Green Gables. Then there were the books that shot to the top of my list as I reached adulthood: Gone with the Wind, Jane Eyre and The Bronze Horseman. What these books all have in common are strong female characters (and if you weren’t aware, Watty Piper’s plucky little engine is indeed female). These works of fiction portray girls and women who have grit, the will and determination to continue striving until they reach their goals.

There is an additional commonality between these characters though, which is that these females are not only strong, but kind. In today’s world, there is so much discussion of women needing to be strong, but not enough emphasis on the fact that in appropriate circumstances, kindness should be perceived as a type of strength. The ability to think about others and see past one’s own experience in interacting with people requires a special kind of fortitude.

In creating my debut novel, Trouble the Water, I felt it was imperative to include positive messages about feminine power and decision making. The manner in which my characters approach the circumstances fate deals them is what I believe defines their spirits and ethos. I wanted to portray characters who could make the best of difficult circumstances while also being brave enough to reject conformity. I created women who took the lemons life handed them and decided to use those lemons as paperweights. After all, not everyone likes lemonade.

The central female characters in Trouble the Water are each willing to think outside the Victorian or antebellum box, despite the constraints of the 1840s. The women are courageous enough to make their own choices and to shout until they are heard. Abigail Milton, the story’s protagonist, has worked in a cotton mill in Lancashire England, receiving a pittance in recompense since she was eleven years old. When her parents ask her to travel to America so that she may live off the charity of their old friend in Charleston, and thereby lighten the financial burden on her family, she agrees to set off on her own, traveling across the Atlantic Ocean with little more than a stale bread crust and unwavering determination to make a better life for herself.

As the story unfolds and Abby discovers that her new home is rife with clandestine efforts to free local slaves, she is excited, energized, and eager to participate in the abolitionist effort. Rather than judging the high-risk and profoundly illegal activity of her patron, Douglas Elling, Abby wants to jump directly into the trenches of abolition with him. It’s a whole different kind of #metoo.

Throughout the story, Abby repeatedly resists being corralled into any of the stereotypical gender molds of the day. From her penchant for physical exercise to her continued rejection of assistance from men, even those who simply offer to carry her bundles, Abby is her own person. She is desperate to create meaning in her life, which she believes can be achieved through teaching and helping others. When she develops romantic feelings for another character, she struggles greatly over how to reconcile those feelings with her burning desire for independence.

In addition to Abby, the other women featured in the novel are full of conviction and tenacity. Cora Rae Cunningham, a beautiful, spicy, nineteen-year-old who has rejected one marriage proposal after another will not be seduced by wealth nor forced into an arrangement that is not to her romantic satisfaction, much to the dismay of her plantation-owning, socially conforming parents. Clover, a house slave impregnated by her master, refuses to birth her baby into a life of bondage, and in the ultimate act of bravery and sacrifice, takes her chances on running North.

Creating a realistic historical novel that depicts female characters who are ahead of their time, models for women in any time period, is a challenge that I was glad to undertake. I felt it was incumbent on me to portray women who were progressive for their time, active players in their life stories, rather than passive guests, living out the scripts that had been handed to them by other forces. My characters have strong backbones, as well as moments of unexpected kindness and generosity. They are just the type of women who would keep me reading deep into the night.

Sounds like your characters and mine would get along great! Thank you so much, Jacqueline! I know I can’t wait to read her book! If you have any questions for Jacqueline, please leave them in the comments below and I’ll make sure she sees them.

As you read this, I’m freshly back (and brain dead, in a good way) from the Historical Novel Society conference. Will post about that once my brain has downloaded all the new knowledge. Until then, we’ll explore some of the reform movements that influenced the culture and society of mid-to-late 19^th century America.

Abolition/Post-War Role of Former Slaves

Abolition of Slavery by Thomas Nast (1840-1902), Umpehent, J. W. (Bibliothèque numérique mondiale) [Public domain], via Wikimedia Commons

When my book begins (August 1868), the Civil War was only five years in the past, and its hot button issues of slavery, race and the meaning of freedom and citizenship were still very much in the public sphere. In fact, the 14^th Amendment, which granted citizenship to former slaves, had just passed a month before.

It was a conflict that dated back to the time of Thomas Jefferson and in many ways, still continues today. Many of Victoria’s friends and contemporaries began their forays into reform through the abolitionist movement, including Theodore Tilton, Lucretia Mott, Susan B. Anthony and Fredrick Douglass.

When Victoria attended her first suffrage meeting in January 1869, she witnessed a very contentious debate between Elizabeth Cady Stanton and Fredrick Douglas, who had differing opinions on the 15^th Amendment which was being debated in Congress and would give former slaves the right to vote. Mr. Douglass said, “The right of women to vote is as sacred in my judgment as that of man, and I am quite willing to hold up both hands in favor of this right. But I am now devoting myself to a cause not more sacred, but certainly more urgent, because it is one of life and death to the long enslaved people of this country, and this is Negro suffrage. As you very well know, woman has a thousand ways to attach herself to the governing power of the land and already exerts an honorable influence on the course of legislation. She is the victim of abuses, to be sure, but it cannot be pretended, I think, that her cause is as urgent as ours.”

Women’s Suffrage

Tennie Claflin (Victoria’s sister, seated in center) with suffragists, circa 1920. Photo by Bain Collection (Library of Congress) [Public domain], via Wikimedia Commons

Closely related was the issue of women’s suffrage, which many suffragists believed was as important, if not more important, than suffrage for former slaves. Elizabeth Cady Stanton argued at that 1869 convention, “At this very moment, Congress is debating the Fifteenth Amendment. If it is passed, it would give black men the right to vote. But I ask you, how are we, as women, any less important? How are we to be left out of such legislation? Shall American statesmen make their wives and mothers the political inferiors of unlettered and unwashed ditch-diggers fresh from the slave plantations of the South?”

(As you can see, bigotry against former slaves and immigrants was very common at the time. Both she and Susan B. Anthony were known to refer to them as “Sambo and Hans and Yung Tung,” something we would never condone today.)

The Suffrage movement dates back to 1846, when the first debate on women’s rights was held at Oberlin College. It is thought by some historians that if not for the Civil War, women would have gained the right to vote in the mid-1800s. But as it stood in 1868, women were still fighting, having suffered a setback in 1866 with the passage of the 14^th Amendment, which introduced the word “male” into the Constitution as a qualification for voting. The debate as to whether women were citizens according to the Constitution – and therefore legally allowed to vote – would continue for the next decade, promoted by Victoria herself as well as Virginia Minor, but eventually defeated. As we know from history, women would not get the right to vote until August 1920 under the 19^th Amendment.

Sex Radicals

An example of one style of reform dress from the mid-19th century

One of the lesser known reform movement of the period was led by the so-called “Sex Radicals” who believed in Free Love, usually in conjunction with utopian communities, in protest of the sexual slavery experienced by women. This sounds a lot like the hippies of the 1960’s, but the big difference is that in the 19^th century, it meant the end of legal interference in marriage, in its binding or dissolving of ties between husband and wife. This idea allowed for divorce, as well as freedom for both husband and wife to take other partners as life presented them, but did not endorse promiscuity. (There’s a great article on Free Love on the American Experience site.)

Victoria and her sister Tennie, as well as Victoria’s second husband, James, and her lover, Theodore Tilton, were all a part of this movement. Victoria and Tennie wore their hair short and adopted a more masculine form of dress (without the bustles and corsets common at the time) in protest of the sexual inequality between men and women. For example, at the time, it was considered commonplace, even accepted, that young men would frequent prostitutes, but their wives could do no such thing or raise a complaint. Furthermore, while their male patrons were sometimes from the highest levels of society, the prostitutes were considered the lowest, too vile even for a Christian burial.

Worker’s Rights
In France, the Communards were revolting, installing their own form of government that called for the economic, social and political equality of women with men; gender and wage equality; the right of divorce; the abolition of the distinction between married women and concubines; an end to labeling children legitimate or illegitimate; the closing of legal brothels and an end to prostitution. What made this movement so frightening was that it was workers rising up against those in aristocratic positions, thus threatening the “normal” balance of power.

American businessmen were scared to death of this movement, seeing how it inflamed groups like the International Workingmen’s Association (IWA), which used the situation to demand an eight hour work day. Victoria’s friend and mentor, Stephen Pearl Andrews, was part of the IWA, and her husband was part of the American Labor Reform League. It is likely they were responsible for Victoria’s interest in the worker’s movement, which she eventually held on even ground with women’s suffrage.

The IWA was closely linked to Karl Marx, so Victoria felt it was important that the American people understand what they were fighting for. In July 1871, Victoria and Tennie became co-presidents of the IWA. In December 1871, she published the first English translation of his Manifesto in her paper, Woodhull & Claflin’s Weekly. That same month, she, Tennie and Stephen led a highly controversial parade in New York, protesting the murder of five Communards in France. She may have become a major player in the movement, had her philosophy of individual rights meshed more closely with Marx’s communal vision. In 1872, Marx himself disbanded Victoria’s section of the IWA, effectively ending her association with the group.

What is your understanding or familiarity with these groups? Had you heard of the sex radicals or IWA before? If so, how? What questions do you have about any of them?

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Sources:

Brody, Miriam. Victoria Woodhull, Free Spirit for Women’s Rights

Gabriel, Mary. Notorious Victoria.

Gilfoyle, Timothy J. City of Eros: New York City, Prostitution, and the Commercialization of Sex, 1790-1920.

Goldsmith, Barbara. Other Powers: The Age of Suffrage, Spiritualism and the Scandalous Victoria Woodhull.

Havelin, Kate. Victoria Woodhull.

MacPherson, Myra. The Scarlet Sisters.

Underhill, Lois Beachey. The Woman Who Ran for President.

Wheeler, Marjorie Spruill Wheeler, ed. One Woman, One Vote: Rediscovering the Woman Suffrage Movement.