I was so busy moving and such that I realized I never did a cover reveal for my next release: Fierce Females on Television: A Cultural History.
Coming October 15
A fascinating deep-dive into how shows from Buffy the Vampire Slayer to The Equalizer have changed the way women are portrayed on television.
The last three decades of television have been a formative and progressive time for female characters, as stronger, more independent women have appeared on screen to guide a new generation of viewers into their own era of power. These characters battle vampires, demons, corrupt government officials, and scientific programs all while dealing with the same real-world concerns their audiences face every day.
In Fierce Females on Television: A Cultural History, Nicole Evelina examines ten shows from the past thirty years to unveil the enormous impact they have had on the way women are portrayed on television. She reveals how Buffy the Vampire Slayer, Charmed, Alias, Nikita, Agent Carter, Jessica Jones, Homeland, House of Cards, Orphan Black, and The Equalizer feature extraordinary lead characters who are at the same time utterly relatable, facing surprisingly familiar questions in their everyday lives regarding sexuality, gender, and how to fight back in a patriarchal world.
Fierce Females on Television shows how, even with their captivating mix of melodrama, mystery, magic, and martial arts, these shows nevertheless represent the audience’s own desires and fears. Finally, viewers of science fiction, fantasy, spy, and political shows have strong, modern women to watch, admire, and emulate.
Hi, everyone! Yes, I am still here. I’ve just been quiet because my life has been crazy (in a great way)! If you follow me on Facebook, you already know that I have a serious boyfriend and am moving to South Bend, Indiana, on May 20, to live with him. So that has totally thrown everything for a loop.
But to keep you up to date on book news:
Podcast: I was honored to be a guest on the National Constitution Center Podcast in March, along with Dr. Sara Chatfield, assistant professor of political science at the University of Denver. (If you get a chance to read her new book, please do. She and it are amazing!) I spoke about Virginia Minor and women’s constitutional rights and she spoke about women’s marriage and financial rights in 19th century America.
Event: I have a free book signing and presentation at Bellefontaine Cemetery this Saturday from 2-4 p.m. This will be my last St. Louis event for a while, so please stop by if you can! You can RSVP here, but it is not required.
Life: With the move, I’m not currently working on a book, but I will say that my agent and I are working on some things that will hopefully get me writing full time within the next two years or less.
So yeah, nothing new to see here. With the possible exception of a Fearless Females in History post, the next time I write you will likely be from my new life in Indiana! I hope everyone is well!
When my book, Catherine’s Mercy, comes out next June, you’ll meet a fictionalized version of Anna Maria (or Marie) Doyle. She was one of Catherine McAuley’s closest friends and a main character in the book. September 24 is Mercy Day, the 195th anniversary of the opening of the first House of Mercy in Dublin, Ireland, in 1827. That is why I’ve chosen to share Anna Maria’s true story below. Hope you enjoy getting to know her as much as I did!
Photo courtesy of Mercy International Centre
Anna Maria Doyle was born in Dublin on August 6, 1801, to James and Catherine Doyle. She was the second youngest child of six, two of whom didn’t survive childhood. The Doyles were a respectable Catholic family. James was a merchant tailor, meaning he bought cloth (silk) in addition to tailoring garments. When the Act of Union was passed in 1801, abolishing the Irish Parliament and joining Ireland to the United Kingdom, it allowed the rise of Protestantism among the upper classes and many Catholic businesses suffered, including the Doyles.
We know very little about Anna Maria’s youth, other than she was said to be “distinguished from childhood for sweetness of disposition and tender piety.” Anna Maria’s parents sent their sons to the best schools possible, and Anna was clearly an educated woman, so her biographers speculate that she may have been sent to school in France, for she was fluent in the language and later translated many French prayers for the Sisters of Mercy.
Anna Maria was apparently a beautiful woman, for “she was much sought after” by the wealthy men of Dublin “and harassed with proposals of marriage.” Because of their financial misfortunes since the Act of Union, her parents pressed her accept one, but Anna Maria couldn’t shake an inner calling to religious life. Like Catherine McAuley, she longed to do something to alleviate the suffering she saw in the streets of Dublin. She planned to become a Presentation Sister like her biological sister Catherine had, but she was the only child left at home and her parents were growing old, so she didn’t feel right leaving them.
It is said that when Anna Maria Doyle first saw the House of Mercy being constructed on Baggot Street, she “remarked the building with indescribable attraction.” The man in charge noticed her delight and offered to give her a tour and told her what it’s purpose was. She began to have renewed hope; Catherine’s lay ministry to the poor would allow her to fulfil her dream and tend to her parents as well.
In the spring of 1827, Anna called upon Catherine at her home, the residence of her sister, Mary, and brother-in-law, William McAuley. They lived in a house on the grounds of the Royal Hospital in Kilmainham, just outside of downtown Dublin. There are no records of what was said between the two women, but their first meeting must have gone very well, for Anna Maria later said that from the beginning “we were very much pleased with each other.” Catherine remarked that she “believed Miss Doyle sent by heaven.” When pressed for details, Catherine only replied, “it commenced with two.”
Anna’s joy was short-lived, however, because only a few weeks later, her sister, Catherine, only 33, died of consumption in the Presentation convent in Killarney. Only six months earlier, they had lost her brother, James, and now this. She and her brother, John, an artist In London, were now the only remaining Doyle children.
While Anna was grieving the death of her sister, so too was Catherine McAuley, who lost her dear sister Mary. It appears the two were some consolation to one another, and Anna Maria was a great help to Catherine in tending to the final touches regarding the House on Baggot Street. At the time, Catherine was weighed down by taking care of her five nieces and nephews, whom she semi-adopted upon Mary’s death, tending them while their father worked. Meanwhile, the Superioress of the Presentation convent offered Anna Maria her sisters’ place there, but meeting Catherine had changed Anna Maria’s mind. She was more determined than ever to help Catherine in her ministry.
Seeing Catherine’s need, Anna Maria inquired of Catherine when she might begin working at the House of Mercy. Catherine wrote her back that the House would open on September 24, the feast of Our Lady of Mercy. Catherine Byrn, the 15-year-old daughter of Catherine McAuley’s cousin, Anne, whom Catherine had adopted when her mother died five years previous, was appointed as Anna Maria’s assistant.
On September 24, the three of them turned the five-inch metal keys in the lock at 64A Baggot Street, and the House of Mercy was officially opened. That day, they began lessons at the poor school, which had strong enrollment, and Catherine interviewed the two women interested in living at the residence for working women.
Catherine, still living with her nieces and brother-in-law in Kilmainham, came daily to check on business, but it was Anna Maria who was in charge at the House. By December, the school had five hundred female students and young tradeswomen were staying at the House overnight. Soon, young women of means were inquiring about offering their services on a part-time basis, including two nieces of “The Liberator” and champion of Catholic Emancipation, Daniel O’Connell. Suddenly, volunteering at the House became the fashionable thing to do. In June 1828, Catherine moved into the House permanently.
In late 1828 or early 1829, the Presentation Sisters again contacted Anna Maria, saying that they had obtained an “increase in property” which would allow them to receive her without a dowry. But Anna Maria would not be swayed. She told them her “Merciful Savior had inspired” her work at Baggot Street and there she would remain.
By 1830, it was clear that the women of the House would have to become religious Sisters, so Catherine chose Anna Maria and Elizabeth Harley, whom Anna Maria already knew because they had been part of the same parish of St. Andrews, and whom Anna called “a saintly creature.”
During her novitiate, Anna Maria was in charge of the sacristy until August 1831, when she suffered a severe hemorrhage of the lungs brought on by overexertion, likely commanded by their harsh novice mistress.
On December 13, 1831, Anna Maria, Catherine and Elizabeth took their vows as the first Sisters of Mercy. Elizabeth’s religious name became Sister Mary Ann Doyle. An outbreak of cholera soon followed and all in the House were consumed with caring for the sick.
In March 1835, Catherine named Sister Mary Ann as Superior of the first convent in Kingstown. The following year, she became Superior of the new foundation in Tullamore, County Offaly, on April 21, 1836. She had great responsibility, serving simultaneously as superior of the community, directress of novices, and mistress of schools. Catherine was able to visit her six times between 1836 and 1841, the only times they saw one another before Catherine died. Likely at Catherine’s request, Sister Mary Ann (and all of the other Superiors of the foundations) was not present at her deathbed.
In February 1844. Sister Mary Ann made her first foundation without Catherine, in the city of Kells. There they taught in an existing school and visited the poor and sick in their homes, later also ministering to those in the local workhouse.
In 1847 Mary Ann, who was now ill, to Tullamore, thinking she would live out her days in seclusion. But once again, God intervened through Dr. Maginn of Derry who asked the Sisters to found a convent in his town of Derry. On July 18, 1848, Sister Mary Ann traveled to Derry as assistant to Catherine Locke, who would be the Superior there. She did the same in 1852, only to find that the Sisters of Loreto were already in the town of Omagh.
From 1854 -1866 Sister Mary Ann lived in the Covent in Derry, where she died on September 11, 1866.
In honor of Nurses Week (May 6-12), this month we’ll learn the amazing story of Estelle Massey Osborne, who fought against racial discrimination in nursing. The Rory Meyers College of Nursing at NYU says of her: “Few Americans helped to change the face of nursing in the 20th-century more than Estelle Massey Osborne.”
Estelle Massey was born on May 3, 1901, to Hall and Bettye Estelle Massey in Palestine, Texas. Her parents were uneducated and worked menial jobs, but they wanted a better life for their children so they saved up and managed to send all 11 of them to college.
Estelle received her teaching certification from Prairie View State Normal and Industrial College (now Prairie View A&M University). She taught for a while, but after being badly injured in a violent incident at a school where she was teaching, she decided to become a nurse. Estelle joined the first nursing class of St. Louis City Hospital #2 (later Homer G. Phillips Hospital), where she developed a passion for obstetrics. She graduated in 1923 and worked there as head nurse for three years.
In 1926 or 1927 she moved to New York City to teach at the Lincoln School of Nursing and the Harlem Hospital School of Nursing, where she was the first Black instructor. She attended summer sessions at Teachers College of Columbia University. Then, in 1928, she received a scholarship from the Julius Rosenwald Fund—the first Black nurse ever awarded one—which enabled her to study full time. She received a bachelor’s degree in 1930, and a master’s in nursing education in 1931, the first Black nurse to do so.
The following year, she married Dr. Bedford N. Riddle, but they later divorced. In 1934 she worked as a researcher for the Rosenwald Fund, studying rural life in the deep South and trying to determine how to better enable people there to access health care services. Later the same year, Estelle became president of the National Association of Colored Graduate Nurses where she created strong relationships with the American Nurses Association (ANA), National League for Nursing, and National Organization for Public Health Nursing. With the bonds she formed, Estelle successfully lobbied to get these organizations to allow Black nurses and worked to improve post-graduation opportunities for Black nurses. By the time she left five years later, the National Association of Colored Graduate Nurses’ membership had increased five-fold to nearly 950 nurses.
In 1940, Estelle returned to St. Louis and the Homer G. Phillips Hospital to become its first Black female director of nursing. When the U.S. entered WWII, she took up the cause, even though the Army and Navy both banned Black nurses. In 1943 she was appointed as a consultant to the National Nursing Council for War Service, where she acted as a liaison to nursing schools by recruiting desperately-needed student and graduate nurses. She also used this position to change discriminatory policies at nursing schools and in the military. Within two years, thanks to Estelle’s efforts, 20 more nursing schools admitted Black students, the Cadet Nurse Corps had inducted 2,000 Black members, and the Army and Navy both welcomed Black nurses.
In 1945, Estelle became the first Black instructor at New York University’s Department of Nursing Education. The following year, she received the Mary Mahoney Award from the ANA for her efforts to help Black nurses become integrated within the broader nursing community. In 1947, she married again, this time to Herman Osborne.
In addition to teaching nursing as the first Black faculty member at NYU Rory Meyers College of Nursing, she led many nursing associations, trying to increase Black membership and bridge the divide between white and Black associations. In 1948, she became the first Black member of the ANA board, where she served as a delegate to the International Council of Nurses. Estelle was also a member of the National Urban League, first vice-president of the National Council of Negro Women, and an honorary member of Chi Eta Phi Sorority and the American Academy of Nursing.
In 1954 she became Associate Professor of Nursing Education at the University of Maryland and five years later, the NYU Department of Nursing named Estelle “Nurse of the Year.” In 1966, she left her executive role at the National League for Nursing to retire.
Estelle died on December 12, 1981, at the age of 80. In 1984, the ANA inducted her into their Hall of Fame. Two scholarships bearing her name are given out annually by NYU Meyers and the Nurses Educational Fund.
Although American women couldn’t join the military on a permanent basis until 1948, they had been enlisting since Loretta Walsh became the first woman allowed to serve in any branch of the military in 1917. This month, we’re introducing you to Annie G. Fox, an Army nurse who was the first woman to receive the Purple Heart.
Annie Gayton Fox was born on Aug. 4, 1893, in East Pubnico, Nova Scotia, in Canada to Annie and Charles Fox, a doctor. Nothing is known of her life before 1918, when she enlisted to serve in the Army Nurse Corps in World War I or why she chose to do so. After her tour ended on July 14, 1920, she was based in New York, then Fort Sam Houston in Texas, and Fort Mason in San Diego. Annie was then transferred to the Philippines where she served at Camp John Hay in Benguet and then in Manilla.
In 1940, she returned to the United States, where she was stationed in Honolulu, Hawaii. There, she passed her exam to become Chief Nurse, was promoted to 1st Lieutenant and was transferred to Hickam Air Field Station Hospital, a small 30-bed hospital with six nurses.
Less than a month later, the Japanese attacked Pearl Harbor. Victims were sent to hospitals all over the island, including Hickam, where Annie was in charge. The noise of torpedoes, bombs, machine guns, and anti-aircraft guns was deafening and bombs fell all around the hospital, one leaving a 30-foot crater 20 feet from the hospital and another exploded across the street. Hospital staff, wearing gas masks and helmets, reported trying to save the wounded while enemy aircraft flew so close overhead that they could see the pilots conversing.
Annie not only cared for the wounded and assisted in surgery during the attack, but also organized civilian volunteers to provide assistance and make bandages. For her “outstanding performance of duty and meritorious acts of extraordinary fidelity” during this ordeal she was awarded the Purple Heart on Oct. 26, 1942, becoming the first woman to receive it. (At this time, recipients were not required to have been seriously wounded to receive this honor.)
The citation describes what Annie experienced and how she reacted:
“During the attack, Lieutenant Fox, in an exemplary manner, performed her duties as head Nurse of the Station Hospital… in addition she administered anesthesia to patients during the heaviest part of the bombardment, assisted in dressing the wounded, taught civilian volunteer nurses to make dressings, and worked ceaselessly with coolness and efficiency, and her fine example of calmness, courage and leadership was of great benefit to the morale of all with whom she came in contact….”
Two years later, the military added the stipulation that recipients of the Purple Heart had to sustain wounds during enemy action. As a result, on Oct. 6, 1944, Annie, now a Captain, was given a Bronze Star in lieu of her Purple Heart. The Bronze Star Medal is “awarded to members of the United States Armed Forces for either heroic achievement, heroic service, meritorious achievement, or meritorious service in a combat zone.”
After the war, Annie continued her military career in San Francisco, and then as Assistant to the Principal Chief Nurse at Camp Phillips, Kansas, where she was promoted to Major. She retired from active duty on Dec. 15, 1945, two years before President Harry S. Truman signed the Women’s Armed Services Integration Act into law, allowing women to serve as full members of all branches of the Armed Forces.
Annie eventually moved to San Diego to be with two of her sisters. She never married. She died January 20, 1987, in San Francisco, at the age of 93.
In March 2017, Hawaii Magazine ranked her among a list of the most influential women in Hawaiian history.
August 1 was the anniversary of Mary Elizabeth (Eliza) Mahoney becoming the first Black woman to graduate from an American school of nursing. She’s considered the first officially trained Black nurse in the United States.
Early Life
Mary Eliza Mahoney was born in April or May of 1845 in Dorchester, Massachusetts, to parents who were freed slaves, originally from North Carolina. She attended the Phillips School, one of the first integrated schools in Boston (and the United States), for her early education, which is said to have influenced her later decision to become a nurse.
But in order to do that, she faced an uphill battle. Nursing schools in the South rejected applications from Black women and even in the North their opportunities were limited. For 15 years, the closest she could come was to work 16-hour days as a cook, maid and washerwoman at the New England Hospital for Women and Children in Boston – which was dedicated to providing health care only to women and their children and had an all-female staff of physicians.
Nursing Training
When the hospital (now the Dimock Community Health Center) opened a nursing program in 1878, Mary Eliza applied. Despite being two years older than the technical admission criteria, she was accepted at age 33 to a 16-month program, alongside 39 other students. Of this entire class, Mary Eliza and two white women were the only ones to receive their degree. (Mary Eliza’s sister, Ellen Mahoney, also decided to attend the same nursing program but was unsuccessful in receiving her diploma.)
It’s not hard to see why. The training was rigorous with the shift running from 5:30 a.m. – 9:30 p.m. for only meager wages. Students were required to spend time over the course of a year in all the hospital’s wards so that by the time they graduated, they understood each one intimately. Outside of lectures, they were taught bedside procedures such as taking vital signs and bandaging. The last two months of the program required the nurses to use their newfound knowledge and skills in environments they were not accustomed to such as hospitals or private family homes. Mary Eliza chose to work as a private-duty nurse.
On August 1, 1879, Mary Eliza became the first Black woman to graduate from an American school of nursing and is considered the first officially trained Black nurse in the United States.
Career
Mary Eliza worked for many years as a private care nurse, predominately in white households with new mothers and newborns. During the early years of her employment, Black nurses were often treated as if they were household servants rather than professionals. Nevertheless, families who employed her praised her efficiency in her nursing profession. Mary Eliza’s professionalism helped raise the status and standards of all nurses, especially minorities. As her reputation spread, she received private-duty nursing requests from patients in states in the North and on the southeast coast.
In 1908, Mary Eliza worked closely with Martha Minerva Franklin and Adah B. Thoms who founded the National Association of Colored Graduate Nurses (NACGN.] This organization attempted to uplift the standards and everyday lives of Black registered nurses and had a significant influence on eliminating racial discrimination in the profession until it was integrated into the American Nurses Association in 1951. From 1910 to 1930 alone, the number of Black nurses doubled, thanks to Mary Eliza’s efforts.
From 1911 to 1912, Mary Eliza served as director of the Howard Colored Orphan Asylum for Black children in Kings Park, Long Island, New York, a home for freed Black children and elderly. After one year on the job, she decided to retire.
Later Life
Her nursing career complete, Mary Eliza focused her attention on women’s suffrage. In 1920, after women won the vote, she was among the first women in Boston to register.
In 1923, Mary Eliza was diagnosed with breast cancer, a battle she fought for three years until her death at the age of 80 on January 4, 1926.
In recognition of her outstanding example to nurses of all races, the NACGN established the Mary Mahoney Award in 1936. It is still given out today by the American Nurses Association every two years in recognition of significant contributions in advancing equal opportunities in nursing for members of minority groups.
Mary Eliza received many posthumous honors and awards for her pioneering work. She was inducted into the American Nurses Association Hall of Fame in 1976 and into the National Women’s Hall of Fame in 1993. Her name also graces a health center in Oklahoma City, a dialysis center in Boston and a lecture series at Indiana University Northwest.
I am over-the-moon excited! I’m finally a hybrid author! This has been a long time coming and I am so excited to write these books. Here’s a little more about them:
Obviously, not the real cover.
Sex and the City: A Cultural History This book will provide cultural context and analysis of the famous show, both how it affected cultural as it aired and also how it looks now 20+ years later. Some topics include:
Looking at what it means to relate to each of the girls (ala, Are you a Carrie? A Samantha? A Miranda? A Charlotte?)
What the men in the show illustrate about masculinity and what that means about the kinds of men women are attracted to.
Issues like diversity or lack thereof, treatment of sex and sexuality, LGBTQIA portrayal.
How the show made New York a character, built brands, influenced fashion and reflected third wave feminism.
And a lot more!
I have an end of year deadline, so hopefully the book will come out around the time the reboot, And Just Like That, airs.
Fierce Females in Television: A Cultural History
Thank God, not the real cover!
This book will briefly discuss the nature of physically strong women on TV from the 1950s-1980s, but will focus specifically on the 1990s to today because that is when we saw a major ramp up in the portrayal of these kinds of women.
Shows covered include: Xena: Warrior Princess (1995-2001), Buffy the Vampire Slayer (1997-2003), Charmed (1998-2006), Alias (2001-2006), Nikita (2010-2013), Agent Carter (2015-2016), Jessica Jones (2015-2019), Game of Thrones (2011-2019), and Homeland (2011-2020).
Some of the topics include:
An analysis of the main female characters on each show.
The meaning of female strength and friendships/family.
The influence of third- and fourth-wave feminism on the shows and their characters.
Treatment of sex and diversity.
The role of redemption narratives and change in female lives.
And more!
This book will be out sometime in 2023/24.
Between these, the League of Women Voters book (due Oct. 4) and at least one work of historical fiction, you know what my next few months and even my 2022 will look like!
I was so busy moving and such that I realized I never did a cover reveal for my next release: Fierce Females on Television: A Cultural History.
In honor of Nurses Week (May 6-12), this month we’ll learn the amazing story of Estelle Massey Osborne, who fought against racial discrimination in nursing. The Rory Meyers College of Nursing at NYU says of her: “Few Americans helped to change the face of nursing in the 20th-century more than Estelle Massey Osborne.”
Although American women couldn’t join the military on a permanent basis until 1948, they had been enlisting since Loretta Walsh became the first woman allowed to serve in any branch of the military in 1917. This month, we’re introducing you to Annie G. Fox, an Army nurse who was the first woman to receive the Purple Heart.
