One of these days, I will get back to historical posts, I promise. But right now there’s so much exciting stuff going on that I feel like it’s more interesting to talk about that, especially as we’re getting closer and closer to January 1, when Daughter of Destiny comes out.
If you follow me on social media, you may have already heard, but last week I signed a three book deal with Serena Scott Thomas through ACX to narrate and produce all the books in Guinevere’s Tale. I am super excited! Serena is a seasoned actress – you may have seen her in the Oscar-nominated movie Inherent Vice, in the Bond film The World is Not Enough, or on Nash Bridges, Buffy the Vampire Slayer or Nip/Tuck, just to name a few.
But I didn’t know any of that (other than she’s an actress) when I auditioned Serena – I only knew her voice seemed just right for Guinevere. Let me tell you, she nailed her audition! We signed the contract and I have listened to the first 15 minutes of production (which is the first step in the approval process). I couldn’t have chosen a more perfect Guinevere! She is sooooo talented. I love how she manages to emphasize just the right words and give a special spark to even small, secondary characters. Anyway, I’m sending a few notes back to her today, and then she will record the rest of the book, which I’ll get to hear around the first of December. That means the audio book will be ready to go on sale January 1 with the print and non-Kindle ebook formats! (Plus, Serena is super nice to work with!)
Amazon Crossing (the foreign translation division of Amazon’s publishing arm) has opened its submissions to indie authors. This is a major coup because foreign rights are one of the hardest for an indie author to sell. Yes, a lot of the world speaks English, but who wouldn’t want to read a book in their native language? (It’s got to be easier.) So, I submitted Daughter of Destiny today for consideration. I have no idea if they will accept it or not (partly because it hasn’t even been published in English yet, but then again, some traditionally published authors have gotten foreign deals before their US/UK versions came out). But I feel I made a compelling case as to why Arthurian legend is appealing to a worldwide audience (thank you Tyler T. for your post on King Arthur in Turkey, which helped me make my argument) and why this book in particular would do well around the world. I’m supposed to hear back in 5-8 weeks, so cross your fingers!
My cover artist, Jenny Q., begins work on the cover for Daughter of Destiny on Monday. Hopefully I’ll see something by the end of the month and you’ll see the official cover in early November.
While all this is going on, I’ve been editing Camelot’s Queen, the second book in Guinevere’s Tale. It’s not due to my editor until the beginning of December, but I’m doing National Novel Writing Month (NaNoWriMo) in November, so it and Been Searching for You need to be pretty much ready to submit by the end of the October so I can make the December editing deadlines.
My NaNoNovel is going to be the other side of the coin to Guinevere’s story – it will tell Morgan’s story. Once you read the first two Guinevere books, you’ll see why that is important. Because my books are all first person POV, you only see Morgan through Guinevere’s judgmental filter. There is so much that you don’t see because Guinevere was either wrong (but sometimes she was right) or she wasn’t there and so didn’t know how certain things went down. I will release this one only after the last Guinevere book is out because it gives away the plot twists in the three Guinevere books. I would advise that you read it only after reading the Guinevere books for that reason, as well.
Why didn’t I choose to work on Guinevere Book 3 during NaNoWriMo? Well, for one, that one is mostly drafted and doesn’t have another 50,000 words in it (which is the goal of NaNoWriMo), and also Morgan is demanding I tell her story. Once I’ve got her story at least drafted, she’ll be quieter, which means I’ll only have Isolde and a historical woman fighting in my head over whose book is next. Plus, if I get the residency I applied for, I’ll be working on Guinevere 3 at Hedgebrook next year.
If all this wasn’t enough, I’m currently taking a Margie Lawson class on being an independent author. Next week, I am one of 8 authors who will pilot an online mystery writing course through Hedgebrook taught by legendary author Elizabeth George. (Fun fact: 5 out of 8 of the pilot authors were in my Hedgebrook class with Deborah Harkness!) “But, Nicole,” I hear you say, “you don’t write mysteries. Why are you taking this class?” Ah, good question. Besides the fact that it’s an incredible opportunity to learn from one of the best, there is a mystery in Isolde’s story, so I want to learn how to do it right. And you know, I’m crazy and have to fill up my-non day job hours with as much as possible!
So, enough about me. What are all of you up to? Any thoughts/questions on the above? We’re getting closer and closer to publication, and 2016 has many exciting things in store, so I can’t wait to share it all with you. And thank you all again for all of your support!