In Celebration of Indie Authors

I am giving this short speech today at the St. Louis County and St. Louis City libraries as part of Indie Author Day. I wanted all of you who couldn’t join us to be able to read it as well. I hope you enjoy it. Learn more about my speaking engagements

self-e_indieauthorday_logo_tshirt-01-e1462823856596When I was invited to be part of Indie Author Day, I was honored and humbled. I’m very proud to be an independent author and to be part of the first ever national day celebrating our work and our achievements. Our community has grown tremendously in the last five years, and now the books we produce rival – and in some cases outsell – those released through traditional means.

I want to be clear that I have nothing against the traditional publishing industry. I may even still join it in the future, but it isn’t what is right for me as an artist at this moment in my career. And that’s what being an indie is all about: taking control of your writing, your career, and the myriad decisions that go into it. We are no longer the ugly step-children who couldn’t make it traditionally; we are the entrepreneurs who chose to go our own way.

In her novel The Light of Paris, Eleanor Brown writes that the surrealist artists of post-WWI Paris were “making space for themselves without waiting for someone to give them permission.” That is exactly what we are doing as indie authors. We may cross traditional genre boundaries, write about subjects or in time periods that aren’t considered marketable, or simply want to do things on our own schedule. Whatever our reasons, we are producing our art without so much as a by your leave. We have something to say and aren’t waiting for anyone to give us a stage; we are building our own.

Now, being an indie author isn’t without its challenges. In declaring ourselves free of traditional constraints, we also take on the burden of being our own patrons, financing our cover art, editing, production and marketing. We take the financial risk that our work may not find an audience – or at least not enough of one to recover what we’ve invested. But such is the curse of every small business owner, from freelancers and flower shops to barbers and bakeries. We take a leap of faith that with enough hard work and a bit of luck, we will somehow make it.

We also face the seemingly impossible task of making ourselves known in a world where a new book is published every five minutes on Amazon, which is already home to 3.4 million books. But somehow, we still manage to find our audience – no matter how large or small. Whether we use Facebook ads, make book trailers or go the route of hand-selling and attending conferences or speaking engagements – we get out there and let people know we are here and why they should be interested in what we have to say.

Really, that is a challenge for every author, whether indie or traditional. But as indies, we have to do it ourselves, or if we’re lucky, with the help of a publicist. Without the endorsement of a big publishing house, we rely on the help of our tribe, other authors and readers whose loyalty we’ve gained, to provide endorsements of our work. They are our support system, our lifeline in times of crisis and uncertainty, and they can be a connection to new readers.

As indies, we may be perceived as being in this alone, but that is far from the truth. We have a vibrant, supportive community that is more generous than I’ve ever seen anywhere else. I’ve found genuine well-wishes even from people who have written about the exact same subject as I have. In the corporate world, we’d be considered competitors, but I’m coming to realize that here we are really allies. Whether we share resources, write guest posts together or just silently cheer one another on, it is that support that buoys us and keeps us going in and ever-changing industry that doesn’t really know what to do with us.

We’ve broken the traditional paradigm and that scares a lot of people. I say let them be scared; we aren’t. You know who else wasn’t afraid to try something new? Steve Jobs. Bill Gates. Ben Franklin. Madame Curie. Thomas Edison. Henry Ford. The Wright Brothers. And we can’t forget the Founding Fathers of our country. Without them we wouldn’t have iPhones, PCs, eyeglasses, X-rays, light bulbs, cars, airplanes or an independent nation – things we now take for granted. While few of us are on that grand of a scale, without us, the publishing world would be lacking in richness, diversity and, our readers would be still be searching for our stories.

It is the independent spirit of the publishing entrepreneur we gather to celebrate today. In the last five years, we’ve gone from being tentative explorers of the brave new world of ebooks to producing top quality work that makes the bestseller lists. Some of members of our community have even become breakout stars – such as Courtney Milan, Colleen Hoover, Bella Andre, Hugh Howey, and many others – authors who regularly outsell those who are traditionally published. We’ve done this through discipline and professionalism, by writing outstanding books, and applying business acumen to our work – for this is no mere hobby; this is our job, regardless of whether we have another that pays the bills.

With the rapid advancement of technology and gradual acceptance of our legitimacy as real authors, in another five years – even in one year – who knows where we can be. We may well be the new norm. How we get there is up to you and me, the indie authors of America. I, for one, am proud to celebrate us and our accomplishments – past, present and future – today.

Happy Publication Day to Madame Presidentess!

Madame Presidentess Cover Hi resPublication days are strange animals. They are exciting and weird and nerve-wracking and busy, but I wouldn’t trade them for anything. Today’s is especially special for a few reasons:

  1. Madame Presidentess being available to the world is a fulfillment of part of my personal mission; as soon as I heard about Victoria, I wanted to do what I could to get her name back into the history books. By educating (and hopefully entertaining as well) through this book, I’m making a small effort in that direction.
  2. Today will be my first television appearance! If you live in St. Louis, tune into Fox 2 for their 11 a.m. news. They will have me on at least once, perhaps twice, promoting Madame Presidentess.
  3. Those of you who have been with me a while know this is also the last book of my four-book blitz that began in January when I released Daughter of Destiny. That means that soon I will be able to get back to a semi-normal life, and more importantly, to writing new material!

Okay, enough of that. On to the important stuff: where you can buy the book. Amazon does this odd thing where they don’t combine the print and ebooks onto one page for a few days. No idea why and it is very annoying. So you may need separate links, depending on which version you wish to purchase.

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Barnes and Noble is being slow to list the paperback. I’m sorry about that. I’ve done everything I can. Now it’s up to them. 🙁

I hope all of you like the book. It has been a true labor of love and I’m so blessed to have found such an amazing historical figure with such a crazy life to be able to work with. If you do read it, please leave a review, even one sentence, on Amazon and/or Goodreads. Reviews mean the world to authors and help us with marketing. And thank you all again for all of your support! If it wasn’t for you, there would be no reason for me to write.

And one final note: today’s publication date is not an accident. Today is the first day of the Democratic National Convention, at which Hillary Clinton will become America’s first woman to be nominated for President on a major party ticket. Victoria was the first woman to run for President at all; she did so on the ticket of the Equal Rights Party, a party she founded. I chose this date so be able to tie in past female accomplishments with present (and possibly future) groundbreaking events. Regardless of your political persuasion, I hope you see the beauty in that.

 

Daughter of Destiny Audio Book and Possible Foreign Translation

One of these days, I will get back to historical posts, I promise. But right now there’s so much exciting stuff going on that I feel like it’s more interesting to talk about that, especially as we’re getting closer and closer to January 1, when Daughter of Destiny comes out.

Serena Scott ThomasIf you follow me on social media, you may have already heard, but last week I signed a three book deal with Serena Scott Thomas through ACX to narrate and produce all the books in Guinevere’s Tale. I am super excited! Serena is a seasoned actress – you may have seen her in the Oscar-nominated movie Inherent Vice, in the Bond film The World is Not Enough, or on Nash Bridges, Buffy the Vampire Slayer or Nip/Tuck, just to name a few.

But I didn’t know any of that (other than she’s an actress) when I auditioned Serena – I only knew her voice seemed just right for Guinevere. Let me tell you, she nailed her audition! We signed the contract and I have listened to the first 15 minutes of production (which is the first step in the approval process). I couldn’t have chosen a more perfect Guinevere! She is sooooo talented. I love how she manages to emphasize just the right words and give a special spark to even small, secondary characters.  Anyway, I’m sending a few notes back to her today, and then she will record the rest of the book, which I’ll get to hear around the first of December. That means the audio book will be ready to go on sale January 1 with the print and non-Kindle ebook formats! (Plus, Serena is super nice to work with!)

Foreign Rights
Amazon Crossing (the foreign translation division of Amazon’s publishing arm) has opened its submissions to indie authors. This is a major coup because foreign rights are one of the hardest for an indie author to sell. Yes, a lot of the world speaks English, but who wouldn’t want to read a book in their native language? (It’s got to be easier.) So, I submitted Daughter of Destiny today for consideration. I have no idea if they will accept it or not (partly because it hasn’t even been published in English yet, but then again, some traditionally published authors have gotten foreign deals before their US/UK versions came out). But I feel I made a compelling case as to why Arthurian legend is appealing to a worldwide audience (thank you Tyler T. for your post on King Arthur in Turkey, which helped me make my argument) and why this book in particular would do well around the world. I’m supposed to hear back in 5-8 weeks, so cross your fingers!

Cover Design
My cover artist, Jenny Q., begins work on the cover for Daughter of Destiny on Monday. Hopefully I’ll see something by the end of the month and you’ll see the official cover in early November.

Other Books
While all this is going on, I’ve been editing Camelot’s Queen, the second book in Guinevere’s Tale. It’s not due to my editor until the beginning of December, but I’m doing National Novel Writing Month (NaNoWriMo) in November, so it and Been Searching for You need to be pretty much ready to submit by the end of the October so I can make the December editing deadlines.

My NaNoNovel is going to be the other side of the coin to Guinevere’s story – it will tell Morgan’s story. Once you read the first two Guinevere books, you’ll see why that is important. Because my books are all first person POV, you only see Morgan through Guinevere’s judgmental filter. There is so much that you don’t see because Guinevere was either wrong (but sometimes she was right) or she wasn’t there and so didn’t know how certain things went down. I will release this one only after the last Guinevere book is out because it gives away the plot twists in the three Guinevere books. I would advise that you read it only after reading the Guinevere books for that reason, as well.

Why didn’t I choose to work on Guinevere Book 3 during NaNoWriMo? Well, for one, that one is mostly drafted and doesn’t have another 50,000 words in it (which is the goal of NaNoWriMo), and also Morgan is demanding I tell her story. Once I’ve got her story at least drafted, she’ll be quieter, which means I’ll only have Isolde and a historical woman fighting in my head over whose book is next. Plus, if I get the residency I applied for, I’ll be working on Guinevere 3 at Hedgebrook next year.

Classes
If all this wasn’t enough, I’m currently taking a Margie Lawson class on being an independent author. Next week, I am one of 8 authors who will pilot an online mystery writing course through Hedgebrook taught by legendary author Elizabeth George. (Fun fact: 5 out of 8 of the pilot authors were in my Hedgebrook class with Deborah Harkness!) “But, Nicole,” I hear you say, “you don’t write mysteries. Why are you taking this class?” Ah, good question. Besides the fact that it’s an incredible opportunity to learn from one of the best, there is a mystery in Isolde’s story, so I want to learn how to do it right.  And you know, I’m crazy and have to fill up my-non day job hours with as much as possible!

So, enough about me. What are all of you up to? Any thoughts/questions on the above? We’re getting closer and closer to publication, and 2016 has many exciting things in store, so I can’t wait to share it all with you. And thank you all again for all of your support!

Don’t forget to pre-order Daughter of Destiny on Kindle or mark it as want-to-read on Goodreads.

Publishing Updates and More Contest Awards

As you can imagine things are progressing fast and furious on the publishing front. I’ve filed papers for my imprint and hired a cover artist, as well as a map illustrator. The map should be ready in a few weeks. I should see a first cover design for Daughter of Destiny at the end of October. That means a cover reveal will probably happen in early- to mid-November. I should be able to put the book up for pre-sale around the beginning of November as well.

I’m also delighted to announce that Been Searching For You (formerly He Loves Me, He Loves Me Not), won the Golden Rose contest in the Contemporary Single Title category (sponsored by the Portland chapter of RWA).

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It is also a finalist in the Molly contest (sponsored by the Heart of Denver chapter of RWA) in the Contemporary Single Title category. Placement will be announced in October.

In case you’re interested, I also have two new articles up:

I think that’s it for now. Will keep you updated.

Querying Dos and Don’ts, Plus How to Decide Who to Query

This is what querying can feel like.

This is what querying can feel like.

Last week, I shared with you a quick three-paragraph formula for writing a query letter. This week, I’d like to share some dos and don’ts of querying that I learned along the way, as well as some tips for deciding which agents to query.

Querying Dos:

  • Always personalize your letter in the “dear” section. Please, please make sure to spell the agent’s name correctly.
  • Follow the agent’s submission guidelines. They will delete your query often without reading it if you don’t. Check their agency web site for specifics. Most don’t allow attachments at the query stage.
  • Be sure to include the genre you are writing in and your word count. (80,000 is ideal for adult, YA and MG tend to be shorter. A quick Google search show you what is normal for what you write.)
  • Revise your query letter. If you’re not getting the results you want to see, change it up. I went through about five or six drafts before landing on the one that worked for me.
  • Take advantage of query critiques. Second Draft (Part of Writer’s Digest) offers them for a nominal fee, but many agents and writers offer them as well as part of contests or workshops.
  • Be professional, both in your letter and after. Don’t respond to rejections. If the agent has specific thoughts for you, they will send a personalized rejection. If not, take it for what it is and move on.
  • Some agents say not to bother including a paragraph about why you chose them in your letter, while others say it’s a must. I usually included one just to be safe, unless I knew from Twitter or some other source that the agent didn’t like them. If you do include this information,  do your research to find out why they’d be a good match.

 Querying Don’ts: 

  • Don’t query if your manuscript isn’t complete. For fiction writing, your book must be finished before you send it to an agent.
  • Don’t address the letter as “Dear agent.” They hate that. Address them as Mr./Ms. LastName
  • Don’t use funky fonts, colors or other visual tricks to try to stand out. Let your writing be what sets you apart.
  • Don’t send multiple queries in one email. Write a separate letter for each person.
  • Don’t send attachments unless the agent asks for them. This can get you deleted.
  • Definitely don’t harass an agent. All that will do is get you a bad reputation, and agents talk.

Narrowing Your List of Agents
Wondering where to start deciding who to query? It can be overwhelming, but the easiest bit of advice I can give is to do your research into who represents the genre/age group of your writing. Here are a few tips to get you started:

  • Make a list of your favorite author’s agents. They will likely thank them in the acknowledgements section of their novels or they will be on their web site.
  • Writer’s Digest (both online and in print) features new and established agents (my agent happens to be in the October print issue!)
  • Buy or borrow from your library the Guide to Literary Agents, which is updated annually and lists agents both by agency and genre. There’s also a blog by the same name that features agents and advice.
  • If you’re looking for online resources, try QueryShark and Query Tracker.
  • Don’t forget Twitter and other forms of social media. Many agents are on social media. The best way to get to know their personalities, what they’d like to see in a manuscript and to just get to know them is my interacting. But please don’t pitch them on Twitter unless they ask you to as part of a contest.
  • Query contests – Usually you’ll find out about them through blogs or Twitter (Brenda Drake does several a year. Miss Snark’s First Victim does them monthly. There are many more.) I think they are a great way to hone your pitching skills and get exposure to agents you otherwise might not. I had a few partial and full requests from contests and made a ton of friends from them, so even if nothing else comes out of them, they are great for networking.
  • If you’re ever in doubt about the reputation of an agent or small press, check the boards at AbsoluteWaterCooler and Writer Beware. You can also Google them to see if any negative stories come up.
  • Some people suggest categorizing agents into an A, B and C list based on how much you like them and want them to be your agent. It’s not a bad idea.

What About New Agents?
You may have heard Writer’s Digest say that new agents are a gold mine for new authors and that is true. At first I wanted an established agent, but now I’m glad I went with a new agent. Here’s why:

  • They are eager to build their lists and establish their client lists, so they are more open to new authors.
  • They are learning right along with you, so you have that as something to bond you. Just make sure they have an established agent as their mentor whom they can go to with questions.
  • They have fewer clients so you’ll get more time and attention.

I was my agent’s very first client. While that might scare some people away, I’m glad I did it. I had an instant connection with Jen and I thought that just like someone has to take a chance on me as a debut writer, someone has to trust in her as a new agent. It’s the best decision I’ve ever made.

Finally, be patient. I sent out probably around 30 queries before my offer. I’ve read stories of people who got 50, even 100 rejections before they found the right  match and then went on to be very successful. If writing is your dream, don’t ever give up! And as author Alyson Noel told me, “Don’t count the nos because it only takes one yes.”

Next week we’ll talk about what getting “the call” from an agent is like and I’ll give you some tips for working with one. Then, I’ve got something very special planned that is Celtic-related, so stay tuned!

What are your query questions? Do you have any dos or don’ts to share?

St. Louis Writer’s Guild Interview Now Online

In case you missed it, here’s the interview I did a few weeks ago with the St. Louis Writer’s Guild. Learn about my research and writing processes, tips and tricks, and even get some inside scoop on the Guinevere books!

Big News: I Have an Agent!

My new agent, Jen

My new agent, Jen

You may have noticed I missed my normal Monday blog this week. That’s because there were big book things afoot and now I can talk about them. Please help me welcome Jen Karsbaek from Larsen Pomada Literary Agents (the web site hasn’t been updated, so she’s not listed yet). I’m her first client. I am so excited to be working with her to get Guinevere’s story out to all of you.

I got “the call” around 8:35 p.m. last night. She and fellow agent Pam van Hylckama Vlieg were on the phone. We talked a little bit and then Jen made me the offer. I didn’t really have to think. I knew it was meant to be. I signed the contract this morning and that made it official.

If I had any doubts (which I didn’t), they were assuaged when Jen tweeted this today, “Trying to take a break from @nicoleevelina‘s manuscript so I can look at it again w fresh eyes, but sort of just want to return to her world.” It is so wonderful to have someone who loves my world as much as I do and is excited to find out what happens next!

Next up is another round of revisions, and after that, I’m not really sure, but Jen is there to help me through it all. I’m excited to keep you guys up to date as things progress!

Signing my contract!

Signing my contract!