The Holy Grail: Part 2 – Medieval Associations

Agate bowl at the Hofburg museum, thought to be the origin of the Holy Grail stories. Image is public domain via Wikimedia Commons.

Agate bowl at the Hofburg Museum in Vienna, thought to be the origin of the Holy Grail stories. Image is public domain via Wikimedia Commons.

Last week, we looked at the possible Celtic origins of the Grail stories. This week, we’ll see how it came to be the story we know today.

Medieval Tales
By the time Chretien de Troyes came on the scene in the 1100s, the world was a much different place than in Celtic myth. For one, Christianity had taken over as the main religion of Britain. For another, the ideas of chivalry and courtly love were beginning to become popular. In Chretien’s tale, Perceval finds the grail (which is written with a small “g” and isn’t given miraculous powers). There is little description, only that it was brought into the room by a beautiful maiden. “When she entered holding the grail, so brilliant a light appeared that the candles lost their brightness like the stars or the moon when the sun rises” (quoted in Matthews 84). The story features a wounded king like the later Fisher King, a procession and questions that must be asked of the grail, but the whole story appears to be unfinished. Many speculate that Chretien died before completing it (a fear of every single writer who ever lived).

Many people believe Chretien’s grail to be more of a dish or plate than a cup or chalice. (Side note, when I was 11, I was lucky enough to visit Austrian relatives in Vienna. We visited the Hofburg Palace, the winter residence of the Habsburgs. In the museum, there is an agate dish said to have been used by Christ at the Last Supper. It’s also said to have been one of the inspirations for the Holy Grail.)

Vision of the Holy Grail. Tapestry from Museum and Art Gallery of Birmingham. William Morris [GFDL (www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons

Vision of the Holy Grail. Tapestry from Museum and Art Gallery of Birmingham. William Morris [GFDL (www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons

Three people attempted to finish what Chretien started. Gautier de Danans has both Perceval and Gawain encounter the Grail, which is now clearly associated with Jesus, and also with the spear that pierced Jesus’ side (the Spear of Destiny, which can trace its mythological origins back to the spear of the Celtic god Lugh, but that’s another story). Matthews makes the point that the Christianization of the Grail shouldn’t be surprising because many of the men who expanded on the Celtic legends were Christian monks and priests (88).

The next person to add to the story was named Menasier. He identifies the spear with the centurion Longinus (Roar, anyone?) and drawing on an earlier story called Joseph of Arimathea, associates the Grail with Joseph of Arimathea, who was said to have used it to catch the blood of Jesus while preparing his body to be placed in the tomb. Around the same time, Gerbert de Monteille changed the ending to the story, having Perceval sire a line of Grail knights, a story that would later inspire Wager’s opera Parsifal.

The Vulgate Cycle
The Vulgate Cycle of Arthurian legend is five interconnected stories that tell the entire story of King Arthur. This story is attributed to Cistercian monks in the twelfth and thirteenth century. The introduction says the author had a vision of Christ in which He gave the author a book detailing the history of the Holy Grail, beginning with the Tree of Life in the Garden of Eden. In these stories, new elements include the Grail Castle of Corbenic, the line of Grail kings, the Maimed King and the Wasteland. The third story in the series introduces the relationship between Lancelot and Elaine, which results in the birth of Galahad, who will go on to be the new hero of the Grail Quest.  By the fourth story, Galahad has his Grail procession vision and the quest as we know it begins. Lancelot, Gawain and Galahad all have adventures on the quest, and the Round Table is for the first time associated with “three great fellowships and tables” (Matthews 106), the other two being the those of the Last Supper and the Holy Grail. After many adventures, Christ appears with the Grail and gives the three knights a chance to drink from it. The last work in the cycle is primarily concerned with the story of Lancelot and Guinevere’s affair. These five stories would go on to influence Malory, who would rework them into Morte D’Arthur, the story that is perhaps most recognizable to us today.

Next week, other associations with the Grail and a very strange theory involving a saint and a famous mystical work.

Sources
King Arthur and the Grail Quest by John Matthews
http://en.wikipedia.org/wiki/Holy_Grail

The Holy Grail: Part 1 – Celtic Myth

Title: "Parsifal revealing the Holy Grail" by Franz Stassen. WikiParker at en.wikipedia [Public domain], from Wikimedia Commons

Title: “Parsifal revealing the Holy Grail” by Franz Stassen. WikiParker at en.wikipedia [Public domain], from Wikimedia Commons

You could easily dedicate an entire blog to the subject of the Holy Grail (and I’m sure someone has). According to Celtic/Arthurian scholar John Matthews, “there are more than 100 extant texts which deal with the subjects of Arthur and the Grail (7).

But the Grail wasn’t always part of Arthurian legend. We have 12th century French poet Chertien de Troyes to thank for adding the Grail Quest to the legends. I’m not an expert in this area, but I did do some research into the nature of the Grail for book 2, so I thought I’d share an overview of what I learned over the next few weeks.

The Grail has taken on many forms over the years. “Proposals as varied and curious in their origin in the lost continent of Atlantis to their being a memory of the krater or mixing bowl of the gods in Greek myth, have been set forward. Others have declared the Grail to be a bloodline descending from Christ and the Magdalene, the hidden treasure of the Knights Templar and the secret teaching of the Cathars, a heretical Christian sect of the twelfth century” (Matthews 40). But putting those aside, let’s look at the possible Celtic origins of the Grail and how it evolved to the chalice we think of today.

The Grail in Celtic Myth
The earliest stories don’t include the Grail at all. Many times there was a quest, oftentimes for one or more of the 13 treasures of Britain or some strange request of the gods, but those were more like warrior’s tales than the pilgrimage-like quest we think of.

Even though it is inextricably linked with Christ, the Grail may, in fact, have its origins in pre-Christian myths. In these stories, it’s not a cup or chalice, but a cauldron – the main cooking implement of the pre-Roman Celts, and therefore associated with nourishment and life-giving powers. Celtic myth has cauldrons a-plenty, the most famous of which is probably the cauldron of the goddess Ceridwen. To make a long story short, in the “Story of Taliesin,” Ceridwen cooks up a potion to make her ugly son so smart no one would notice his looks. But he never got to drink it. The boy brewing the potion was burned by the liquid and without thinking, licked his sore finger, thus ingesting all the knowledge of the world. He became Taliesin, a bard well-known for his wisdom, and thought by some to be the inspiration for or precursor to Merlin.

Tthe Gundestrup Cauldron, a Celtic style cauldron on display at the National Museum  in Denmark. Photo used with permission from Malene Thyssen, http://commons.wikimedia.org/wiki/User:Malene

The Gundestrup Cauldron, a Celtic style cauldron on display at the National Museum in Denmark. Photo used with permission from Malene Thyssen, http://commons.wikimedia.org/wiki/User:Malene

In the Preiddeu Annwn (Spoils of the In-World), Arthur is first mentioned questing for what could be the earliest direct reference to the Grail, the Cauldron of Annwn (inspiration). It was guarded by nine maidens, possibly priestesses, and it was quite a battle to get to it. Only seven of Arthur’s men returned, and we aren’t told if they ever found the cauldron, or what exactly it was.

Then there is the Cauldron of Rebirth, also commonly associated with the goddess Ceridwen. In the tale of The Mabinogion, there is a story called “The Story of Branwen.” It is here we see the cauldron as giving life back to dead warriors. They return from the Otherworld almost in a zombie-like state, for they are unable to tell anyone of their experience in the Otherworld. In this story, the hero, Bran, leads a group of warriors to find the cauldron, but it is destroyed in a fight. As in the  Preiddeu Annwn, only seven men survive (seven being a highly symbolic number).

Next week, we’ll take a look at the medieval stories of the Grail, and then delve into a truly strange theory involving St. Teresa of Avila.

What do you think of the Grail? Do you think it could date back to pre-Christian Celtic myth or is it purely a Christian relic? What have you read about the Grail, either in fiction or non-fiction?

—–

Sources
King Arthur and the Grail Quest by John Matthews
http://en.wikipedia.org/wiki/Holy_Grail

Book Review: Stone Lord by J.P. Reedman

CoverBlog note: This is the last post of this year. In 2013, new posts will be published on Mondays, starting  January 7. Happy Holidays to all, no matter what you celebrate.

About a month ago, I was fortunate to interview author J.P. Reedman about her new debut novel, Stone Lord. At the time, I knew very little about the book, other than it was Arthurian legend set in the Bronze Age. This unusual concept, combined with her interview and excerpts posted online, were enough to convince me to buy her book. Given that I can be a bit of a tough sell when it comes to anything Arthurian, I was happily surprised by how much I liked the book. And “liked” is an understatement. Ask anyone who had to listen to me rave while reading it. If you want the short version: 4.5 stars.

Despite its title, this book isn’t only Arthur’s tale. It begins with the story of the boy who would become Merlin, how he escaped the clutches of Vhortiern (Vortigern), and grew to guide U’thyr (Uther), Arthur’s father. Once the young king is born, his story comes to the forefront. Throughout the book, Reedman gifts us with truly creative takes on classic Arthurian legend, including the dragons under the tower, Merlin’s relationship with Nin-Aeifa (Nimue),  the nature and purpose of Afallan (Avalon), the Sword in the Stone, the finding of Excalibur (called here Caladvolc), and more. The only place where I felt it fell a little short was in Mordred’s conception, which reminded me of other versions I have read, but with a gothic chill that the others lack. I especially appreciated her inclusion of the Green Knight and his beheading game and the hunting of the boar T’orc, neither of which I’ve seen touched by authors in quite some time.

Honestly, I haven’t been this captivated by a book since The Mists of Avalon. But then again, I’m a sucker for all things mythological, and that is where Reedman truly excels. Her descriptions of the ancient monuments and the rites associated with them will take your breath away. She has a way of making such an obscure period of the past come to life, that you half expect to be there when you put the book down. It is a story firmly rooted in its time period, one that actually caused me, as a writer, to reexamine some of my character’s motivations to make sure they are historically accurate. (That is one of the highest compliments I can pay an author – to have learned something about my own work by reading theirs.) Reedman’s insertion of the Arthurian story into the Bronze Age is done so seamlessly that it’s easy to forget this isn’t its usual time period. I’m not in a position to judge the archeology, but I am certain her expertise in this area is a major contributor to making this book feel so real.

The pacing of this book is well done. I didn’t want to put it down. The only place where I felt it was a little off was Fynavir’s (Guinevere) kidnapping. It’s my understanding that in most tales, Melwas holds Guinevere captive for quite some time. But in Stone Lord, she’s being carried away on one page and 25 pages later (most of which is taken up by another part of the story), Fynavir is rescued. Reedman spends far more time on the hunt of the boar than she does on the event that is the catalyst for Fynavir and An’kelet’s affair, which doesn’t seem equitable. I also felt that the ending was a little rushed, like Reedman was in a hurry to wrap things up, but this is a common complaint I have about many books, so it may be more me than the author.

In a few places, just a little more explanation would have helped the overall story. I felt that the background between Fynavir (Guinevere) and An’kelet (Lancelot) depended a lot on the reader’s knowledge of the myth of King Arthur. There are furtive glances and reddening cheeks that make you aware there is an attraction and some sort of past between the two, but the nature of this is never made clear. I would have liked at least a few pages of background to help me understand why, in Reedman’s world, these two are so heartbroken that they can’t be together and what bonded them in the first place. I also would have liked a little more motivation for Morigau (Morgan). She’s as crazy as crazy comes, but the only explanation we really get is a preternaturally intelligent girl of “no more than three” wailing in jealousy that Merlin picked Ardhu to train rather than her. Later, she rails about how Ardhu took everything away from her, especially the love of her family, but here again there’s so much reliance on prior knowledge of legend that Morigau’s motivation feels forced on her. If we could have seen one or two scenes showing how her life changed for the worse because of Ardhu, her venom would be easier to understand. Maybe these things will be further explained in the sequel, Moon Lord, but I would have liked to have had them in the context of this book.

One key thing I thought was missing from the book was a list of place names, both then and now, and maybe even a map, since they are so different from anything most of us would be familiar with. Reedman has a list on her website, but even that individual post is difficult to find and this isn’t a convenient solution when you’re reading and don’t feel like getting online on to verify a location. I made it through just fine without the map, but it would have been nice to be able to flip to the front or the back to verify the characters were going where I thought they were.

Also, if you buy a first edition, there are several typos, so be forewarned. The author is aware of these and will be correcting them in future editions.

But even for its flaws, Stone Lord is a fantastic book. I think it is worthy of a Big Six publisher’s attention, but I’m pretty much the ideal audience for a book like this. If you like the story of King Arthur and can handle a non-traditional setting, you’ll enjoy this book. Congratulations to Reedman on a fine contribution to the Matter of Britain. I look forward to reading more of Ardhu’s adventures in Moon Lord when it comes out.

Have you read Stone Lord? If so, what did you think of it? If not, does it interest you? Why or why not?

Theories on The Round Table

The Round Table at Winchester. By Christophe.Finot (Own work) [CC-BY-SA-2.5 (http://creativecommons.org/licenses/by-sa/2.5)], via Wikimedia Commons

It’s one of the most recognizable symbols of Arthurian legend, but it wasn’t part of the original tale. The Round Table as we know it came into Arthurian legend in the late 12th century once French writers and translators got involved in the story. Wace and Layamon were the first to mention a round table at which Arthur and all of his knights sat equally. It was Malory who connected Guinevere and Merlin to the Round Table, Guinevere in bringing it to Arthur as part of her dowry and Merlin in crafting it at Uther’s request. It was also Malory who gave us the idea of each knight’s name being written in gold at his place. Depending on whose story you read, the table could seat anywhere between 13 and 1,600 knights.

The famous Round Table in Winchester Castle in Wessex, which still hangs there today, was long ago proven a fraud. Tests show that the solid oak table, which is 18 feet in diameter and weighs one and a quarter tons, was made during the reign of Edward I, sometime in the late 13th century.  Edward was a great Arthurian enthusiast, who also claimed to have acquired the crown of King Arthur from the Welsh. What we see today is the result of repainting in 1516 and restoration after 1645.

King Arthur and the Knights of the Round Table, engraving from the Middle Ages. Public domain via Wikimedia Commons

Many people believe that although the Round Table was a relatively late addition to the stories that demonstrates the ideals of Medieval chivalry, it harkens back, at least symbolically, to an earlier tradition. According to David Day, the idea of all the knights being equal is part of an oral tradition that predates the writing of the tales. He gives as one example the Fiana of the second century, a mounted group of warriors similar to the Knights of the Round. He also mentions that in late Roman Britain, the Dux Bellorum gathered independent Roman chieftains around him. Although they looked to him as their leader in war, in all other ways, they were addressed as equals.

So if the Round Table isn’t a literal table, what could it be? Theories abound. Here are some of the most popular:

A Roman Amphitheatre

  • Leslie Alcock argues that the supposed Round Table at Caerleon was really a Roman amphitheatre.
  • There is another amphitheatre in Chester that is thought by some to be the origins of the Round Table.

A Henge of Stones

  • Alcock also states that the neolithic henge near Penrith associated with the table was an ancient ritual site.
  • Some people have suggested that the Round Table is actually Stonehenge, or that since Merlin is credited with being involved with both, that the two stories at least have a common origin.

A Parcel of Land

  • Norma Lorre Goodrich names the Round Table as an area of land in Stirlingshire that was a key political site because whoever had control of it had access to the eastern Highlands. She says that Guinevere was a Pict and brought the Round Table lands to Arthur in her dowry.

A Chapel or Building to House the Holy Grail

  • Goodrich also refers to a building on this land in Stirling. She describes the Round Table building as “a tabled rotunda constructed on a stone table or foundation” (Guinevere, 49; King Arthur 284-292).

A Tradition Begun by Christ

  • Britainna.com makes an uncited reference to the Round Table coming from a story recorded by St. Luke that Christ and his apostles sat at a round table for the Last Supper. This is a theory I’ve never heard before, but it does raise interesting possible ties to the Holy Grail.

A Constellation

  • A constellation made from the rotation of the Plough around the Pole star is another theory. This makes sense in an odd sort of way, considering the Druids were known for their skills in astronomy.

In the end, we don’t know, and may never know, the true identity of the Round Table. But as on of the most recognizable and enduring symbols of King Arthur’s court, it likely will continue to inspire those who seek equality for generations to come.

What about you? What theories have you heard about the Round Table? Which ones do you believe?

Sources:
Alcock, Leslie. King Arthur’s Britain
David Day, The Search for King Arthur
John Matthews, King Arthur: Dark Age Warrior and Mythic Hero

Norma Lorre Goodrich, King Arthur
Norma Lorre Goodrich, Guinevere
http://www.britannia.com/history/arthur/rtable.html
The Origin of the Round Table

The Anglo-Saxons in Britain: Part 2

Pre-1066 illustration of Anglo-Saxon warriors on horseback. By Anon. [Public domain], via Wikimedia Commons

When last we left the Saxons, they were defending the British against the Picts and Scots under a peace treaty that paid them in money, food and land for their services. All was well for a time, but then the Saxons began to think bigger.

It is clear that by the mid-fifth century, the Saxons were growing restless with their narrow strip of land and seeking greater inroads into the country. They brought more and more of their Germanic fellows to Britain and demanded increasing amounts of payment. Eventually, they broke their treaty and began sacking British towns. According to Gildas, the leaders of the Saxons were called Hengest and Hosa and they ruled Kent. Nennius tells us that Vortigern married Hengest’s daughter in an effort to secure peace and Bede gives us the story of the hidden daggers in the Saxons’ boots at the council where they betrayed Vortigern. But that is the stuff of mythology and folk legend, not verifiable history.

On and on the two sides fought, sometimes winning, sometimes losing, neither really gaining ground. According to Phillips and Keatman, the Anglo-Saxon Chronicle (which Snyder discredits as unreliable during this time period) “lists no battles between 465 and 473. This must have been a period of consolidation on both sides when defenses were prepared and personnel organized” (73). In 473 (again, according to the Chronicle), the Saxons won a great victory, but then shortly thereafter, the Britons held them at bay.

This is the time period of Arthur’s 12 great battles (as given to us by Nennius), if you believe that Arthur existed. If not, the closest historical leader scholars can point to is Ambrosius Aurelianus. Synder credits him with challenging the Saxons in multiple locations until the battle of Mount Badon (somewhere between 485-510). After that defeat there was a period of peace. As Phillips and Keatman write, “In the half century that followed Badon, until the time of Gildas’ writing, Britain enjoyed a period free from external attack. Indeed, there is archeological evidence of a reverse Anglo-Saxon migration; considerable numbers returned to the continent of Europe, uncertain, no doubt, of their precarious foothold in Britain” (77). Especially since Phillips and Keatman’s archeological evidence is weak (pottery shards in Germany that supposedly show they were settlers direct from Britain – but they don’t talk about how or why the shards lead us to this conclusion), I doubt the validity of the reverse migration. I have a feeling that while some may have returned home, the Saxons were, in general, still in Britain licking their wounds and biding their time to rebuild the forces they lost at Badon.

But their mindset of defeat seems to have ended in the late sixth century. By 550, the Saxons had defeated the British at Salisbury, and by 577, they had cut off the British in the southwest by taking the towns of Bath, Cirencester and Gloucester. By 614, they controlled Devon and by 682, had the whole of the southwest peninsula under their control, save Cornwall. To the north and west, the Angles rose to power, and by the eighth century, they had overtaken most of the rest of the country. By 927, the Saxon king Athelstan, successor to Alfred the Great, united the country into a single kingdom first called Angelcynn, then Englaland and today, England (Phillips and Keatman 78). The remainder of the Britons settled in Wales, Cornwall and Brittany, eventually to carry on only in Wales – the beginning of the divide between England and Wales that exists still today.

—-

Sources:

The Britons by Christopher A. Snyder
The Anglo-Saxons by James Campbell (ed.)
King Arthur: The True Story by Graham Phillips and Martin Keatman

What about you? What have you heard about the Anglo-Saxon invasions? Does it agree with or contradict what’s written here? (It’s a complex topic.) What sources do you recommend?

The Anglo-Saxons in Britain: Part 1

A.D. 500-1000, Anglo-Saxons. By by Albert Kretschmer, painters and costumer to the Royal Court Theatre, Berin, and Dr. Carl Rohrbach. (Costumes of All Nations (1882)) [Public domain], via Wikimedia Commons

If you’re anything like me, you have hazy memories of learning about the Anglo-Saxon invasion of Britain in high school. You may even recall a map with arrows pointing from the continental Europe to the Eastern coast of Britain, indicating where the Angles, Saxons and Jutes landed. That was about all I remembered before I started researching for these books, and although this isn’t my area of focus, I thought I’d share a little of what I’ve learned.

The traditional view of how the Anglo-Saxons (my catch-all term for the Angles, Saxons and Jutes – I have no desire to try to explain the difference) came to Britain is that massive waves of them invaded the isle in bloody battle (a view popularized by Bede, Gildas and Nennius). In this view, their first major attack on Britain was either 408 or 41o, during the reign of Constantine when he was busy in Brittany and Rome was rapidly pulling its support from Britain. It was a sound defeat for the Britons that only led to more trouble as the years went by.

Now this thought is being replaced by one that I, personally, think is more realistic. While it lacks the drama of earlier theories, the idea that the Saxons slowly settled over time is consistent with many other “invasions” throughout history (look at the English who colonized America or the Irish who inhabited Dalriada in what is today Scotland – those certainly weren’t all at once).

According to Snyder, the new way of thinking goes like this: in the late fourth century, the Anglo-Saxons  left their homeland in search of more prosperous lands (possibly due to changing weather conditions, rising sea levels or famine in Germanic areas). They must have come a few families or small tribal groups at a time because there is little evidence for major Saxon settlements until around 440. It is likely that in between this time, the Saxons were settling where they could, bringing their women and children over from Germany and Denmark or intermarrying with the Britons on the eastern coast, and slowly increasing their population in this new land.

In the 430s, a group of Britons sent an appeal for help against their other enemies, the Picts and the Scots, to the Roman general Aetius in Gaul, but he didn’t respond. The Britons held a council to try to decide what to do, led by a “proud tyrant,” whom mythology tells us is Vortigern (whose name/title means “proud tyrant”). Vortigern, or whoever led the council, decided to hire the Saxons as mercenaries to defend against the “peoples of the north” (Gildas, quoted in Snyder 83). The Saxons sent word to their homeland, and warships of warriors came to the isle under a peace treaty that ensured the Saxons were protected, paid and fed for their services, which they performed well.

But that only lasted so long. Next week, we’ll look at what went wrong and how the Saxons eventually took power from the Britons, forming the country we know today as England.

—-

Sources:

The Britons by Christopher A. Snyder
The Anglo-Saxons by James Campbell (ed.)
King Arthur: The True Story by Graham Phillips and Martin Keatman

What about you? What have you heard about the Anglo-Saxon invasions? Does it agree with or contradict what’s written here? (It’s a complex topic.) What sources do you recommend?

Everything Old is New Again

First of all, I’m sorry this is kind of a cop-out post. I’ve been ill and we’ve had a death in my family, so I haven’t had as much time to devote to writing or blogging in the last two weeks as I’d like. But, we have lots of new readers here at Through the Mists of Time, so instead of skipping a week, I thought I’d share some old posts you may not have seen. Please, click around, explore and comment on as many as you like! (Posts are listed oldest to newest in each category.)

I’ll get back to new content next week, I promise. Oh, and I’m working on a guest blogging policy, so if you’re interested in guest blogging (or having me guest on your blog), please let me know!

Arthurian Legend

Why Arthurian Legend?
Arthurian Legend 101
Arthurian Legend 201
Avalon Part 1: Myth and Legend
Avalon Part 2: Glastonbury
Avalon Part 3: Avalon in My Books
Guinevereian Fiction
Historical Sources of Arthurian Legend
Literary Sources of Arthurian Legend (Part 1)
Literary Sources of Arthurian Legend (Part 2)
Guest Post: Searching for King Arthur in Turkey
Arthurian Legend: Historical Fiction or Fantasy?
E is for Excalibur
N is for Names, or the Identity Crisis in Arthurian Legend
British Identity After the Withdrawl of Rome

Celtic Society

Picture it: Britain 475 A.D.
A Celtic Primer (Top 10 Fun Facts)
Class in Celtic Society
Time in the Celtic World
Outlaws in the Celtic World
Celtic Warriors
P is for Pick Your Poison: Alcohol in Post-Roman Celtic Britain
Q is for Queens in the Celtic World
U is for Unguents and Celtic Herbalism
V is for Votadini, One of the Tribes of the Gododdin

Celtic Religion

Meet the Druids
Pick a God, Any God
Accessing the Divine – Celtic Inspiration
Samhain: The Celtic New Year
Imbolc: Herald of Spring
Beltane: Celtic Fertility Festival
Lughnasa: Gathering of the Tribe
O Holy Night, Times Three
Celtic Christianity
I is for Insight: Celtic Divination
M is for Magic: How I Handle it in My Books

Writing/Writing process

Writing Process? No Thanks, I Have Characters in My Head
The Casting Couch…er Book
In Defense of Editing Guest Post: Find Your Inspiration
On Historical Fiction Writing
Love/Hate: Ramblings About Research & Editing
The Author Platform or “What Is It You Do, Again?”
F is for Fearsome Heroines
J is for Jargon in the Writing and Publishing World
R is for Resources and Recommendations
S is for Songs that Inspire
T is for Tense: Past and Present Verbs in Fiction
Z is for Zilch, Otherwise Known as Writer’s Block

Books and Authors

A Dream Come True: Meeting Alyson Noel
Five Summer Book Picks
My Top 10 Favorite Fiction Books
Book Review: King Arthur’s Children
D is for Daughter of Smoke and Bone
K is for Kushiel’s Dart
X is for Xenophon, the Original “Horse Whisperer”
Y is for Young Adult Fiction
Book Review: A Discovery of Witches by Deborah Harkness

Other

An Aspiring Writer’s 12 Days of Christmas
Six Blogs to Check Out in 2012
Midnight in Paris: A Movie for Writers (comments are closed due to spam)
Photos from Ireland
Trinity College Old Library Long Room – Heaven on Earth
Pendragon University, School of Arthurian Legend

Pendragon University, School of Arthurian Legend

A crest I created for Guinevere and Arthur. It could also be the seal for Pendragon University. Copyright: Nicole Evelina

I’ve spent way too much time looking at master’s/Ph.D. programs online lately. Need proof? A few days ago I woke up around
1 a.m. with a thought: what would a major in Celtic Arthurian legend look like? I was awake for the next two hours pondering just that.

I’m betting that somewhere in the world a course design looks much like this, but since I haven’t found it yet, I give you the major of Arthurian Studies at my fictional Pendragon University:

Required Courses

  • Celtic History 101 (Vienna to British tribes)
  • Celtic History 201 (Roman occupation to Anglo Saxon rule)
  • King Arthur: Man or Myth?
  • Arthurian Legend 101 (Characters)
  • Arthurian Legend 201 (Historical, Mythological and Literary Sources)
  • The Battles of King Arthur
  • Celtic Law
  • Celtic Daily Life
  • The Druid Religion: Then and Now
  • Classic Arthurian Literature (myth and oral history through the Middle Ages)
  • Modern Arthurian Literature (18th-21st centuries)
  • Arthur’s Enemies: the Picts, Irish and Saxons
  • The Meaning of Arthurian Legend Today
  • Capstone Tour (Glastonbury, Cadbury, Carlisle, Tintagel, etc.) – this tour does exist and I’m going on it next June!
  • Thesis/dissertation

Optional Courses

  • Archeology (emphasis on Roman occupation and post-Roman Britain)
  • Language of the Celts
  • Celtic Herbalism
  • Arthur’s Children in Myth and Literature
  • Arthurian Places Across Britain, Wales and Scotland
  • Warriors and Fighting in Celtic Times
  • Avalon: Myth, Legend and New Age Pilgrimage
  • Beyond the Walls: The Gododdin and The Highlands
  • Food in Post-Roman Britain
  • Arthur in Film and Pop Culture
  • Standing Stones and Monoliths
  • Lecture Series: Women in Arthurian Legend
    • Morgan
    • Guinevere
    • Isolde
    • Elaine
    • Priestesses of Avalon
  • The Holy Grail
  • Symbolism in Arthurian Legend

I even realized that some of my favorite fellow Arthurian/history bloggers could be instructors that this fictional school: Tyler Tichelaar, Ian Forbes, Tim Clarkson (Senchus) Mac Wilson (Badonicus) and Oxford professor Jonathan Jarrett, just to name a few. And if you want a required reading list, check out my research page.

Do you know of any schools that offer something similar? If a major like this existed, would you be interested? Which classes would you want to take? Which classes would you want to teach? What would you add to the list? What books would you recommend?

O is for Old Computer Games, Arthurian and Others

Drawing by AllThingsConsidered

Hi, my name is Niki and apparently I used to be a gamer. (“Hi, Niki”)

I didn’t come to this realization until I watched all five hours (yes, five) of the “Top 100 Computer Games of All Time” on G4. (Don’t judge, you’ve done stuff like that, too.) While none of my favorite PC games made the list (several console games did), it made me realize just how much of an effect some of my favorite games had on me. Being a highly visual person, I guess it shouldn’t surprise me that scenes from these games continue to shape my Arthurian world as I write. Without further preamble, here are a few old computer games whose influence is still clear in my writing:

Arthur: The Quest for Excalibur
This primarily text-based game was released for PCs in 1989. It was my second computer game ever. (We’ll get to the first later.) The basic premise is that you’re a young, untested Arthur who has to get the sword that was in the stone back from King Lot, who stole it. It looks cheesy now, but the fact that it had graphics at all was a big deal at the time.

Remember me saying I was fascinated by the peat fire when I went to Ireland? Well, this screenshot (above) is why. You go to a peasant’s house and find out he is sick and dying of cold. So you go outside and dig a brick of peat to put on his fire to warm him. It was the first time I’d heard of anything other than a wood fire, and I’ve been fascinated with peat ever since!

Later, you meet the village idiot. (No, I’m not kidding. That’s really what he was called.) He has one of the funniest lines I’ve ever encountered in a game, “I’m schizophrenic and so am I.” (Sorry if that offends anyone – this is the Internet, I’m sure someone will get upset – but I have always found it funny, especially seeing as I’m a writer whose characters talk to her.)

Playing this game, I learned that the holy thorn on Glastonbury supposedly planted by Joseph of Arimathea only blooms on Christmas Day. I can’t find a screenshot of it, but the image of when you are walking through the bog to get to the holy thorn was a major influence on how I imagine the mists that surround the isle of Avalon. The game also came with a short version of the Book of Hours, which was used in play, and I’ve been fascinated with the real Book of Hours ever since.

If you’re interested, you can play or download the game here. (I can’t vouch for the safety of this site, so download at your own risk.)

Quest for Glory: So You Want to Be a Hero
Released in 1992, this is still one of my all-time favorite games. It has nothing to do with Arthurian legend, but it’s a high fantasy game, so it still fits. In it, you pick whether you want to be a warrior, mage or thief (I could only beat the game if I was the thief. Plus, it was fun to sneak into people’s houses and steal things.) in order to complete your quest (which involves lots of wandering around, fighting strange creatures and finding treasure).  I probably logged more hours on this game than any other.

The orchard ended up playing into how I imagine parts of Avalon.

Erana’s Peace, as this meadow is called, also influenced Avalon, particularly the Beltane bower (you’ll understand when you read the book)

King’s Quest IV: The Perils of Rosella
This was my very first computer game, and while it didn’t influence my Guinevere books directly, it certainly opened my mind to fantasy. The graphics from the original are so sad by today’s standards, but the wonderful folks over at Unicorn Tales are remaking it. Here’s an old and new shot to show you the difference:

This is the original screen of the pool where Rosella encounters Cupid.

And this is the updated version. So much more like how it is in my brain. Can’t wait for them to finish this!

I also briefly owned Stronghold: Legends, which features an Arthurian gameplay option, but I couldn’t get the hang of the controls and the camera, so after only completing one campaign, I gave up. I did, however, get to hear Bedivere’s name pronounced, and found out I’ve been saying incorrectly all this time (which is the case with many other Arthurian character names which I’ve never heard spoken, only read.)

In case anyone was wondering, my top two favorite PC games of all time are Realms of the Haunting (THE. BEST. ENDING. EVER. I have plans for a related book someday.) and Lords of the Realm 2, which to this day influences every battle scene I write. Thank goodness I don’t have any games anymore…or I’d never get my novels written!

Have you played any of these games? Do you know of any other Arthurian-related games? Are you a gamer? Which games are your favorites? What influences your creativity?