The Anglo-Saxons in Britain: Part 1

A.D. 500-1000, Anglo-Saxons. By by Albert Kretschmer, painters and costumer to the Royal Court Theatre, Berin, and Dr. Carl Rohrbach. (Costumes of All Nations (1882)) [Public domain], via Wikimedia Commons

If you’re anything like me, you have hazy memories of learning about the Anglo-Saxon invasion of Britain in high school. You may even recall a map with arrows pointing from the continental Europe to the Eastern coast of Britain, indicating where the Angles, Saxons and Jutes landed. That was about all I remembered before I started researching for these books, and although this isn’t my area of focus, I thought I’d share a little of what I’ve learned.

The traditional view of how the Anglo-Saxons (my catch-all term for the Angles, Saxons and Jutes – I have no desire to try to explain the difference) came to Britain is that massive waves of them invaded the isle in bloody battle (a view popularized by Bede, Gildas and Nennius). In this view, their first major attack on Britain was either 408 or 41o, during the reign of Constantine when he was busy in Brittany and Rome was rapidly pulling its support from Britain. It was a sound defeat for the Britons that only led to more trouble as the years went by.

Now this thought is being replaced by one that I, personally, think is more realistic. While it lacks the drama of earlier theories, the idea that the Saxons slowly settled over time is consistent with many other “invasions” throughout history (look at the English who colonized America or the Irish who inhabited Dalriada in what is today Scotland – those certainly weren’t all at once).

According to Snyder, the new way of thinking goes like this: in the late fourth century, the Anglo-Saxons  left their homeland in search of more prosperous lands (possibly due to changing weather conditions, rising sea levels or famine in Germanic areas). They must have come a few families or small tribal groups at a time because there is little evidence for major Saxon settlements until around 440. It is likely that in between this time, the Saxons were settling where they could, bringing their women and children over from Germany and Denmark or intermarrying with the Britons on the eastern coast, and slowly increasing their population in this new land.

In the 430s, a group of Britons sent an appeal for help against their other enemies, the Picts and the Scots, to the Roman general Aetius in Gaul, but he didn’t respond. The Britons held a council to try to decide what to do, led by a “proud tyrant,” whom mythology tells us is Vortigern (whose name/title means “proud tyrant”). Vortigern, or whoever led the council, decided to hire the Saxons as mercenaries to defend against the “peoples of the north” (Gildas, quoted in Snyder 83). The Saxons sent word to their homeland, and warships of warriors came to the isle under a peace treaty that ensured the Saxons were protected, paid and fed for their services, which they performed well.

But that only lasted so long. Next week, we’ll look at what went wrong and how the Saxons eventually took power from the Britons, forming the country we know today as England.

—-

Sources:

The Britons by Christopher A. Snyder
The Anglo-Saxons by James Campbell (ed.)
King Arthur: The True Story by Graham Phillips and Martin Keatman

What about you? What have you heard about the Anglo-Saxon invasions? Does it agree with or contradict what’s written here? (It’s a complex topic.) What sources do you recommend?

Everything Old is New Again

First of all, I’m sorry this is kind of a cop-out post. I’ve been ill and we’ve had a death in my family, so I haven’t had as much time to devote to writing or blogging in the last two weeks as I’d like. But, we have lots of new readers here at Through the Mists of Time, so instead of skipping a week, I thought I’d share some old posts you may not have seen. Please, click around, explore and comment on as many as you like! (Posts are listed oldest to newest in each category.)

I’ll get back to new content next week, I promise. Oh, and I’m working on a guest blogging policy, so if you’re interested in guest blogging (or having me guest on your blog), please let me know!

Arthurian Legend

Why Arthurian Legend?
Arthurian Legend 101
Arthurian Legend 201
Avalon Part 1: Myth and Legend
Avalon Part 2: Glastonbury
Avalon Part 3: Avalon in My Books
Guinevereian Fiction
Historical Sources of Arthurian Legend
Literary Sources of Arthurian Legend (Part 1)
Literary Sources of Arthurian Legend (Part 2)
Guest Post: Searching for King Arthur in Turkey
Arthurian Legend: Historical Fiction or Fantasy?
E is for Excalibur
N is for Names, or the Identity Crisis in Arthurian Legend
British Identity After the Withdrawl of Rome

Celtic Society

Picture it: Britain 475 A.D.
A Celtic Primer (Top 10 Fun Facts)
Class in Celtic Society
Time in the Celtic World
Outlaws in the Celtic World
Celtic Warriors
P is for Pick Your Poison: Alcohol in Post-Roman Celtic Britain
Q is for Queens in the Celtic World
U is for Unguents and Celtic Herbalism
V is for Votadini, One of the Tribes of the Gododdin

Celtic Religion

Meet the Druids
Pick a God, Any God
Accessing the Divine – Celtic Inspiration
Samhain: The Celtic New Year
Imbolc: Herald of Spring
Beltane: Celtic Fertility Festival
Lughnasa: Gathering of the Tribe
O Holy Night, Times Three
Celtic Christianity
I is for Insight: Celtic Divination
M is for Magic: How I Handle it in My Books

Writing/Writing process

Writing Process? No Thanks, I Have Characters in My Head
The Casting Couch…er Book
In Defense of Editing Guest Post: Find Your Inspiration
On Historical Fiction Writing
Love/Hate: Ramblings About Research & Editing
The Author Platform or “What Is It You Do, Again?”
F is for Fearsome Heroines
J is for Jargon in the Writing and Publishing World
R is for Resources and Recommendations
S is for Songs that Inspire
T is for Tense: Past and Present Verbs in Fiction
Z is for Zilch, Otherwise Known as Writer’s Block

Books and Authors

A Dream Come True: Meeting Alyson Noel
Five Summer Book Picks
My Top 10 Favorite Fiction Books
Book Review: King Arthur’s Children
D is for Daughter of Smoke and Bone
K is for Kushiel’s Dart
X is for Xenophon, the Original “Horse Whisperer”
Y is for Young Adult Fiction
Book Review: A Discovery of Witches by Deborah Harkness

Other

An Aspiring Writer’s 12 Days of Christmas
Six Blogs to Check Out in 2012
Midnight in Paris: A Movie for Writers (comments are closed due to spam)
Photos from Ireland
Trinity College Old Library Long Room – Heaven on Earth
Pendragon University, School of Arthurian Legend

Pendragon University, School of Arthurian Legend

A crest I created for Guinevere and Arthur. It could also be the seal for Pendragon University. Copyright: Nicole Evelina

I’ve spent way too much time looking at master’s/Ph.D. programs online lately. Need proof? A few days ago I woke up around
1 a.m. with a thought: what would a major in Celtic Arthurian legend look like? I was awake for the next two hours pondering just that.

I’m betting that somewhere in the world a course design looks much like this, but since I haven’t found it yet, I give you the major of Arthurian Studies at my fictional Pendragon University:

Required Courses

  • Celtic History 101 (Vienna to British tribes)
  • Celtic History 201 (Roman occupation to Anglo Saxon rule)
  • King Arthur: Man or Myth?
  • Arthurian Legend 101 (Characters)
  • Arthurian Legend 201 (Historical, Mythological and Literary Sources)
  • The Battles of King Arthur
  • Celtic Law
  • Celtic Daily Life
  • The Druid Religion: Then and Now
  • Classic Arthurian Literature (myth and oral history through the Middle Ages)
  • Modern Arthurian Literature (18th-21st centuries)
  • Arthur’s Enemies: the Picts, Irish and Saxons
  • The Meaning of Arthurian Legend Today
  • Capstone Tour (Glastonbury, Cadbury, Carlisle, Tintagel, etc.) – this tour does exist and I’m going on it next June!
  • Thesis/dissertation

Optional Courses

  • Archeology (emphasis on Roman occupation and post-Roman Britain)
  • Language of the Celts
  • Celtic Herbalism
  • Arthur’s Children in Myth and Literature
  • Arthurian Places Across Britain, Wales and Scotland
  • Warriors and Fighting in Celtic Times
  • Avalon: Myth, Legend and New Age Pilgrimage
  • Beyond the Walls: The Gododdin and The Highlands
  • Food in Post-Roman Britain
  • Arthur in Film and Pop Culture
  • Standing Stones and Monoliths
  • Lecture Series: Women in Arthurian Legend
    • Morgan
    • Guinevere
    • Isolde
    • Elaine
    • Priestesses of Avalon
  • The Holy Grail
  • Symbolism in Arthurian Legend

I even realized that some of my favorite fellow Arthurian/history bloggers could be instructors that this fictional school: Tyler Tichelaar, Ian Forbes, Tim Clarkson (Senchus) Mac Wilson (Badonicus) and Oxford professor Jonathan Jarrett, just to name a few. And if you want a required reading list, check out my research page.

Do you know of any schools that offer something similar? If a major like this existed, would you be interested? Which classes would you want to take? Which classes would you want to teach? What would you add to the list? What books would you recommend?

O is for Old Computer Games, Arthurian and Others

Drawing by AllThingsConsidered

Hi, my name is Niki and apparently I used to be a gamer. (“Hi, Niki”)

I didn’t come to this realization until I watched all five hours (yes, five) of the “Top 100 Computer Games of All Time” on G4. (Don’t judge, you’ve done stuff like that, too.) While none of my favorite PC games made the list (several console games did), it made me realize just how much of an effect some of my favorite games had on me. Being a highly visual person, I guess it shouldn’t surprise me that scenes from these games continue to shape my Arthurian world as I write. Without further preamble, here are a few old computer games whose influence is still clear in my writing:

Arthur: The Quest for Excalibur
This primarily text-based game was released for PCs in 1989. It was my second computer game ever. (We’ll get to the first later.) The basic premise is that you’re a young, untested Arthur who has to get the sword that was in the stone back from King Lot, who stole it. It looks cheesy now, but the fact that it had graphics at all was a big deal at the time.

Remember me saying I was fascinated by the peat fire when I went to Ireland? Well, this screenshot (above) is why. You go to a peasant’s house and find out he is sick and dying of cold. So you go outside and dig a brick of peat to put on his fire to warm him. It was the first time I’d heard of anything other than a wood fire, and I’ve been fascinated with peat ever since!

Later, you meet the village idiot. (No, I’m not kidding. That’s really what he was called.) He has one of the funniest lines I’ve ever encountered in a game, “I’m schizophrenic and so am I.” (Sorry if that offends anyone – this is the Internet, I’m sure someone will get upset – but I have always found it funny, especially seeing as I’m a writer whose characters talk to her.)

Playing this game, I learned that the holy thorn on Glastonbury supposedly planted by Joseph of Arimathea only blooms on Christmas Day. I can’t find a screenshot of it, but the image of when you are walking through the bog to get to the holy thorn was a major influence on how I imagine the mists that surround the isle of Avalon. The game also came with a short version of the Book of Hours, which was used in play, and I’ve been fascinated with the real Book of Hours ever since.

If you’re interested, you can play or download the game here. (I can’t vouch for the safety of this site, so download at your own risk.)

Quest for Glory: So You Want to Be a Hero
Released in 1992, this is still one of my all-time favorite games. It has nothing to do with Arthurian legend, but it’s a high fantasy game, so it still fits. In it, you pick whether you want to be a warrior, mage or thief (I could only beat the game if I was the thief. Plus, it was fun to sneak into people’s houses and steal things.) in order to complete your quest (which involves lots of wandering around, fighting strange creatures and finding treasure).  I probably logged more hours on this game than any other.

The orchard ended up playing into how I imagine parts of Avalon.

Erana’s Peace, as this meadow is called, also influenced Avalon, particularly the Beltane bower (you’ll understand when you read the book)

King’s Quest IV: The Perils of Rosella
This was my very first computer game, and while it didn’t influence my Guinevere books directly, it certainly opened my mind to fantasy. The graphics from the original are so sad by today’s standards, but the wonderful folks over at Unicorn Tales are remaking it. Here’s an old and new shot to show you the difference:

This is the original screen of the pool where Rosella encounters Cupid.

And this is the updated version. So much more like how it is in my brain. Can’t wait for them to finish this!

I also briefly owned Stronghold: Legends, which features an Arthurian gameplay option, but I couldn’t get the hang of the controls and the camera, so after only completing one campaign, I gave up. I did, however, get to hear Bedivere’s name pronounced, and found out I’ve been saying incorrectly all this time (which is the case with many other Arthurian character names which I’ve never heard spoken, only read.)

In case anyone was wondering, my top two favorite PC games of all time are Realms of the Haunting (THE. BEST. ENDING. EVER. I have plans for a related book someday.) and Lords of the Realm 2, which to this day influences every battle scene I write. Thank goodness I don’t have any games anymore…or I’d never get my novels written!

Have you played any of these games? Do you know of any other Arthurian-related games? Are you a gamer? Which games are your favorites? What influences your creativity?

N is for Names, or the Identity Crisis in Arthurian Legend

“The Lady of Shalott” by William Holman Hunt

According to some legends, the Celts believed that to know a person’s true name was to hold power over them. Some tribes even named their children one thing and then gave them another, permanent name when they reached adulthood. That’s why in many myths, a hero doesn’t learn his true name until he is armed by a goddess-like woman. In some versions of Arthurian legend, Guinevere asks Lancelot his name, but he is unable to tell her (because he doesn’t know) until after he completes a quest.

Why am I mentioning this?

  1. You’ll do great if it ever comes up at trivia night.
  2. There are lots of names in Arthurian legend.

Depending on the author and/or translation you read, the same Arthurian character could go by many different names. I’ve only included a few common ones here, but thought you might find it interesting to see who is who:

What’s My Name Again?
(Keep in mind that depending on the author, those listed below as the same character, might in fact be separate characters.)

  1. Guinevere/Gwenhwyfar (Welsh)/Gvenhvyuar (Welsh)/Ganhumara (from Geoffry of Monmouth) – There are about a million more. If you want to see all of them, check out this site. Some legends say there were two or three Guineveres.
  2. Morgan/Morgause/Morganna/Morgaine/Morgan Le Fey/Morgane – Traditionally Arthur’s half sister, she’s also sometimes called Anna.
  3. Galahad/Gwalchavad (Welsh)/Galeas/Galath – Son of Lancelot, he is one of three who find the Holy Grail.
  4. Perceval/Percival/Peredur (Welsh) – Knight who sees the Grail and also meets the Fisher King.
  5. Igraine/Iggraine/Eigyr (Welsh)/Igerne (French)/Ygerne (French)/Ygrayne/Arnive – Arthur’s mother.
  6. Isolde/Iseult/Iseo/Yseult/Isode/Isoude/Esyllt/Isotta – There are three Isoldes, 1) a princess from Ireland who marries Mark even though she’s in love with Tristan, 2) the Irish Isolde’s mother, and 3) a princess from Brittany who marries Tristan after he’s banished from Britain.
  7. Tristan/Drustanus/Drystan/Tristran/Tristram – One of Arthur’s knights, he loved Isolde.
  8. Gawain/Gwalchmei/Gawan/Gawaine/Gwaine/Gavan/Gavin/Walewein/Waweyn – Knight and Arthur’s nephew.

Are you confused yet? I know I am!

Do you think names have special power or significance? What does your name mean? Do you use a special spelling? Can you think of any other Arthurian characters that you’ve seen with different spellings of their names? Which ones do you prefer?

M is for Magic: How I Handle it in My Books

“A Magic Circle” by J. W. Waterhouse

When we get into the realm of historical fantasy, and especially Arthurian legend, magic can mean many different things. So, without spoiling the plot, I wanted to give you a little insight on how I’ve chosen to use magic in my series of books.

I’ve never been a big fan of the really high fantasy sword and sorcery stuff where people conjure blue flame out of thin air and play magical dodgeball, so you won’t be seeing that in my work. I decided to go with a more natural approach, one that felt true to the beliefs of the Celts. We don’t know exactly what magic they used, but we know they believed in it from Roman accounts of the battle of Mona where the priestesses were said to keen and cast spells upon the wind as the Roman army advanced and slaughtered them. We also know that they were very in tune with nature. So, I chose to combine the two and make their magic very elemental.

What you will see (mainly from the Druids and priestesses of Avalon):

  • Use of the Sight and divination to see into the past, present and future
  • Invocation of the goddesses/gods and prophecy
  • Weather magic (calling the rain, fog, clouds, etc.)
  • Rituals based in Celtic religious belief
  • Herbalism and healing/poisonous potions
  • Mentions of nature spirits
  • Use of geasa (taboos) to place restrictions on someone

What you won’t see:

  • Smiting with lightning bolts or fireballs
  • Spell casting
  • Mythical creatures as characters (sorry, no dragons or faeries)
  • Shape-shifting

You’ll notice that I don’t use magic as a form of control (spell casting). That’s because I find it far more intriguing to explore the very human ways we manipulate one another through power (political, familial, religious, etc.), emotion (love, lust, hatred, fear) and our own personal beliefs/biases/bigotry.

Royal Mail’s Magical Realm Stamps

I realize that not everyone is as willing to believe in magic as I am, so I’ve also tried to give you a slight hint at possible rational explanations for some of the magic. For example, mystics the world over have found ways to touch hot coals without being burned or walk on glass without being harmed through sheer mental control. If you want to believe that’s what the priestess’ training really is rather than ascribe it to magical ability, you can. What about making it rain? If you want to believe its sheer coincidence, that’s up to you, but my characters most certainly believe in the power of magic.

My characters have certain natural talents, just like you or I, but none of them could perform their magic without serious training. It’s not something they take lightly or do for fun. For them, magic is a gift to be respected and honored, not abused. And if one does abuse it, the consequences are high.

How do you feel about magic in historical fantasy? Do you prefer more or less? What are some books/movies/etc. that you think handled magic well? Which ones didn’t you like? Do you believe in magic?

E is for Excalibur

Who knew the story of Arthur’s famous sword was so complicated? (And this is just a short summary!)

Contradictory accounts have been written over the years, but Excalibur is usually not one in the same with the Sword in the Stone. The sword Arthur drew from the stone was broken in battle. In searching for its replacement, Arthur received Excalibur from the Lady of the Lake. According to John Matthews, the story of the sword in the stone may have come from the Sarmatian custom of worshiping a sword stuck in a stone. (Apparently there was a large Sarmatian contingent in Britain. Matthews states that after they lost a long-standing battle with Rome, 3,000 Sarmatians were banished to Britain by Emperor Marcus Aurelius in the 2nd century.) And if you like a little conspiracy to your legend, check out the story of Galgano Guidotti (later canonized a saint), whose act many believe is the actual origin of the Sword in the Stone stories.

Even though today we automatically think of Excalibur as linked with Avalon and the Lady of the Lake, the earliest Celtic Arthurian legends don’t include that part. Although they could have. It was common in Celtic myth for a young would-be warrior to be given his weaponry by a goddess-like woman.

In the earliest tales, Arthur’s sword is called Caliburn (or Caledfwich in Welsh). According to David Day and Ronan Coghlan, both come from the Irish Caladblog, which means either “flashing sword” (Day) or “hard lightning” (Colghlan). However, John Matthews argues that the name comes from Sarmatian smiths called Kalybes who lived in the Caucasus. He says that Caliburn derives from the words “chalybus” which means “steel” and “eburnus” or “white,” translating as “white steel.”

It is generally believed that the name Excalibur is the Norman French translation of the Celtic Caliburn, and that’s fitting seeing since the French are the ones who give us the story of the Lady of the Lake (and/or the arm that reaches up out of the lake, which might belong to the Lady or not, depending on the tale).  This sword was very powerful, forged by an elf smith of Avalon. It’s blade could not be broken, yet it could cut through steel and stone without being dulled. It’s jeweled scabbard was magic and protected the person who wore it from wounds involving blood loss. In many traditions, Morgan steals both the sword and the scabbard, replacing them with fakes. Excalibur is eventually recovered, but the scabbard is not, leaving Arthur vulnerable for the fateful battle of Camlann.

John Duncan – The Taking Of Excalibur

Interestingly, the Sword in the Stone and the idea of magical swords is common across the world. In the Norse Volsunga stories, the hero Sigmund pulls a sword from a tree. It is broken in battle. His son Sigurd gets a replacement called Gram, given to him by the mother of the god Odin. The hero Charlemagne had his sword Joyeuse. El Cid had Tizona. And according to Day, all were made by the mythic Wayland the Smith, who in turn traces his origin to the Roman god Vulcan and the Greek god Hephaestus.

What about the end of the story? Bedivere’s role of returning Excalibur to the lake comes into the myth at the 13th century, but it was probably based on the ancient Celtic custom of throwing offerings into sacred pools of water as part of a ritual honoring the deity of the lake or spring.

And if all this isn’t complicated enough, Excalibur isn’t necessarily Arthur’s alone. In some versions Accalon (also spelled Accolon) holds the sword for a time, while in Chretien de Troyes’s Perceval, Gawain is its owner.

What have you heard about the famous Excalibur? What part of the myth do you believe? What other famous swords do you know about? What other “E” topics do you want to read about when I do the A to Z Challenge again?

—-

Sources: The Quest for King Arthur by David Day, King Arthur: Dark Age Warrior and Mythic Hero by John Matthews, The Illustrated Encyclopedia of Arthurian Legend by Ronan Coghlan, and King Arthur and the Goddess of the Land by Caitlin Matthews.

A to Z Blogging Challenge: A is for Aggrivane

A to Z bookends by Katie Wong NYC

So, I’ve decided to take on the A to Z Blogging Challenge. (I was inspired by Jenny Hansen over at More Cowbell.)

Technically, it was supposed to take place in April, but I couldn’t do it then, so I’m doing it now, but with my own twist to the rules. The official rules say you blog every day except Sundays for 26 days, with each day’s topic starting with a different letter (A, B, C, etc.). My life doesn’t allow that kind of aggressive blogging schedule, but I’m going aim for twice a week, Thursdays and Sundays, until I’ve made it through the alphabet. (I reserve the right to interrupt the challenge for the Through the Mists of Time blogiversary next month.)

The idea is that these posts are supposed to be shorter than the ones I typically do, and that’s probably going to be the hardest part. And since I’m not going to confine myself to Arthurian/Celtic themes, so you might just learn a little more about me or maybe read something that interests you more than my boring old posts about bygone days. But my first topic is Arthurian.

A is for Aggrivane

More properly spelled Agravain or Agravaine, this Arthurian character is the second son of King Lot and Arthur’s sister (Morgause or Anna, depending on who the story), which makes him Arthur’s nephew. He is said to be somewhat of a villain. Aggrivane knew about Lancelot and Guinevere’s affair and worked with Mordred to arrange the lovers being caught in the act. Traditionally, he is killed by Lancelot, either at the time of their discovery or when Lancelot rescues Guinevere from her death sentence.

I’ve always seen this character used as a secondary player, but when I plotted my story, he became a natural main character. If I told you how or why, it would ruin one of the biggest plot points of my first book, but I can tell you this: in my world, he is still the son of Lot, but he is a much kinder person who has a talent for reading the stars and dreams of a life very different than the one legend has put him in to date. I fell in love with him, and I hope you will, too.

So, why do I spell his name Aggrivane? Well, that’s the way it came out of my fingers the first time I typed it and since I’ve never been able to get myself to spell it any other way, that’s the way it’s staying. (In my head, he wants it that way.) And if you need help picturing him, think of Orlando Bloom. I wrote the character with him in mind.

So what do you know about this character? How have you seen him portrayed? What do you want to know? I’ll probably do the A to Z Challenge again in the future, so please let me know if you have any other “A” suggestions.

Arthurian Legend: Historical Fiction or Fantasy?

When I first started to seriously consider getting my work published, I posted to an online message board asking whether agents/publishers consider Arthurian legend historical fiction or fantasy. I received only one reply (rather snarky), “Oh that stuff gets passed off as historical fiction all the time.”

That was when I realized not everyone thinks Arthurian legend is a serious topic (or sub-genre, if you will) for historical fiction. Where it should be classified really depends on your definition of “historical.” If by that word you mean something firmly grounded in evidence and fact (especially written), then you won’t ever be able to accept Arthurian legend as historical. But if you accept a looser definition that includes anything that takes place in another time period and attempts to recreate the history, culture, politics, religion, etc. of that time, then you open yourself up to including Arthurian legend.

I’m happy to say that the Historical Novel Society (HNS) counts it as historical fiction. As stated in their Guide to King Arthur:

From the point of view of historical fiction, the Arthur mythos has always pin-pointed the fault-line between history and story. The historians pull in the direction of a realistic, Celtic post-Roman world. Their Arthur is without magic, without high-Catholic symbolism, and without chivalry. The fantasy authors pull the other way, setting the stories in a time outside time, often depicting a battle between Christian ‘magic’ and pagan ‘magic’, plundering the myths for narrative and atmosphere. Literary authors tend to stand one foot in both camps, enchanted by the magic realism and epic poetry at the heart of the stories, but wanting to give emotional consistency and humanity (usually historical humanity) to the protagonists.”

Personally, I believe that Arthurian legend can be either historical fiction or fantasy, depending on if the author chooses to ground his/her story in history. As I’ve said before, there is very little historical evidence for Dark Ages Britain and King Arthur. Really all we know for sure is that the tribes of Britain fought against each other after Rome left their shores in 410 AD. They united (presumably under a single leader) to face the Saxons in battle at a place traditionally known as Mount Badon, somewhere around the year 500 AD (some argue as much as 30 years earlier or later on the date). They roundly defeated the Saxons, who then left them alone for decades. Their leader is traditionally called Arthur, which may be a title or a name. Around him grew the stories we know as Arthurian legend (see parts 1, 2, and 3 of my series on the evolution of Arthurian legend to learn more).

Because we have so few reliable records, those of us interested in Arthur and Celtic Britain must rely heavily on myth and tradition. This opens up a lot of room for interpretation and invention. (Hence, the “fiction” part of “historical fiction.”) But it can also lead into the realms of fantasy when we make up things to fill in the historical gaps, especially if those things involve the supernatural. But does magic always mean fantasy? Again, the answer depends on your point of view. The Celts certainly had a belief in magic. And there are people in our world today who will swear psychic abilities, the manipulation of energy and Otherworldly beings are very real, while others say they are pure make-believe or wishful thinking.

In short, until the day someone can definitively prove one way or the other that Arthur did or did not exist and we find records of his culture, there will be the possibility for both historical accuracy and fantasy in fiction that deals with him and his world.

And my books? I never thought I’d say this, but according to the HNS definition, I think I fall in the literary category. My Arthur and Guinevere live in post-Roman Britain (approximately 491-530 AD) and I’ve tried very hard to make the culture/politics true to the time period, but I also couldn’t imagine an Arthurian world without magic. Because of the tensions of the time, I carry on the fantasy tradition of emphasizing the clash between pagan and Christian, but not only in theology, also in politics and power.

Do you think Arthurian legend can be considered historical fiction? Or would you define it as fantasy? Why? Does how it’s classified or shelved at a bookstore even matter to you as a reader?