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A to Z bookends by Katie Wong NYC

So, I’ve decided to take on the A to Z Blogging Challenge. (I was inspired by Jenny Hansen over at More Cowbell.)

Technically, it was supposed to take place in April, but I couldn’t do it then, so I’m doing it now, but with my own twist to the rules. The official rules say you blog every day except Sundays for 26 days, with each day’s topic starting with a different letter (A, B, C, etc.). My life doesn’t allow that kind of aggressive blogging schedule, but I’m going aim for twice a week, Thursdays and Sundays, until I’ve made it through the alphabet. (I reserve the right to interrupt the challenge for the Through the Mists of Time blogiversary next month.)

The idea is that these posts are supposed to be shorter than the ones I typically do, and that’s probably going to be the hardest part. And since I’m not going to confine myself to Arthurian/Celtic themes, so you might just learn a little more about me or maybe read something that interests you more than my boring old posts about bygone days. But my first topic is Arthurian.

A is for Aggrivane

More properly spelled Agravain or Agravaine, this Arthurian character is the second son of King Lot and Arthur’s sister (Morgause or Anna, depending on who the story), which makes him Arthur’s nephew. He is said to be somewhat of a villain. Aggrivane knew about Lancelot and Guinevere’s affair and worked with Mordred to arrange the lovers being caught in the act. Traditionally, he is killed by Lancelot, either at the time of their discovery or when Lancelot rescues Guinevere from her death sentence.

I’ve always seen this character used as a secondary player, but when I plotted my story, he became a natural main character. If I told you how or why, it would ruin one of the biggest plot points of my first book, but I can tell you this: in my world, he is still the son of Lot, but he is a much kinder person who has a talent for reading the stars and dreams of a life very different than the one legend has put him in to date. I fell in love with him, and I hope you will, too.

So, why do I spell his name Aggrivane? Well, that’s the way it came out of my fingers the first time I typed it and since I’ve never been able to get myself to spell it any other way, that’s the way it’s staying. (In my head, he wants it that way.) And if you need help picturing him, think of Orlando Bloom. I wrote the character with him in mind.

So what do you know about this character? How have you seen him portrayed? What do you want to know? I’ll probably do the A to Z Challenge again in the future, so please let me know if you have any other “A” suggestions.


When I first started to seriously consider getting my work published, I posted to an online message board asking whether agents/publishers consider Arthurian legend historical fiction or fantasy. I received only one reply (rather snarky), ”Oh that stuff gets passed off as historical fiction all the time.”

That was when I realized not everyone thinks Arthurian legend is a serious topic (or sub-genre, if you will) for historical fiction. Where it should be classified really depends on your definition of “historical.” If by that word you mean something firmly grounded in evidence and fact (especially written), then you won’t ever be able to accept Arthurian legend as historical. But if you accept a looser definition that includes anything that takes place in another time period and attempts to recreate the history, culture, politics, religion, etc. of that time, then you open yourself up to including Arthurian legend.

I’m happy to say that the Historical Novel Society (HNS) counts it as historical fiction. As stated in their Guide to King Arthur:

From the point of view of historical fiction, the Arthur mythos has always pin-pointed the fault-line between history and story. The historians pull in the direction of a realistic, Celtic post-Roman world. Their Arthur is without magic, without high-Catholic symbolism, and without chivalry. The fantasy authors pull the other way, setting the stories in a time outside time, often depicting a battle between Christian ‘magic’ and pagan ‘magic’, plundering the myths for narrative and atmosphere. Literary authors tend to stand one foot in both camps, enchanted by the magic realism and epic poetry at the heart of the stories, but wanting to give emotional consistency and humanity (usually historical humanity) to the protagonists.”

Personally, I believe that Arthurian legend can be either historical fiction or fantasy, depending on if the author chooses to ground his/her story in history. As I’ve said before, there is very little historical evidence for Dark Ages Britain and King Arthur. Really all we know for sure is that the tribes of Britain fought against each other after Rome left their shores in 410 AD. They united (presumably under a single leader) to face the Saxons in battle at a place traditionally known as Mount Badon, somewhere around the year 500 AD (some argue as much as 30 years earlier or later on the date). They roundly defeated the Saxons, who then left them alone for decades. Their leader is traditionally called Arthur, which may be a title or a name. Around him grew the stories we know as Arthurian legend (see parts 1, 2, and 3 of my series on the evolution of Arthurian legend to learn more).

Because we have so few reliable records, those of us interested in Arthur and Celtic Britain must rely heavily on myth and tradition. This opens up a lot of room for interpretation and invention. (Hence, the “fiction” part of “historical fiction.”) But it can also lead into the realms of fantasy when we make up things to fill in the historical gaps, especially if those things involve the supernatural. But does magic always mean fantasy? Again, the answer depends on your point of view. The Celts certainly had a belief in magic. And there are people in our world today who will swear psychic abilities, the manipulation of energy and Otherworldly beings are very real, while others say they are pure make-believe or wishful thinking.

In short, until the day someone can definitively prove one way or the other that Arthur did or did not exist and we find records of his culture, there will be the possibility for both historical accuracy and fantasy in fiction that deals with him and his world.

And my books? I never thought I’d say this, but according to the HNS definition, I think I fall in the literary category. My Arthur and Guinevere live in post-Roman Britain (approximately 491-530 AD) and I’ve tried very hard to make the culture/politics true to the time period, but I also couldn’t imagine an Arthurian world without magic. Because of the tensions of the time, I carry on the fantasy tradition of emphasizing the clash between pagan and Christian, but not only in theology, also in politics and power.

Do you think Arthurian legend can be considered historical fiction? Or would you define it as fantasy? Why? Does how it’s classified or shelved at a bookstore even matter to you as a reader?


This is a first for me as a crazy writer. My characters actually told me a particular song should go on the Book One playlist. How did this happen?

While I was in Dublin, we went to an area called Temple Bar, hoping to get to hear some authentic Irish music. Ironically, most of the pubs we passed were playing American music, and not particularly good songs, either. We eventually stumbled upon a street jam of Celtic music. This is exactly the kind of stuff I listen to when I write. No words, just pure energy.

The band is called Mutefish. When this particular song (“De La Ferme”) started, two of my characters, Guinevere and Aggrivane, started yelling in my head, “This is what we danced to in the Beltane scene!” (Which will make so much more sense when you can read my book.)

I’ve uploaded two additional videos I shot during the street jam on my YouTube channel, in case you’re interested. I think I have the song titles right, but I’ve only listened to the CD a few times since I got back, so if anyone can confirm or correct me, I’d appreciate it. (Eventually, I’ll update my book trailer and upload it to my channel as well.)

So what do you think? Did you like the music? What music inspires you?


"Beltane Reunion" by Emily Balivet

“It’s May, it’s May, the lusty month of May! That lovely month when everyone goes blissfully astray.” Yes, I’m channeling Guinevere in the legendary musical, Camelot. Who better to introduce the festival of Beltane (May 1) than the controversal queen? After all, Lerner and Loewe were right. Beltane is all about sex and fertility. And the Celts, unlike the Victorians, weren’t shy about it.

When we looked at Samhain and Imbolc, two of the other high holy days on the Celtic calendar (Lughnasa is yet to come), I took you through them in an experiential way through a short piece of fiction. The reason I’ve chosen not to do so with Beltane is that there is a long section of Book 1 that takes place on Beltane and I’m afraid anything I do here would too closely mirror what’s in the book. So I’m going to cover the festival on a more theoretical basis.

Beltane is the second most sacred of Celtic festivals, just behind Samhain (October 31). In some ways you can think of these two festivals like Christmas and Easter for some Christians. Even if you didn’t practice the rest of the year, you celebrated these two holidays. Beltane is on the opposite end of the wheel of the year from Samhain, and celebrates the light half of life, the life-giving, nurturing fertility of this time of year. (It’s actually the first day of summer on the Celtic calendar.) Like Samhain, Beltane was celebrated with great bonfires and revelry (and still is in parts of the world; check out the Beltane Fire Society to learn about modern celebrations in Edinburgh). Cattle were driven between bonfires as a way of blessing and purifying them, and many young couples daringly leapt over the flames or danced among them.

"Beltane Grove" by Mickie Mueller

Taking it to its most basic level, you could say Beltane was an excuse to party. It was a celebration of the sexual union of the God and Goddess, and the creative energies born from their love-making. These energies were thought to bless the land, animals and people, bestowing health and fertility on all. And so the people of the Celtic tribes, unencumbered by prudish morals, took the opportunity to emulate the gods and spent Beltane night in feverish coupling. According to many sources, it didn’t matter if the partners knew one another previously or not, for on that night, all women were the Goddess incarnate and all men, the God. But it wasn’t just sex; it was a holy union blessed by the gods. Sometimes, a May Queen and May King were chosen to partake in these erotic roles in an especially sacred way or, in tamer times, to reenact the wedding of the God and Goddess in a non-sexual pageant before the whole village.

The Oak King and Holly King battle twice a year, resulting in the light and dark halves of the year.

Another common Beltane theme, one that mirrors Samhain, is the hunt. At Samhain, you have Herne the Hunter, the dark god who rides the autumn sky with his red-eyed hell hounds in supernatural hunt. But on Beltane you have the image of the Great Hunt, of either a wild boar, or as beautifully depicted in The Mists of Avalon, the King Stag. Similarly, some branches of Celtic belief attach the story of the triumph of the Oak King (summer) over the Holly King (winter) to Beltane (although many neo-pagan groups associate this story with Midsummer, instead). No matter which mythology you choose, the idea is the same. Just as the light overpowers the darkness on Beltane, so does the younger generation topple the old in the hunt, giving reign to the powers of life and fertility once again.

Beltane is the other festival in which the veil between our world and the spirit world is virtually nonexistent. At Samhain, spirits of the dead roamed the lanes, but on Beltane, faeries and other nature spirits rule the day. While some invoked the tamer nature spirits, the Celts knew a dark side to the fey as well, so many used talismans against changelings (faerie babies put in place of stolen human babies) near this festival. Faeries could easily beguile people and animals on this night, taking them under control and leading them away to their mounds, where one day was equivalent to centuries in the mortal realm. To ward off such danger, the bonfires were made of nine sacred woods, and offerings of wine, milk or a pottage of oats were left outside the festival areas to divert and appease any fey who might be attracted to the revelry.

Today, Beltane lives on in Maypole dances (an ancient fertility rite in which the pole is phallic, the ribbons represent its union with the feminine, and the dance the act of intercourse), May Day and Catholic May Crowning ceremonies (which many point to as a form of veiled Goddess worship). Then again, in some parts of the world, it hasn’t changed at all. Check out this article from The Telegraph on the resurgence in popularity of the feast.

Do you celebrate Beltane? If so, how? What traditions live on in your part of the world? Have you read about Beltane festivals in books (fiction or non-fiction)? What are your favorite portrayals?


Trinity College Long Room, Old Library. No photography is allowed, so this is a scan of the postcard I bought in the gift shop.

Pardon me while I indulge my dorkdom.

But if I could personally design heaven, it would look exactly like the Trinity College Old Library Long Room. For me, this is heaven on earth and I’m sure my fellow bibliophiles would agree.

Built between 1712 and 1732, it houses over 200,000 rare books. Rotating exhibits line the center isle. The ones while we were there were illuminated manuscripts from various time periods, as well as artifacts from the library’s history, including the oath the library guards have to take. Word to the wise: the guards get tetchy if you lean over the ropes to get a better look at the books, even if your hands are behind your back. Really, all I wanted was to see if I could read the titles on the spines…

The library also houses the Book of Kells, Book of Armagh, the Book of Durrow and the oldest surviving harp in Ireland (you know, the one you see on Irish coins and everywhere else). But for me, the real treasure was the library itself. I actually cried while we were in the Long Room. That’s how happy I was. Somehow seeing all those books confirmed my desire to be a full-time author and also get my doctorate in history. I’m a bookworm to my core.

The spiral staircase that greets you as you walk into the library. Also a scan of a postcard.

I could kiss the person who created this: a 360 degree tour of the Long Room Library. (Put it on full-screen mode to feel like you’re there.) I think it will get me through until I can go back again, which it now appears may be sooner than I anticipated.

In all seriousness, it’s on my Bucket List to get to use one of the books housed here in my research, preferably getting to read it in the second floor reading room. Now I just have to figure out what they have that I would need and how to go about accessing it. I’ve also added visiting all the world’s most beautiful libraries to my list. Anyone want to come with me?

I could sit and look at the stacks of books, breathing in that old book smell forever. Yeah, if I was in the world of Veronica Roth’s Divergent, I’d totally be Erudite.  And that’s fine by me.

What do you think of the library? Have you been there? Do places like this interest you? What places in the world take your breath away?


Grab your Snuggies and settle in. It’s time for a couch cruise to Ireland, courtesy of your friendly historical fiction writer. No passport required. For the next three weeks I’m going to share with you a little of what I saw and heard.

I was in the Emerald Isle for business, but I did get a chance to talk to some of the locals about the Irish take on the story of Tristan and Isolde, so I have no doubt that will influence the way I position book 4, when I get to it. Let’s just say I was advised to focus on the story’s mythical origins.

Most of my time was spent in and around Dublin, so I’m sorry to say I don’t have any rolling green hills to show you, but I can share a little of my trip. And yes, I took all of these photos.

We stayed in the Georgian area of Dublin, near the Georgian Mile. You can see the distinctive style of architecture in these buildings. (Do the chimneys make anyone else think of the movie Velvet Goldmine, or am I just mad?)

      Grafton Street at dusk.

The main altar of St. Teresa’s Church on Clarendon Street. I highly recommend seeing this beautiful Carmelite church off Grafton Street if you get the chance.

 

Isn’t St. Stephen’s Green beautiful in spring? I think it’s got Central Park beat.

According to the plaque, this fountain depicts the three fates, but I see the Celtic triple goddess here. She’s alive and well in Ireland!

 In case you haven’t had enough beauty, here’s Merrion Park.

 Reclining comfortably (and somewhat lecherously) in Merrion Park is literary icon Oscar Wilde.

Trinity College. We went there for the Book of Kells, which is disappointing – you only get to see a replica and it’s not very exciting – but found a wonder beyond our wildest imaginations. More to come on Trinity’s breathtaking library next week.

For the armchair tourists, here are St. Patrick’s Cathedral (I didn’t get to go inside) and Kilmainham Jail (I toured that one; very important in the Irish quest for independence).

C'est moi!

Dublin port

View from Howth, which is outside of Dublin. Palm trees are all over Dublin, but they’re not native to the area. I never did find out how they got there.

A peat fire, just because we were fascinated by it. For those who don’t know, the peat forms in low-lying bog areas when trees decay. On the upper levels where it’s looser, it’s peat moss, but from the lower, compact levels it’s harvested as turf. According to our host, it burns warmer and longer than wood. And it also has a better smell, slightly sweet, yet acidic at the same time. You’ll notice this end up in book 4.

Sunset over the Irish Sea. I’m almost positive I’m going to locate Isolde’s home south of Dublin (possibly far south), but this gives you and me both an idea of the beauty she’d look out over while home and long for while she’s in Britain.

As promised, next week you’ll get a short post on The Long Room of Trinity College. Or as I call it, heaven!

Questions? Comments? Do any of you have Ireland pictures to share?


Note from Nicole: Today’s guest post comes from Arthurian scholar and historical fiction author, Tyler R. Tichelaar, Ph.D. You may remember his name from a review of his book, “King Arthur’s Children,” that I did a few months ago. I’m thrilled to have him with us because he can always be counted on for thought-provoking insight into Arthurian legend. I will be in Ireland when this post runs, but Tyler is ready to respond to any comments/questions you may have.

I am honored to be a guest on Nicole Evelina’s blog. When I told her I was going to Turkey and it had Arthurian connections, she was surprised and asked me whether I would blog about my trip and those connections when I got home.

While I did not find any legitimate evidence that King Arthur ever visited Turkey, Turkey has many connections to the Arthurian legend, including being home to King Arthur’s ancestors and to many stories and relics that later figure in the Arthurian legends. In fact, I could fill many blog posts with the connections between Arthur and Turkey, but I will just briefly hit some of the highlights here and include a few photographs from my trip.

King Arthur’s Ancestors in Turkey

The ruins of Troy (Photo by Tyler R. Tichelaar)

Who were King Arthur’s ancestors? According to Geoffrey of Monmouth, Arthur was descended from Brutus, for whom Britain was named. Brutus came to Britain from Italy where he was a descendant of Aeneas, founder of Rome. Aeneas was a survivor who escaped from Troy after the city fell. Aeneas’ tale is told in The Aeneid by Virgil, and he is also mentioned in Homer’s Iliad. Aeneas was part of the Trojan royal family. Therefore, we can say that King Arthur was a Trojan. Today, it is difficult to imagine what the city of Troy must have looked like since the ruins of Troy are hardly more than small remnants of walls that remain, but even so, I found it spine-tingling to visit those ruins and imagine what it would have been like to live in Troy. Had there been no Trojan War, perhaps there would have been no King Arthur.

King Arthur’s bloodline is also often linked to the Emperor Constantine, best known for having made Christianity the religion of the Roman Empire. Some sources claim that Constantine was father to Ambrosius Aurelianus, and some scholars think Ambrosius was the real source for King Arthur, while more typically he is depicted as King Arthur’s uncle, brother to Uther Pendragon. Since the Emperor Constantine died in 337 and Arthur traditionally is believed to have died at the Battle of Camlann circa 539, it seems unlikely that the Emperor Constantine was his grandfather, but other traditions link Arthur to Magnus Maximus who vied for the throne of Rome, and Arthur might have also been related to Constantine when it’s considered that many traditions claim Constantine’s mother, Helen, was a British noblewoman and also that Constantine was himself born in Britain. Notably, Arthur’s successor as King of Britain is also named Constantine.

Chapel built on Virgin Mary’s House near Ephesus (Photo by Tyler R. Tichelaar)

The British chroniclers of the Middle Ages linked Constantine as a descendant from Joseph of Arimathea; Joseph prominently figures in the Grail Legends and reputedly was Jesus’ uncle and may have brought Jesus to Britain where he spent his “missing” years of childhood that are not documented in the Bible.

If King Arthur were related to Constantine, and therefore, also to Joseph of Arimathea, he may have also been related to the Virgin Mary since Joseph of Arimathea is often believed to have been Mary’s uncle (so technically Jesus’ great-uncle). Mary traveled to Turkey with the apostle John some time after the Crucifixion. She made her home near Ephesus, one of the seven churches of Revelation. Today a chapel is built upon the place where once her house is believed to have stood.

The Grail Legend
What would the Arthurian legend be without the quest for the Holy Grail? One candidate for the true Holy Grail is a chalice in Spain at the monastery of San Juan de la Peña. According to Wikipedia, archaeologists say the artifact is a 1st century Middle Eastern stone vessel, possibly from Antioch in present day Turkey.

Another holy relic associated with the Grail legends is the Lance of Longinus, which pierced Christ’s side during the Crucifixion. It is often featured with the Holy Grail in the Grail legends and is one of the items carried in a procession that Percival witnesses. This spear was brought from the Holy Land to Constantinople (modern day Istanbul, Turkey) in the seventh century. It was housed in Hagia Sophia. Later it was moved to the Church of the Virgin of the Pharos. The point of the lance, which was now set in an icon, was acquired by the Latin Emperor, Baldwin II of Constantinople, who later sold it to Louis IX of France.

King Arthur and the Roman Emperor

Hagia Sophia (Photo by Tyler R. Tichelaar)

Several versions of the Arthurian legend cite Arthur’s conflict with the Roman emperor as reason for his journey to the Continent, leaving the kingdom of Britain in Mordred’s hands. Of course, Rome fell in 476 and usually Arthur is seen as living after this date. Therefore, it is more likely that it is the Byzantine Emperor who demands fealty from Arthur. The Byzantine Empire was also in decline in the 5th century but reached its greatest extent during the reign of the Emperor Justinian (527-565), placing him as emperor toward the end of Arthur’s reign, so I suspect Justinian’s increasing power may have been reason for him demanding fealty from a former Roman province such as Britain; therefore, I suspect he is the emperor with whom Arthur has a conflict. The term Byzantine was not applied until recent times by historians, while the medieval chroniclers would have thought of the Byzantine Emperor as the Roman Emperor—especially since there would have been no Holy Roman Emperor until Charlemagne in 800 A.D.

Emperor Justinian

In addition, Parke Godwin in his novel Beloved Exile (1984) about Guinevere’s life after the Battle of Camlann has her end up at the Court of the Emperor Justinian in Constantinople. Constantinople at that time would have been the most resplendent and important city in Christendom.

Anachronistic King Arthur Tales in Turkey
Believe it or not, there is a legend that claims that King Arthur piloted an ark (just like Noah did) during the Deluge (see http://stevequayle.com/Giants/articles/giants.of.Earth.html). Noah’s ark reputedly ended up on top of Mt. Ararat in modern day Turkey. There’s no word where Arthur’s ark ended up. Perhaps Arthur was a time traveler, since the Great Flood would have taken place about 6,000 years before Arthur lived.

Another interesting anachronism is the tale of “The Turke and Sir Gawain” which can be read at: http://www.lib.rochester.edu/camelot/teams/turkfrm.htm. The Turks were not known to Western Europeans really until five centuries after Arthur’s time when they entered modern day Turkey and defeated the Byzantine Emperor in 1071. They continued as an increasing threat to Christendom and Europe through their conquest of Constantinople in 1453. This poem was composed about 1500 when the Ottoman Empire ruled by the Turks was at its height and a severe threat to Christendom, so the modern day Turkish threat was cast upon the Arthurian legend.

Therefore, a good case can be made for the significant relationship between the land of Turkey and its people and their influence on the Arthurian legend. Finally, if my Turkey-King Arthur connections are not convincing enough, perhaps you would prefer some good cooking. A quick search on the Internet will find plenty of recipes for using King Arthur Flour to make various turkey dishes including turkey and dumplings: http://www.kingarthurflour.com/blog/2008/11/29/a-deft-recipe-for-dumplings-a-quest-fulfilled/

Tyler R. Tichelaar

Tyler R. Tichelaar, Ph.D. is a scholar and novelist on the Arthurian legend. You can visit him at his blog http://childrenofarthur.wordpress.com/ and his website www.ChildrenofArthur.com.

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